5 Girls

A quietly devastating look at a family of Ponderai Native Americans as they travel to Yellowstone to preserve their treaty hunting rights.

Short piece for the TV series Aujourd'hui en France [Today in France]. The review of an exhibition by Miró at the Maeght Foundation offers the opportunity to approach the surrealist artist from the filmmaker's central themes: the theatre, the interrelationship between the arts and the transformation of the childhood experience through art. The ensemble is like a work by Joan Miró translated into real life. This is its first screening after its television premiere in 1980. Translated with www.DeepL.com/Translator (free version)

In post-revolution Libya, a group of women are brought together by one dream: to play football for their nation. But as the country descends into civil war and the utopian hopes of the “Arab Spring” begin to fade, can they realise their dream? And is there even a country left to play for? Freedom Fields is a film about hope and sacrifice in a land where dreams seem a luxury. Through the eyes of these accidental activists we see the reality of a country in transition, where the personal stories of love, struggle and aspirations collide with History.

Six adult siblings and the vicissitudes of fertility, infertility, and the desire - met and unmet - for a baby. Focusing on one couple's attempt to become pregnant, and the inevitable highs and lows of a year of hope and disappointment.

A film that captures the portraits and stories of extraordinary women around the world who are coming together to heal the injustices against the earth, weaves together poetry, music, art, and stunning scenery to create a hopeful and collective story that inspires us to work for the earth. The list of impassioned, indefatigable female environmental activists featured in this film includes Winona LaDuke, a Native American who has championed the use of solar and wind power on reservations; Theo Colborn, head of The Endocrine Disruption Exchange, who fights against toxic chemicals in our water supplies; Beverly Grant, who’s created a vibrant farmer’s market in a black neighborhood of Denver, Colo.; Dana Miller, who spearheads an “urban agriculture movement” in the same city; and Vandana Shiva, who champions organic farming in India.

My Louisiana Love follows a young Native American woman, Monique Verdin, as she returns to Southeast Louisiana to reunite with her Houma Indian family. But soon she sees that her people’s traditional way of life- fishing, trapping, and hunting these fragile wetlands– is threatened by a cycle of man-made environmental crises. As Louisiana is devastated by Hurricane Katrina and Rita and then the BP oil leak, Monique finds herself turning to environmental activism. She documents her family’s struggle to stay close to the land despite the cycle of disasters and the rapidly disappearing coastline. The film looks at the complex and uneven relationship between the oil industry and the indigenous community of the Mississippi Delta. In this intimate documentary portrait, Monique must overcome the loss of her house, her father, and her partner – and redefine the meaning of home. Her story is both unique and frighteningly familiar.

A powerful documentary about the lives of teens and young adults as seen through the gender lens. Approaching society's ideas and ideals of gender through clothes, sexuality, sports, dance, safety, consumerism and emotion, the film addresses the complexities of conceptions of masculinity and femininity for Generation Z.

The history of the roles of women in Quebec society, beginning with the women shipped from France to the New World by the King to populate the colony with the men already there, and ending with the modern career woman.

THE PEARL is a cinematic and intimate portrait of four transgender women who come out in their senior years. Set in logging towns in the Pacific Northwest, the visceral, observational story explores what it means to leave behind presenting as a man.

For years, filmmaker Sacha Polak has known that she carries the BRCA1 hereditary cancer gene, responsible for breast cancer, but she can't decide what to do. Does she have her breasts removed as a preventive measure to minimize the risk of developing cancer? What if she had them removed, thus forsaking her femininity, for nothing? Sacha decides to make a personal and open documentary about her search.

Childhood stories of the artist as a young lesbian and intimate tales of the lesbian as a young artist underscore the filmmaker's life of performances. With a Swiss army knife she robs an American Express Bank in Morocco, accosts a shepherd in a field on International Women's Day, and tap dances on Shirley Temple's star on Hollywood Boulevard. This child movie star was the ideal by which Hammer's ambitious mother measured her own Barbie. Grandma, already a cook for Lillian Gish in Hollywood, introduced the cute, loquacious child and her mother to D.W. Griffith. Lesbian autobiography is a slender genre, so Hammer draws from general culture studies for critique and to provide an ironic edge to the synthesized "voices of authority".