Tambours sur la digue

Three women from three different social, economic, and ethnic groups discuss their lives in polygamous household.

Four women, four cities, four unflinching stories—this powerful omnibus film weaves together the struggles of women across Indonesia, from a midwife battling corruption to a teenager caught in betrayal, a mother fighting for her child, and a widow facing the harsh truth of survival.

COME SWIM is a diptych of one man's day; half impressionist and half realist portraits.

At a mountain resort, Kenneth Scott falls in love with Marie Beauchamp, an older woman who merely amuses herself with him. When she deserts him to open a roadhouse, he sadly leaves the mountains and, in the company of an old wandering poet named "Doc" Podden, travels to a little village in the woods.

The mysterious "K" takes a humble job and falls in love with his landlady's daughter, Sidney Page. Sidney discourages her boyish admirer, Joe Drummond, and seeks training as a nurse. Infatuated with the head surgeon, Dr. Max Wilson, she accepts his proposal, which infuriates nurse Carlotta, who also loves Max. Carlotta lures Max to a roadhouse, where Joe, mistaking her for Sidney, shoots Max. K appears and, assuming his true identity as the famous Dr. Edwards, saves Max's life by performing his "Edwards operation."

In a beauty salon in Beirut the lives of five women cross paths. The beauty salon is a colorful and sensual microcosm where they share and entrust their hopes, fears and expectations.

Jamila is a prostitute serving a life sentence behind bars. She surrenders herself to the authorities after admitting she killed a high-ranking minister, and refuses to be represented by any lawyer or request a plea to ease her sentence.

Even though the protagonist of the Canadian Femme De L'Hotel is a female filmmaker, one would think twice before suggesting that this effort by Swiss-born director Lea Pool is autobiographical. Paule Baillargeon portrays a well-known director who returns to her home town of Montreal to film a high-budget musical drama. At her hotel, Paule has a brief but unsettling encounter with a suicidal elderly woman (Louise Marleau). This element of the plot is briefly forgotten as we get to know the actors in Paule's current project. Then she meets the old lady again, and with mounting incredulity Paule discovers that the actual events in the woman's life mirror the fictional events in the director's film.

On the night of their mother’s wake, three estranged sisters divide their childhood home over a pot of magic mushroom tea while a family secret boils to the surface. A story about the tenuousness of memory, buried trauma, food... and psychedelics.

Nicolas, an aimless adolescent who hasn't yet found his way in life leaves his grandparent's home, hitchhikes to a small town, and befriends, Charly an outspoken and slightly older prostitute, a red-headed beauty who appears to ply her trade in the same no-nonsense way she clears the breakfast dishes. She seems to find something endearing about Nicolas' mussed hair and dopey face, so she puts him up in the teeny trailer home that she maintains with such hilarious fussiness. As their unusual domestic arrangement evolves, each stumbles vulnerably into new emotional territory.

A mother and daughter dispute is resolved by the "Yaya sisterhood" - long time friends of the mother.