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***Hammer’s final Dracula film with Christopher Lee*** Two years after the events of “Dracula A.D. 1972” (1972) Scotland Yard & Lorrimer Van Helsing (Peter Cushing) discover that Dracula (Christopher Lee) is alive and well in the London area, disguised as an antisocial property developer with a mad scheme to unleash a lethal virus upon the Earth. “The Satanic Rites of Dracula,” aka “Count Dracula and His Vampire Bride” (1973), was the last of seven Hammer Dracula films starring Lee as the diabolic Count released from 1958-1973. The previous six are: “Horror of Dracula” (1958), “Dracula, Prince of Darkness” (1966), “Dracula has Risen from the Grave” (1968), “Taste the Blood of Dracula” (1970), “Scars of Dracula” (1970) and “Dracula A.D. 1972” (1972). While this is arguably the least in the series, it has a lot to offer once you get past Dracula’s henchmen riding motorcycles and wearing brown vests with wool fringe (no doubt this was ‘hip’ attire back in 1972 when the film was shot). It helps to grasp that Stoker’s original novel took place in what was then modern times, 1897, with Dracula being over 400 years old by that point. “Satanic Rites” simply envisions how the vampire lord would function in the early 70s. In Stoker’s book he’s a powerful and arrogant creature that holds a position of authority, a Count, and prefers to dwell in an intimidating castle in Transylvania or a gothic estate in London, not to mention acquires subjects to serve his purposes, like gypsies and Renfield. Here Drac’s DD Denham persona is the modern English equivalent to a Count in Transylvania hundreds of years prior. In both cases he’s an untouchable authority figure with minions carrying out his will. Simply put, this is how a 500 year-old evil being would operate in the 1970s using elements of the modern world to accomplish his ends, including the British Empire. Speaking of which, in Stoker’s novel Dracula recognized the British Empire as a means to spread his cult of vampirism around the world and eventually take it over. He wasn’t content to just threaten a few local nobodies as observed in the five previous sequels. In “Satanic Rites” he’s back to his vision of global domination, tricking 4 members of the Establishment into being agents of his "own created Apocalypse," but now we see the incredibly sinister culmination of his power-mad scheme. To appreciate what this flick has to offer you have to get past the motorcycle-riding henchmen and their dubious vests. Once you do, it has quite a bit to offer: The notable group of protagonists, including those played by Michael Coles and Joanna Lumley; the way they put their heads together to figure out what the Count is doing and how to stop him; and Drac’s “harem” he keeps in the basement (played by Maggie Fitzgerald, Finnuala O'Shannon, Pauline Peart and a newly converted vamp played by Valerie Van Ost). The film runs 1 hour, 27 minutes and was shot in Hertfordshire & nearby London, England. GRADE: B-
The great grandson of the original "Van Helsing" (Peter Cushing) is drafted in by Scotland Yard to investigate a series of deaths that smack of vampirism. The investigation centres around a manor house where the great and the good of London society meet, ostensibly for ordinary gatherings, but we know it is much more sinister (well, in theory, anyway). What's more - this house is built upon an old cemetery, and guess who was buried in it just a few years earlier? This is a sort of 1970s "Freemasons meet Dracula" affair, with a lacklustre dialogue and some pretty lame performances all round. It builds predictably to a conflagration that seems a long time coming, and neither Cushing nor the fleeting appearances from Christopher Lee really ignite the film. The score has that early synthesised sound to it, and the photography - though probably quite effective in 1973, now looks dated and juddery. These Hammer films were well past their sell-by dates by now, the gift had long since stopped giving and perhaps because it is in colour, it is not remotely scary. Passable, but only because I like the genre.
A hard-boiled female detective has to solve a murder plot orchestrated by vampires.
After a man dons a pair of fake vampire teeth for a Halloween party, he soon comes to find that he can't take them off again.
Sheridan Le Fanu's classic story, Carmilla, is contrasted with Veronica and Amélia's, two rising actresses. Their relationship, which floats between hate, desire and passion, gets more intense when both get chosen to play opposites in the theatrical adaptation of Fanu's tale.
A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.
A student of the occult encounters supernatural haunts and local evildoers in a village outside of Paris.
By day Gerri Dandridge is a sexy professor, but by night she transforms into a real-life vampire with an unquenchable thirst for human blood. When a group of high school students travel abroad to study in Romania, they find themselves ensnared in her chilling web of lust and terror. Charlie and 'Evil' Ed must stop Gerri from drinking and bathing in the blood of a 'new moon virgin', who just so happens to be Charlie’s ex-girlfriend.
After kidnapping a father and his two kids, the Gecko brothers head south to a seedy Mexican bar to hide out in safety, unaware of its notorious vampire clientele.
In this highly influential silent horror film, the mysterious Count Orlok (Max Schreck) summons Thomas Hutter (Gustav von Wangenheim) to his remote Transylvanian castle in the mountains. The eerie Orlok seeks to buy a house near Hutter and his wife, Ellen (Greta Schroeder). After Orlok reveals his vampire nature, Hutter struggles to escape the castle, knowing that Ellen is in grave danger. Meanwhile Orlok's servant, Knock (Alexander Granach), prepares for his master to arrive at his new home.
In Japan, the vampire-hunter Saya, who is a powerful original, is sent by her liaison with the government, David, posed as a teenage student to the Yokota High School on the eve of Halloween to hunt down vampires. Saya asks David to give a new katana to her. Soon she saves the school nurse Makiho Amano from two vampires disguised of classmates and Makiho witnesses her fight against the powerful demon.
The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
In New France, in the year of grace 1642. Anguerant de Ganélon, witch hunter and hunter of monsters, leaves Europe accompanied by his valet and a priest in order to pursue the vampire who killed his wife.