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X3 is a complete disaster. Worst X-Men movie ever. See rant below: Not only is the Phoenix storyline butchered, but the script rewrites the personalities of its key characters. Since when were Cyclops, Xavier, and Magneto such assholes? Halle Berry's demand for more screentime basically means she shows up in more scenes. Her character has no arc and often says lines that contradict what she said in previous scenes. Rogue has also turned into a whiny sidenote, part of a shoehorned in love triangle, which is disappointing given that the trilogy started from her perspective. Throwing in as many mutants as you can on the screen, some with powers that would be good if this were an X-Men spoof, but here it's played for absolute seriousness. It also means every character is essentially one note because there's no time to develop anyone. It certainly doesn't help that the movie carelessly removes or kills off half the team from the previous two films. Instead of shocking me, I'm sitting there never sure who I should be rooting for (except for Wolverine). X3 hurtles through scene after scene to get from one action set piece to another, and at just 93 minutes, there's never any time to process the plot. Of course the movie has to sequel bait with a final scene that suggests everyone will eventually get their powers back. What a way to render the entire movie pointless. Lastly, this movie cost $215 million to make. Only about a quarter of that money shows up on the screen. The CGI, green screen, and makeup effects are obvious and look horrible. So the movie looks like crap, tells it's story like crap, and treats it's characters like crap. X3 is crap.
***A good finale to the original trilogy*** I think the X-Men films have been so popular because the X-Men dare to be different. The concept of the X-Men strays far from superhero conventions. If you approach the X-Men films thinking you're getting something akin to Superman, Spider-Man or Batman, forget it. The unique concept of the X-Men is that humanity is starting to evolve to the next level and humans all over the globe are starting to manifest superhuman powers from the mutant "X" gene. Two mutant leaders, who are also old friends, take highly contrasting positions. Charles Xavier starts a school for mutant youths in upstate New York. His attitude is positive and his goal benign. Eric Lensherr or Magneto, on the other hand, is fed up with the paranoia of non-mutants. He starts a "Brotherhood of Mutants" with a clear attitude of superiority. And, as they say, power corrupts and absolute power corrupts absolutely. You could say that Xavier takes the approach of Martin Luther King Jr. while Magneto goes the route of Malcolm X, an interesting comparison. Although everybody has their favorite, I feel all three films in the original trilogy are of the same general quality - "X-Men" (2000), "X2: X-Men United" (2003) and "X-Men: The Last Stand" (2006). "X-Men: The Last Stand" is generally well-regarded but has a very vocal segment of fans who revile it. This makes little sense since, despite having a new director, the film has the same tone and principle actors as the previous two and brings to culmination the ideas presented therein. Aside from the final fight between Magneto's Brotherhood and Xavier's X-Men we get the resurrection of Jean Grey and her struggle with the dark side of her psyche. Some complain of the deaths of two prominent characters, but how often are characters resurrected in comics? Isn't one significant character resurrected in this very film? Others complain about the supposed short runtime and lack of depth but X3 has the exact same runtime as the first film (104 minutes) and there's plenty of depth to mine, take Rogue's dilemma over taking a cure in order to have human intimacy, Phoenix's incredible inner conflict symbolizing the universal clash of flesh and spirit (id and super-ego), Cyclop's grief and astonishing discovery, Pyro's moral degeneration, Mystique's plight after getting kicked out of the Brotherhood and Wolverine's struggle to do the right thing despite his deep love, to name just six. On the downside, the big clash on Alcatraz Island feels routine and dull. They should’ve kept the focus on the Dark Phoenix, but the producers probably felt this would take away from the other characters, plus they wanted the clichéd big battle sequence. Nevertheless, there’s enough good here to appreciate. GRADE: B+
I'm surprised to see a big drop in average rating for this. I enjoyed 'X-Men: The Last Stand' to be honest. Taking a quick look at some other reviews and it seems to main gripe is how it treats certain characters from the comics, which is fair enough for sure but that doesn't come into play for me as I'm not a comic reader. I can only judge it as a film and as one I found it suitably entertaining. Hugh Jackman remains the top dog, though at the beginning the way Wolverine acts felt off to me - though that quickly went away. I would've liked if they found a spot for Nightcrawler (Alan Cumming), though one of his replacements in Beast (Kelsey Grammer) went down well with me. From what I read I can understand other people's complaints with this, especially with the aforementioned iffy character treatment, but I gotta be honest and say that I found it to be a good enough watch - even if it is comparatively the weakest entry of the original trilogy. /copied directly from my Letterboxd review\
After a brief respite in "X2" (2003) we have reverted to the rather procedural and unexciting format for this third instalment of malevolent mutant-mayhem. This time "Magneto" (Sir Ian McKellen) is outraged when the human government develops a top secret cure for mutants. On the face of it, this is going to lead to another simple battle royal between the forces of our man-metal and his eternal nemesis "Xavier" (Patrick Stewart) and his army of fair-minded supporters led by "Wolverine" (Hugh Jackman). Thing is, though, "Magneto" has an ace up his sleeve in the form of the "Dark Phoenix" that has turned "Jean Gray" (Famke Janssen) into something more lethal than anyone can imagine. Can she be stopped, persuaded, destroyed? It's really a bit of same old, same old, this - great visual effects, loads of pyrotechnics and a good old dose of good versus evil, but the story is actually pretty weak and the dialogue seems to regurgitate much of that from the first film. Jackman really tries to inject a sense of thrill into this, and there's no denying that Ben Foster looks particularly hot with his angelic wings, but otherwise it might as well be another episode in a Marvel mini-series that you just know will deliver nothing more at the end than an opportunity for a sequel. It is a good looking film, but the two leads are overly hammy, and Kelsey Grammer isn't the only one to feel a bit blue at the seriously over-orchestrated denouement.
After Port Royal is attacked and pillaged by a mysterious pirate crew, capturing the governor's daughter Elizabeth Swann in the process, William Turner asks free-willing pirate Jack Sparrow to help him locate the crew's ship—The Black Pearl—so that he can rescue the woman he loves.
Captain Jack Sparrow works his way out of a blood debt with the ghostly Davy Jones to avoid eternal damnation.
An average family is thrust into the spotlight after the father commits a seemingly self-defense murder at his diner.
Ray Ferrier is a divorced dockworker and less-than-perfect father. Soon after his ex-wife and her new husband drop off his teenage son and young daughter for a rare weekend visit, a strange and powerful lightning storm touches down.
A fleet of Martian spacecraft surrounds the world's major cities and all of humanity waits to see if the extraterrestrial visitors have, as they claim, "come in peace." U.S. President James Dale receives assurance from science professor Donald Kessler that the Martians' mission is a friendly one. But when a peaceful exchange ends in the total annihilation of the U.S. Congress, military men call for a full-scale nuclear retaliation.
When Dr. Indiana Jones – the tweed-suited professor who just happens to be a celebrated archaeologist – is hired by the government to locate the legendary Ark of the Covenant, he finds himself up against the entire Nazi regime.
In the deep south during the 1930s, three escaped convicts search for hidden treasure while a relentless lawman pursues them. On their journey they come across many comical characters and incredible situations. Based upon Homer's 'Odyssey'.
In an attempt to pull her family together, Adèlle travels with her young daughter Sarah to Wales to visit her father. The morning after they arrive, Sarah mysteriously vanishes in the ocean. Not long after, a little girl bearing a striking resemblance to their missing daughter reveals that she has retuned from the dead — and that Sarah has been taken to the Welsh underworld.
Welcome to Sin City. This town beckons to the tough, the corrupt, the brokenhearted. Some call it dark… Hard-boiled. Then there are those who call it home — Crooked cops, sexy dames, desperate vigilantes. Some are seeking revenge, others lust after redemption, and then there are those hoping for a little of both. A universe of unlikely and reluctant heroes still trying to do the right thing in a city that refuses to care.
James Bond must investigate a mysterious murder case of a British agent in New Orleans. Soon he finds himself up against a gangster boss named Mr. Big.
The starship Enterprise and its crew is pulled back into action when old nemesis, Khan, steals a top secret device called Project Genesis.