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Jade 2024 - Movies (May 6th)
Katt Williams Woke Foke 2024 - Movies (May 6th)
The Roast of Tom Brady 2024 - Movies (May 6th)
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Madonna The Celebration Tour in Rio 2024 - Movies (May 5th)
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Catching Fire The Story of Anita Pallenberg 2023 - Movies (May 5th)
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Frontiers 2023 - Movies (May 3rd)
Prom Dates 2024 - Movies (May 3rd)
Unfrosted 2024 - Movies (May 3rd)
Narrow Escapes - (May 6th)
Marcus Wareing Simply Provence - (May 6th)
Escape to the Country - (May 6th)
Body Cam- On the Scene - (May 6th)
Bar Rescue - (May 6th)
American Idol - (May 6th)
24 in 24- Last Chef Standing - (May 6th)
Garden Rescue - (May 6th)
Alan Titchmarshs Gardening Club - (May 6th)
The Farmer Wants a Wife - (May 6th)
When Calls the Heart - (May 6th)
Mammals - (May 6th)
The Chase Australia - (May 6th)
LEGO Masters - (May 6th)
Our Welsh Chapel Dream - (May 6th)
Have I Got a Bit More News for You - (May 6th)
The Real Housewives of New Jersey - (May 6th)
Watch What Happens Live with Andy Cohen - (May 6th)
Tipping Point Australia - (May 6th)
I Kissed a Girl - (May 6th)
Well, I don't know what to say...honestly. I guess I can say that I loved it as a child, and it's getting the 10 of 10 based on remembering when I watched it through a child's eyes. But there are certain tropes with this genre, and it hits the shortage of water trope, and the roller skate trope, but misses a lot of the others. So I do feel like it doesn't really sit well with the genre it's made to be a part of. But then, it's made to appeal to kids AND teens, and it certainly did. The magic glowing ball from outer space with it's feel good happy vibes does give it a very Disney inspired feel... 1980s Disney. And it is kind of rife with political messaging... and by that I mean 1980s political messaging, as in it's NOT overt, it's NOT in your face, it doesn't dominate the film... and because of that, unlike modern films, anyone can sit down, watch it, and get the points without feeling like they are being lectured to... but that was also when liberal political messaging was about love and peace and not violence and hate. So it is probably going to clash with modern norms that like propaganda. And it is CERTAINLY going to clash with people that sit down and think they are watching a genre film.... because, again, it doesn't hit the beloved tropes of that genre and tries to tell a more original story within the confines. It does work. Watching it in 2020 as opposed to when I first saw it when I was 6 and, it is dated, it did age, but it didn't turn to vinegar. It didn't turn to fine wine either. It just kind of aged with a little more grace than you would expect and still felt enjoyable and entertaining. It just didn't feel as epically good as it did when I was 6 and fell in love with the film. It still deserves praise, even if it's intended audience are aging and expect something more, or at least more trope filled cheese. If you see it, it's still worth a watch... but if you saw it in 86 it was fantastic.
A strange new virus has appeared, which only attacks strains of grasses such as wheat and rice, and the world is descending into famine and chaos. Architect John, along with his family and friends, is making his way from London to his brother's farm in northern England where there will hopefully be food and safety for all of them.
After the entire flora goes extinct, ecologist Lowell maintains a greenhouse aboard a space station for the future with his android companions. However, he rebels after being ordered to destroy the greenhouse in favor of carrying cargo, a decision that puts him at odds with everyone but his mechanical companions.
A member of an elite paramilitary counter-terrorism unit becomes traumatized after witnessing the suicide bombing of a young girl and is forced to undergo retraining. However, unbeknownst to him, he becomes a key player in a dispute between rival police divisions, as he finds himself increasingly involved with the sister of the girl he saw die.
As the president of a trashy TV channel, Max Renn is desperate for new programming to attract viewers. When he happens upon "Videodrome," a TV show dedicated to gratuitous torture and punishment, Max sees a potential hit and broadcasts the show on his channel. However, after his girlfriend auditions for the show and never returns, Max investigates the truth behind Videodrome and discovers that the graphic violence may not be as fake as he thought.
In the year 10,191, the most precious substance in the universe is the spice Melange. The spice extends life. The spice expands consciousness. The spice is vital to space travel. The spice exists on only one planet in the entire universe, the vast desert planet Arrakis, also known as Dune. Its native inhabitants, the Fremen, have long held a prophecy that a man would come, a messiah who would lead them to true freedom.
Construction worker Douglas Quaid's obsession with the planet Mars leads him to visit Recall, a company who manufacture memories. Something goes wrong during his memory implant turning Doug's life upside down and even to question what is reality and what isn't.
By 2017, the global economy has collapsed and U.S. society has become a totalitarian police state, censoring all cultural activity. The government pacifies the populace by broadcasting a number of game shows in which convicted criminals fight for their lives, including the gladiator-style The Running Man, hosted by the ruthless Damon Killian, where “runners” attempt to evade “stalkers” and certain death for a chance to be pardoned and set free.
Astronaut Taylor crash lands on a distant planet ruled by apes who use a primitive race of humans for experimentation and sport. Soon Taylor finds himself among the hunted, his life in the hands of a benevolent chimpanzee scientist.
Robert Neville is a scientist who was unable to stop the spread of the terrible virus that was incurable and man-made. Immune, Neville is now the last human survivor in what is left of New York City and perhaps the world. For three years, Neville has faithfully sent out daily radio messages, desperate to find any other survivors who might be out there. But he is not alone.
In 2059, in a broken-down world, silicon has become the most precious material on the planet. A man and a girl barter transistors and microchips for a few larvae and some water. Their routine will be broken by the discovery of a forgotten heirloom, something that the man will not want to part with.
As host of gladiator-style duels in which gangbangers battle to the death, East Los Angeles drug kingpin Chesare (Lawrence Hilton-Jacobs) capitalizes on gang antagonisms. But Chesare hasn't counted on the tactics of vengeance-minded Aurelio (Tony Bravo) and his sidekick Paulo (Kamar De Los Reyes). Vowing to fight without weapons, the determined duo stages a risky coup in the hopes of ending Chesare's reign of terror.