Karate Kid Legends 2025 - Movies (Jun 3rd)
The Fire And The Moth 2025 - Movies (Jun 3rd)
Tudum A Netflix Global Fan Event 2025 - Movies (Jun 3rd)
Royal Ballet and Opera 2024/25 Romeo and Juliet 2025 - Movies (Jun 3rd)
Drop 2025 - Movies (Jun 2nd)
A Working Man 2025 - Movies (Jun 2nd)
Freaky Tales 2024 - Movies (Jun 2nd)
Lucy The Stolen Lives of Elephants 2025 - Movies (Jun 2nd)
The Life of Chuck 2024 - Movies (Jun 1st)
The Girl in the Pool 2024 - Movies (Jun 1st)
Spit 2025 - Movies (Jun 1st)
Flow 2024 - Movies (Jun 1st)
Battle for Castle Itter 2025 - Movies (Jun 1st)
Tom Daley 1.6 Seconds of Glory 2025 - Movies (Jun 1st)
England’s Lions The New Generation 2025 - Movies (Jun 1st)
The Severed Sun 2024 - Movies (Jun 1st)
The Encampments 2025 - Movies (Jun 1st)
Without a Name 2025 - Movies (May 31st)
Final Destination Bloodlines 2025 - Movies (May 31st)
Theres a Zombie Outside 2024 - Movies (May 31st)
Mountainhead 2025 - Movies (May 31st)
Bridge of Lies - (Jun 3rd)
Narrow Escapes - (Jun 3rd)
Below Deck - (Jun 3rd)
Homes Under the Hammer - (Jun 3rd)
The Cheap Seats - (Jun 3rd)
The Farmer Wants a Wife - (Jun 3rd)
LEGO Masters - (Jun 3rd)
The 11th Hour with Stephanie Ruhle - (Jun 3rd)
Claire Hoopers House of Games - (Jun 3rd)
The Chase Australia - (Jun 3rd)
Who Do You Think You Are - (Jun 3rd)
Watch What Happens Live with Andy Cohen - (Jun 3rd)
American Ninja Warrior- Ninja vs. Ninja - (Jun 3rd)
Yes Chef - (Jun 3rd)
Baddies Africa - (Jun 3rd)
Taskmaster - (Jun 3rd)
Ninjago- Masters of Spinjitzu - (Jun 3rd)
Basketball Wives - (Jun 3rd)
Big Zuu and AJ Traceys Rich Flavours - (Jun 3rd)
The 6000 lb Diaries with Dr. Now - (Jun 3rd)
***Amusing documentary on the mid/late 80’s metal scene*** Released in 1988, “The Decline of Western Civilization Part II: The Metal Years” by Penelope Spheeris is a documentary covering the 80’s metal scene. The film includes footage & interviews of popular acts (KISS, Ozzy, Aerosmith, Megadeth, Alice Cooper, Poison), moderately successful bands (Faster Pussycat) and up-and-not-coming artists (London, Odin, Seduce). There are obviously staged parts, like the orange juice spill, Paul Stanley in a bed with three lingerie-clad women and the drunken pool sequence with Chris Holmes & his mother. These portions were included to amuse, but they're also informative, as far as the commentaries from the actual musicians involved in the 80's metal movement go. The rest of the movie is footage of live interviews and concerts, mostly at clubs with emphasis on bands that frequented the L.A. strip. There's nothing fake about these parts. The film covers the 87/88 metal scene and the people thereof, their ideas, attitudes, lifestyles and fronts. It’s interesting going back in time to see iconic musicians when they were younger, like Lemmy, Gene Simmons, Paul Stanley, Dave Mustaine and Alice Cooper. It’s also nice to hear some quality obscure acts, like Detroit’s Seduce who were surprisingly heavy and aggressive when, by their looks and name, I was expecting conventional 80’s glam metal. Even Odin and London show that they were formidable and deserved greater success. The film runs 1 hour, 33 minutes. GRADE: A-
DVD1: Live At Joe Louis Arena Detroit,MI - April 4th, 1986 Live At Roskilde Festival, Festivwalpladsen, Roskilde, Denmark - July 6th, 1986 MTV Heavy Metal Mania DVD2: Live At Aichi Kinro Kaikan, Nagoya, Japan - November 17th, 1986 4th, 1986 Masa Ito Interview MTV News Interviews DVD2: Live At Aichi Kinro Kaikan, Nagoya, Japan - November 17th, 1986 Masa Ito Interview DVD2-17 Excerpt From "Music Tomato World" Interviewer – Masa Ito* 8:00 MTV News Interviews DVD2-18 James & Kirk 8:19 DVD2-19 Lars & Jason - Part 1 16:59 DVD2-20 Lars & Jason - Part 2 12:16 Credits DVD2-21 Credits 1:16
An epistolary feature film: a cinematic discourse between a British director Mark Cousins, and an Iranian actress and director Mania Akbari which extends the concept of "essay film" with startling confrontations in the arenas of cultural issues, gender politics and differing artistic sensibilities. A unique journey into the minds of two exceptional filmmakers which becomes a love affair on film.
The “Prophecy of the 7th Fire” says a “black snake” will bring destruction to the earth. For Winona LaDuke, the “black snake” is oil trains and pipelines. When she learns that Canadian-owned Enbridge plans to route a new pipeline through her tribe’s 1855 Treaty land, she and her community spring into action to save the sacred wild rice lakes and preserve their traditional indigenous way of life. Launching an annual spiritual horse ride along the proposed pipeline route, speaking at community meetings and regulatory hearings. Winona testifies that the pipeline route follows one of historical and present-day trauma. The tribe participates in the pipeline permitting process, asserting their treaty rights to protect their natural resources. LaDuke joins with her tribe and others to demand that the pipelines’ impact on tribal people’s resources be considered in the permitting process.
After a twenty year period of multiple illnesses and injuries, the filmmaker turns the camera on herself as a way to analyze her chances for a happier, healthier life. In the process, she captures the frustration, tedium and petty annoyances of a revolving-door relationship with the medical establishment, while portraying the complicated web of emotions that accompany any medical problem. With humor and honesty, The Odds of Recovery uses the filmmaker's medical history as a means to address a perennial human problem: the desire to avoid conflict and deny the need for radical change.
The story of a young boy forced to spend all five years of his short life in hospital while the federal and provincial governments argued over which was responsible for his care, as well as the long struggle of Indigenous activists to force the Canadian government to enforce “Jordan’s Principle” — the promise that no First Nations children would experience inequitable access to government-funded services again.
Elliot Page brings attention to the injustices and injuries caused by environmental racism in his home province, in this urgent documentary on Indigenous and African Nova Scotian women fighting to protect their communities, their land, and their futures.
The Spectacular Spinning Songbook made its first appearance in 1986 in Los Angeles during the "Costello Sings Again Tour." In 2011, Elvis Costello and the Imposters set out on The Revolver Tour and, for the first time in 25 years, once again allowed his set-list to be chosen by "The Spectacular Spinning Songbook," a monumental game-show type wheel spun by select fans and featuring songs from his latest critically acclaimed release National Ransom, plus new renditions of hits, rarities and very unexpected covers. This is the complete concert from the 12th May, including special guest appearance from The Bangles.
Robert De Niro, Sr., was a celebrated painter obscured by the pop-art movement. His life and career are chronicled in the artist's own words by his contemporaries and, movingly, by his son, the actor Robert De Niro.
Minor Threat played one of its last shows at Washington DC's 930 Club in June of 1983; they would only play once more in DC. Two years later, the tapes from the 930 show were edited together and Dischord Records released them as the Minor Threat Live VHS video in 1986. Along with the 40 minute 930 performance, the DVD includes a 1982 Minor Threat show in Camden, NJ, a clip of Minor Threat's 2nd ever show at DC Space in December 1980, and excerpts from a 1983 interview with vocalist, Ian MacKaye.
Outraged by the controversial January, 1988 article in Cosmopolitan magazine, the women in the AIDS Coalition to Unleash Power, (Act Up, New York), organized the first AIDS demonstration focused on women. Doctors, Liars and Women:AIDS Activists Say No To Cosmo not only documents the efforts of the Women's Committee to organize this protest, it also serves as a how-to-guide for direct action.
This film is a poetic composition of recorded history and non-recorded memory. Filmmaker Rea Tajiri’s family was among the 120,000 Japanese and Japanese Americans who were imprisoned in internment camps after the attack on Pearl Harbor. And like so many who were in the camps, Tajiri’s family wrapped their memories of that experience in a shroud of silence and forgetting. This film raises questions about collective history – questions that prompt Tajiri to daringly re-imagine and re-create what has been stolen and what has been lost.