Yes or No 2.5 กลับมา เพื่อรักเธอ

A gay man and a lesbian enter into a marriage of convenience in order to prevent his deportation, and then gradually fall in love with one another.

Take two ambitious men, one top LA advertising firm, add a competition for the same high ranking job. Tough ex-LAPD cop, Steve Miller quit police to work in the calm environment of a business office. Mark Richfield, the glamorous new kid in the office, soon wins favor with the big boss and co-workers causing Steve to cringe in jealousy. After a crazy night in the Santa Fe desert Steve becomes torn between passionate love and passionate hatred. Steve and Mark endure agonizing decisions that will affect their lives forever.

Helmut and Sabine Halm have always managed vacations of lazy privacy at their favorite retreat on Germany′s Lake Constance. So when the energetic, handsome Klaus Buch turns up with his beautiful girlfriend Helene, Helmut is quite ready to dismiss this dimly familiar acquaintance. But Klaus is overjoyed to recognize his old schoolmate Helmut, eager to recall every incident of their shared time, and to display every detail of this successful lifestyle as a fit sportsman and author. The precious days of privacy give way to an unwanted and awkward intimacy, as the Buchs and the Halms hike, dine and sail together. Their joint activities aggravate myriad psychological tensions among the four characters, which are all the more intensely ironic for their peaceful veneer and which must eventually erupt.

On Christmas Eve, Léa and Juliette, a couple, want to rob a supermarket that Juliette knows is empty of surveillance on this festive evening. But, as much for each of them as for Eric, the vigil who is there after all, nothing will happen as planned. Besides, shortly before leaving him alone, the store manager gave Eric a gun, just in case.

A struggling songwriter named Dave Seville finds success when he comes across a trio of singing chipmunks: mischievous leader Alvin, brainy Simon, and chubby, impressionable Theodore.

A near-penniless drifter's journey to Alaska in search of work is interrupted when she loses her dog while attempting to shoplift food for it.

Steven Russell leads a seemingly average life – an organ player in the local church, happily married to Debbie, and a member of the local police force. That is until he has a severe car accident that leads him to the ultimate epiphany: he’s gay and he’s going to live life to the fullest – even if he has to break the law to do it. Taking on an extravagant lifestyle, Steven turns to cons and fraud to make ends meet and is eventually sent to the State Penitentiary where he meets the love of his life, a sensitive, soft-spoken man named Phillip Morris. His devotion to freeing Phillip from jail and building the perfect life together prompts him to attempt (and often succeed at) one impossible con after another.

A good-natured homeless man and an ill-tempered student become good friends.

Rob is the loneliest of loners. He is so desperate to find love that he constructs an absurd (and quite cinematic) plot to meet and impress women: he is tracking a man by the name of Jack S. who killed his wife to seek revenge, which – to him – is obviously an insanely loyal and courageous thing to do. Hannah, a seductive bartender who used to be married to a man named Jack S., agrees to help Rob track him down – a perfect excuse to get closer to (the now single) Hannah and to do everything he can to become exactly who she wants in her ideal guy. But little does Rob know that some of the people he meets along the way have intentions that turn Rob’s reality upside down – or is it right-side up?

An experimental film exploring gender identities excluded from the binary system. By constructing a theatrical space including fabricated sets and props, invented radio interviews, vignettes of archival footage, as well as overlays, the film explores the relationship between body and self. In this in-between space, uncertainty can finally have free rein.

Province of Quebec, Canada, the Maple Spring, 2012. Driven by frustration and the desire to find a new life, Klas Batalo, Ordine Nuovo, Tumulto and Giutizia form a counter-cultural group, a radical cell guided by a deep hostility to the established order that they manifest through terribly ambiguous political expressions, Molotov cocktails and guerrilla tactics, seeking to sow mayhem in Montreal as a prelude to the overthrow of the government.