വിശ്വാസം അതല്ലേ എല്ലാം

Shubha, who is from a middle-class family, wants to marry someone who is settled in America. She ends up marrying a person who is settled in Kenya and finds it difficult to adjust to her new life.

Velutha Rathrikal (White Nights) is an independent cinematic adaptation of the eponymous novel by Fyodor Dostoyevsky. Manu is an artist in search of a new sky, from his troubled past, in a forest settlement. He meets Chelly, a tribal girl from a nearby settlement who bears the burnt from her own share of life. As she awaits the return of her beloved friend Jyothi, Manu gets closer to her. Despite their diverse upbringings, Manu and Chelly strike a serene and beautiful chord with each other. Their brief but intense encounter during the five nights makes the plot of the film set against the deep woods of Attappadi and surroundings.

Aana Mayil Ottakam is an anthology film. This is not really very common in Malayalam industry. But this concept is going on since ages and even legendary filmmakers like Satyajit Roy has tried this genre. It is always very interesting to see a collection of great short movies. You cannot get bored watching a movie like this. It is good to see that producers are interested in investing innovative concepts like this. Aana Mayil Ottakam is a compilation of short movies with some of the biggest names of Malayalam film industry.

When they were children, Shiva and Shankar went to Mumbai in search of a living. Circumstances puts them in jail, where they meet a bully named Karunan. They escape from jail. Several years later, Shankar and Shiva dream of becoming singers. Karunan is still active as a criminal. Through their hard work,the Shiva-Shankar duo become successful singers and start being called the "millennium stars".

Susamma, who was raised by her maternal uncle after the death of her mother, joins the Indian Army as a nurse during WWII. She experiences many ups and downs, but stays true to her profession.

In a village named Ilavattam there lives a man by the name of Gopalakrishna Pillai. He is a man with diverse qualities. Basically he is a moneylender, but not the avaricious kind. He lends money at very low interest-rates but makes it a point to get his money back on the date agreed upon. The story takes a turn when a bank, named Grand Bank opens up in the village, offering to give out loans at very low interest. The manager of the bank is a young lady named Jayalakshmi. She has made her entry into the village with a very definite purpose. All this, plus the very different kind of bonding between Gopalakrishna Pillai and his mother, form the plot, which develops towards a very interesting climax.

The film starts in a street in Fort Kochi where Vasco da Gama, the son of a wrestler named Michael, lives. Vasco and his gang of five — Chandrappan, Susheelan, Sainu, Basheer and cousin Tomichchan are small-time goondas, involved in petty offences and as the movie progresses, these characters turn out to be more endearing than bad.

Prasannan, a recently released mental asylum inmate, claims to be an avatar of God and assumes the identity of Poornananda Swami.

Ayaal is a story on intense human relations. It’s a story of a man who effortlessly floated along the estuaries of time, the back waters of Vembanad. If love is the flowering of one’s own heart, can it have a direction? Is it Scalar (direction less). This is an uncomfortable question raised by him, the protagonist, Guru Dasan. The film problemetises the conventional fabric of human relations, its rules and its sanctity.

Another mission with Mahadevan and crew, as they deal with international terrorism with a flight being hijacked by hardcore terrorists.

Eldho is waiting to take revenge on Shauriyar, who killed his father and mother when he was a young boy.