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**Marriage made in the field never work!** This is definitely among the top five films of the year. But the sad part is the Oscars snub. Nominated for Costume Design, but I expected the Best Actor, Actress, and particularly Original Screenplay and Motion Picture. This amazing spy thriller-drama was directed by Robert Zemeckis of many popular flicks. The best casting in the recent films and visually so good of those 40s atmosphere, like it be the war or the society. This is the story of two spies from different nation who meet in Casablanca for a mission. Pretending to be a newly wed couple, soon they enter the real wedlock. The rest of the tale follows a couple of years later when a big question arises, in that they have to prove their innocence. Failing it could lead them to a serious consequence. So the narration filled with suspense and thriller takes over with a greater pace till the end. Obviously the film was long, but I did not mind or I could say I did not know how the two hours went on so quickly. Engaging plot kept me my focus on the screen. As we know, all these years the Oscars turned down the best performance recognitions, including this one for Brad. Before going to watch this film, I thought it was another World War II film which might be inspired by the real. But it was not. Takes place in the background of the same war, but this is a spy film. And their personal life and profession, how one another influences is what revealed. Now I don't know when such kind of a great spy thriller I'm going to watch next. I think it is massively underrated, especially stupid film critics and their takes on it was unbelievably wrong. I surely, highly recommend it. _9/10_
Marion Cotillard, yeah, she's one of those people that you know you've seen her before but you can't exactly place her and it tortures you for the duration of the film. She also looks so much like she was actually from The Greatest Generation that she's probably one of those actors that can morph with every role she's in. And, looking at her on IMDB, I've actually seen her more than I thought I had. At any rate, she blends well with the era...but, unfortunately, Pitt looks less from the times than he did in his other WWII movies, which is odd given how he can blend as well. I guess the producers wanted to feature him more for the draw of Brad Pitt. In either case, it is a suspenseful and emotional film and one that will sit among the better spy movies ever made. It's low key, the action and the violence is down played to the point where it's far removed from Bond and comes across as a very straight spy thriller. In other words it's the type of movie we unfortunately don't see enough of these days, subtle and straight. It's a movie that is based around the characters, the script, and the acting more than special effects and because of that it's easy to get involved emotionally with the plot and the people, even if it does move a bit faster than I would have liked. Overall, it's a breath of fresh air in the era of the MCU and over-the-top effects and it pays off in the end from pure emotion. You can't get much better.
A scientific researcher, sent on a government study: The Lupus Project, must investigate the possible "menace" of wolves in the north. To do so, he must survive in the wilderness for six months on his own. In the course of these events, he learns about the true beneficial and positive nature of the wolf species.
Zsadányi flees from the authorities with his goddaughter, Bankós Mari, and they escape into the forest. The film then skips ahead thirty-fold years: Zsadány and Mari are now lovers, with the sound of war in the background halting their romance. The old friends of Zsadányi have joined with the Nazis, and the landowner living with his peasants in a socialist community grows distant from them. Zsadányi is held responsible for political problems in the country, and will pay with his life.
A meditation on love and its various incarnations, set within a community of friends in Oregon. It is described as an exploration of the magical, mysterious and sometimes painful incarnations of love.
Is love compatible with coupledom? And what of freedom and fidelity? These are some of the questions facing two married men.
After robbing a jewellery shop in Canada, two Americans arrange a meeting near the US borders in order to split the loot. One of them has an accident with his car on his way there and gets stuck in an isolated motel until his car is fixed. The owner of the motel, a sexy woman in her thirties, falls in love with him, but her suspicions about him begin to multiply, as the police arrive at the motel...
In this film based on a Neil Simon play, newlyweds Corie, a free spirit, and Paul Bratter, an uptight lawyer, share a sixth-floor apartment in Greenwich Village. Soon after their marriage, Corie tries to find a companion for mother, Ethel, who is now alone, and sets up Ethel with neighbor Victor. Inappropriate behavior on a double date causes conflict, and the young couple considers divorce.
On April 5th, 1941, a day before the Nazi attack on the Kingdom of Yugoslavia, a colorful group of passengers is headed for Belgrade...
On October 24, 1940, Philippe Pétain met Adolf Hitler in Montoire and led the French into collaboration with the Nazis. A black page in the history of France, written by a man whom many then considered a hero: the winner of Verdun.
This is a story about a police officer named Khun Phan in WWII. He is off on an undercover mission to take down a governor at an island which everyone there is considered as bandits.
The stories of several young women who work in a 'precision optical instruments' factory during the second World War. Despite illness, injury, and tremendous personal hardship, the women persevere in their tasks, devoted to their work and their country's cause.
Using never-before-seen footage, Japan's War In Colour tells a previously untold story. It recounts the history of the Second World War from a Japanese perspective, combining original colour film with letters and diaries written by Japanese people. It tells the story of a nation at war from the diverse perspectives of those who lived through it: the leaders and the ordinary people, the oppressors and the victims, the guilty and the innocent. Until recently, it was believed that no colour film of Japan existed prior to 1945. But specialist research has now unearthed a remarkable colour record from as early as the 1930s. For eight years the Japanese fought what they believed was a Holy War that became a fight to the death. Japan's War In Colour shows how militarism took hold of the Japanese people; describes why Japan felt compelled to attack the West; explains what drove the Japanese to resist the Allies for so long; and, finally, reveals how they dealt with the shame of defeat.