Akin Ang Pangarap Mo

Nicolas, an aimless adolescent who hasn't yet found his way in life leaves his grandparent's home, hitchhikes to a small town, and befriends, Charly an outspoken and slightly older prostitute, a red-headed beauty who appears to ply her trade in the same no-nonsense way she clears the breakfast dishes. She seems to find something endearing about Nicolas' mussed hair and dopey face, so she puts him up in the teeny trailer home that she maintains with such hilarious fussiness. As their unusual domestic arrangement evolves, each stumbles vulnerably into new emotional territory.

A mother and daughter dispute is resolved by the "Yaya sisterhood" - long time friends of the mother.

Fictional story based on Sarah Bernhard's visit to Brazil in 1905. The actress, experiencing a personal and professional crisis at the time, is induced by her personal Brazilian maid, Amélia, to make a performance in Rio de Janeiro. After arriving, she is forced to stand the company of Amélia's exotic sisters.

After her father’s sudden death, Feride takes on the role of the father in the family. Her mother, Nurcan, desperately tries to replace her lost husband with Feride, while her brother, İlker, starts to drift away from the family. Feride decides to break free, changing everyone’s fate.

It is a supernatural melodrama of a woman's misfortune and suffering interwoven with the legend of the Pasig. The legend itself is inspired by the immortal kundiman of the director's brother, Nicanor Abelardo.

Looking for a safe place to live after being harassed by her husband, a depressive and violent man, Juli stays at a women's shelter run by Mária.

Fumiko, mother of two children and wife of an unfaithful man, shares her family life with her budding vocation as a poet. The beginning of her successful literary career coincides with her divorce and her breast cancer diagnosis. In the last stage of her life, she meets a young journalist from Tokyo who wants to write a story on her life.

Mokichi is the widowed father of three daughters, with whom he lives on the premises of a temple since the war. All three daughters become involved in some sort of complicated relationships.

Pu Zhe, the younger brother of the Emperor of Manchukuo, marries Ryuko the daughter of an aristocratic family. To the surprise of all, a deep love between Pu Zhe and Ryuko develops and is put to the test when Japan loses the war.

Amidst the vast sugar plantations of Negros in Southern Philippines, a matriarch lies in the throes of death. Her children rush home to confront the crisis as news of the impending death of their well-loved mother spreads among the community. There, in their ancestral house, the siblings are forced to deal with the issues of inheritance, tradition and the family legacy. It is a familiar tale. After all, every family has its story. And to each one, its own deserved secrets.