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Maine Cabin Masters - (Jan 28th)
Baylen Out Loud - (Jan 28th)
NCIS - (Jan 28th)
Rescue- HI-Surf - (Jan 28th)
Inside with Jen Psaki - (Jan 28th)
Poppas House - (Jan 28th)
9-1-1- Lone Star - (Jan 28th)
University Challenge - (Jan 28th)
The ReidOut with Joy Reid - (Jan 28th)
90 Day- The Last Resort - (Jan 28th)
Kids Baking Championship - (Jan 28th)
The Neighborhood - (Jan 28th)
Geordie Shore - (Jan 28th)
Adam Richman Eats Football - (Jan 28th)
NCIS- Origins - (Jan 28th)
Sight Unseen - (Jan 28th)
The Beat with Ari Melber - (Jan 27th)
Murder UK - (Jan 27th)
Traffic Cops - (Jan 28th)
Love Island- All Stars - (Jan 27th)
Arrogant, self-centered movie director Guido Contini finds himself struggling to find meaning, purpose, and a script for his latest film endeavor. With only a week left before shooting begins, he desperately searches for answers and inspiration from his wife, his mistress, his muse, and his mother.
After Charlie takes an unknown psychotropic drug, she and her secret lover are transported to a strangely sinister paradise.
A high school science teacher and her sixteen year old student, run away together and take refuge behind the doors of a murky motel room in rural Orca Park, Florida. When an unhinged private investigator shows up and starts asking questions, the lover's idyllic world plummets into a well of suspicion, jealousy and deceit.
Based on the journals of Che Guevara, leader of the Cuban Revolution. In his memoirs, Guevara recounts adventures he and best friend Alberto Granado had while crossing South America by motorcycle in the early 1950s.
Bereft of earthly memories, a new arrival in the afterlife struggles to recover the past, in this poetic fantasy that offers a dark reflection on personal atonement in the shadow of Kenya’s violent past. Imagine waking up one day in a barren wasteland. Amnesia leaves you clueless as to your whereabouts, your identity, and how you arrived. A small group of strangers welcomes you to a nearby oasis resort, and they reveal to you the nature of this new reality. You are dead. And this is the afterlife. This is what happens to Kaleche (Nyokabi Gethaiga) in the enigmatic opening sequence of Kati Kati, writer-director Mbithi Masya's poetic first feature film.
A stranger who may be the trickster magician Kummatty comes to a village in Malabar, India.
After a painful breakup, Ben develops insomnia. To kill time, he starts working the late night shift at the local supermarket, where his artistic imagination runs wild.
When Simon awakens in the hospital after surviving a near-fatal accident, amnesia has erased the last two years from his memory. He learns that his brother was killed, he has married a woman he doesn't remember and he's haunted by strange visions of the woman he loved.
Sarah is a debt collector who lives among the inhabitants of the village of Guimbal on the island of Panay. She wants to find the young man who appeared to her in a dream and goes to the island of Negros. Here, as she interacts with the inhabitants, Sarah continues her search, gathering memories of life and war, dreams, myths, legends, songs and stories that she takes part in and at times revolve around her. She is the daughter of an ancient mermaid, a revolutionary, a primordial element, a virgin who was kidnapped and hidden away from the sunlight. “The film is a retelling of fragments of the American occupation. Dialogue, shot in the Hiligaynon language, is not translated but used as a tonal guide and a tool for narration. Using unscripted scenes shot where the main character was asked to merely interact with the villagers, I discard dialogue and draw meaning from peoples’ faces, voices, and actions, weaving an entirely different story through the use of subtitles and inter-titles.”