Disclaimer - This is a news site. All the information listed here is to be found on the web elsewhere. We do not host, upload or link to any video, films, media file, live streams etc.
Kodiapps is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content streamed to/from your device.
We are not connected to or in any other way affiliated with Kodi, Team Kodi, or the XBMC Foundation.
We provide no support for third party add-ons installed on your devices, as they do not belong to us.
It is your responsibility to ensure that you comply with all your regional legalities and personal access rights regarding any streams to be found on the web. If in doubt, do not use.
Kodiapps app v7.0 - Available for Android.
You can now add latest scene releases to your collection with Add to Trakt. More features and updates coming to this app real soon.
Tip : Add https://kodiapps.com/rss to your RSS Ticker in System/Appearance/Skin settings to get the very latest Movie & TV Show release info delivered direct to your Kodi Home Screen.
Builders are free to use it for their builds too.
Sebastian 2024 - Movies (Oct 2nd)
Hounds of War 2024 - Movies (Oct 2nd)
A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
Seeking Mavis Beacon 2024 - Movies (Jan 5th)
The Beast of the Bales 2024 - Movies (Jan 4th)
A Different Man 2024 - Movies (Jan 4th)
VICE News Presents Searching for Masculinity 2024 - Movies (Jan 4th)
Cora 2024 - Movies (Jan 4th)
Bloody Trip The Equinox Killer 2024 - Movies (Jan 4th)
AMP House Massacre 2024 - Movies (Jan 4th)
Alien Weekend 2024 - Movies (Jan 4th)
Black Box Diaries 2024 - Movies (Jan 4th)
Disciples in the Moonlight 2024 - Movies (Jan 3rd)
Sonic the Hedgehog 3 2024 - Movies (Jan 3rd)
A Little Womens Christmas 2024 - Movies (Jan 3rd)
A Clockwork Shining Kubricks Odyssey 3 2024 - Movies (Jan 3rd)
Cheers Portland The Strip Club Capital of America 2024 - Movies (Jan 3rd)
Wallace and Gromit Vengeance Most Fowl 2024 - Movies (Jan 3rd)
Luther Never Too Much 2024 - Movies (Jan 3rd)
He Aint Heavy 2024 - Movies (Jan 3rd)
A Bite to Eat with Alice - (Jan 5th)
Accident, Suicide or Murder - (Jan 5th)
Lidias Kitchen - (Jan 5th)
Philly Homicide - (Jan 5th)
48 Hours - (Jan 5th)
The Worlds Most Extraordinary Homes - (Jan 5th)
The Nature of Things - (Jan 5th)
Mayfair Witches - (Jan 5th)
All Elite Wrestling- Collision - (Jan 5th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
This was a decent TV-movie about US government reaction to the question of air force personnel coming across UFOs during routine flight tests. It is well-acted and constructed, and at 71 minutes, doesn't overstay its welcome. Though I haven't been the biggest Glenn Ford fan over the years, through seeing more of his work, my appreciation and fondness had been slowly but steadily climbing, and it was a decent, fun look at pre-'Starsky and Hutch' and pop-music-success David Soul and pre-'Mary Hartman, Mary Hartman' Greg Mullavey, as well as other decent, recognizable talent from the 70's American crime/police shows and TV-movies I watched growing up here in Canada. Former actor and later Directors Guild of America vice president and president director Taylor, a mainstay of American TV-movies and shows from 1965-2004 (whom I know most from his work on the original 'Star Trek' series) utilizes a documentary-style approach for the film, complete with military words and times appearing on the screen and narration. It's a serviceable method, though at the very end he undermines it, showing the usual 'All characters and events are fictitious...' blurb...had he not, I would have given it 7/10. It's a decent watch and makes you wonder just how governments around the world have reacted to abnormal events such as those that are talked about here. It's definitely worth a watch if you're interested at all in 'close encounters', like any of the three actors I mentioned, and can appreciate and enjoy the 70's style of television making. My copy was in my infamous Mill Creek 50-pack 'Nightmare Worlds'.
A commercial-jet captain (Chuck Connors) has ghosts on board from stones of an English abbey being shipped overseas.
In this horror-drama the festive fun of the annual Mardi Gras celebration is brought to a halt when a swarm of African killer bees escape from a foreign freighter.
Left to die in the desert by his wife and her lover, a businessman fights to survive and get his revenge.
Harry Smith is your typical sexually-unfulfilled husband whose wife Olivia is more interested in UFOs than in him. With the help of his friend Sam, Harry makes Olivia believe that he has been abducted by aliens, when really he has an affair with the new dancer at the strip club which he and his wife own. But the tables are turned when Harry really is abducted by aliens, and they give him the remarkable ability to bring a woman to orgasm simply by looking at her.
The story takes place entirely in a bedroom dominated by a couple's four-poster bed, taking them through fifty years of marriage, through happiness and sorrow, through good times and bad, through childbirth, parenthood, and the eventual sadness from the absence of their children. In the end, they face the future together, while remembering their past.
The passengers in an aerial tramway are trapped when the tramway breaks down 8,500 feet in the air.
A claustrophobic armed robber, fleeing from his latest job, finds himself trapped with a group of people between floors in a high-rise building's elevator that is teetering on collapse.
A rich stockbroker buys a Nevada ghost town as a community for people who need a second chance in life.
A museum heist with an unusual twist: the three thieves are all physically disabled. The men, one confined to a wheelchair, one with prosthetic hands, and one blind, plan to steal a valuable statue. The men use teamwork and ingenuity to beat the high-tech security and get in and out with the statue. However, their plan is not foolproof, as a museum guard recognizes their M.O. and pays them a visit.
Fashion model Sarah Cornell, from the front car of a subway, witnesses a man pushing a woman onto the tracks to her death. Hoping to dispel the presumption that the woman committed suicide, Sarah contacts the police. But when they arrive to take her statement, she recognizes one of the detectives as the killer. Can she get anyone to believe her before she becomes his next victim?
