Bolshoi Ballet: Raymonda

The film is a Bolshoi Ballet version of Leo Tolstoy’s Anna Karenina with choreography by Maya Plisetskaya who also took on the titular role. Anna Karenina is a young wife of an older husband. She has an affair with the handsome Count Vronsky. By following her desires Anna complicates her life.

Ballerina Polina Semionova performs the mythic parts of Odette and Odile (white swan and black swan) with her great partner Stanislav Jermakov. The Zurich Opera House Orchestra is conducted by Russian musical director Vladimir Fedoseyev acclaimed in this repertoire.

In 1984, a fashionable young woman spontaneously lectures her friend about good oral hygiene. Produced by the American Dental Association.

Jerome Robbins considered the Paris Opera Ballet as his second home after the New York City Ballet. This production in his honour brings together works displaying the infinite diversity of his sources of inspiration and his genius on stage. Be it in the energy of the large-scale Glass Pieces or the intimate sweetness of Afternoon of a Faun and A Suite of Dances, there emerges that rare capacity to make bodies follow the flow in a living comprehension of music. As the celebrated ballet Fancy Free, a veritable theatrical portrait of an era, enters the repertoire, Robbins reveals another facet of his talent.

The Bolshoi’s grandiose epic Spartacus recounts the story of a Roman slave’s fight for freedom. With its famous Khachaturian score, since the 1960s it has been considered one of the greatest ballets in the Bolshoi repertoire. The choreography by Yuri Grigorovich fills the Bolshoi stage with dynamic scenes of tension and conflict, and gives full expression to the virility and strength for which Russia’s male dancers are renowned.

Italian singer Mario Vanni visits the Royal Opera in Stockholm and fall in love with ballet dancer Linda Corina.

A well-composed psychological dance drama of a completely different kind from the usual romantic and sometimes superficial ballets. And an intrusive interpretation of August Strindberg's play.

After the death of her mother, Sara moves to the South Side of Chicago to live with her father and gets transferred to a majority-black school. Her life takes a turn for the better when befriends Chenille and her brother Derek, who helps her with her dancing skills.

Birgit Cullberg's 1950 dance adaptation of Miss Julie was the breakthrough for modern dance in Sweden. 30 years later one of her sons plays the role of Jean in this adaptation for TV.