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Anthony Rodia Totally Relatable 2024 - Movies (Mar 13th)
Small Achievable Goals - (Mar 18th)
Son of a Critch - (Mar 18th)
Gypsy Rose- Life After Lock Up - (Mar 18th)
The Chase Australia - (Mar 18th)
Two Ways With Erica Mena - (Mar 18th)
The Real Housewives of Sydney - (Mar 18th)
The 11th Hour with Stephanie Ruhle - (Mar 18th)
Come Dine With Me- South Africa - (Mar 18th)
Married at First Sight - (Mar 18th)
The Real Manhunter - (Mar 18th)
Watch What Happens Live with Andy Cohen - (Mar 18th)
Tribunal Justice - (Mar 18th)
The Voice - (Mar 18th)
Great British Menu - (Mar 18th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
Bad Monkey - (Oct 2nd)
**Home is where all the memories preserved.** I have to start the review by mentioning the recent year Russian film 'Durak', also known as 'The Fool' in English. In the same year, another similar themed Russian film, 'Leviathan' got nominated for the Oscars. What those both films highlighted were not just the corruptions, but the threats the common people face. Raising voice for good against evil is still a distant for such potential country. Here comes the Brazilian version. This is not on the same level. I meant the intensity of the event, how all folds. Nevertheless, the same core issue in a different continent. This film met with several controversies. One of them omitted it from the Oscars race. But the film was received well from all the quarters. I did not find any issue. I thought it became unfortunate victim, especially, could be because of the developers and their connection with the corrupt powerful men. It's neither a masterpiece. I just consider it a good film. A message film. But not for everyone. Particularly, it is good for grownups viewing for the reason I'll going mention later. The story of the 65 year old Clara. Her life has been successful being a music critic. Now a widow, and all her children settled down. It opened on her birthday where all the friends and family gathered to celebrate the occasion. Living alone in a small and beautiful beach view apartment. But the thing is she's the last one who still in that old building. Everyone had left it when the developers decided to demolish it and build a modern one. She's fighting to save the heritage. All her memories lie in there. But the developers have a different plan to force her out, and that's the remaining film to unfold how and other following developments. > ❝So when you like it, it's 'vintage'. If you don't like it, it's 'old'. Right?❞ The opening scene was a slight offbeat. Because right away it does not reveal who is the person of the film. Besides, some of the odd scenes in the middle would raise some eyebrows. Those were not actually the full fledged scenes, but glimpses that goes back to like the 70s or something. The idea of those parts were not properly understandable, but I think it is about missing those good times. The lone fighter concept was inspiring. At one point, when everybody around her thought that she's making an unnecessary scene out of it, she was firm on her decision and did what has to be done. This was one of those films I did not like it on the spot. But slowly captivated. Once it's focus was fixed on one particular character, the rest of the tale set forward on what it wanted to tell us. As I understood it, it was not exactly about corruption, except a part of it was. It was the fight for ones right. A fight to save the past. On the other hand, the people from her opposite are ready to take extreme steps to defeat her. That's where it gets into the controversy. The controversy of those stupid tricks used to achieve the goal. This kind of a film coming from Brasil is really wonderful to educate poor knowledge people who easily become victims in a similar fashion. It was a French-Brasil collaboration film. I'm reviewing it after a couple of days of my watch. Because I wanted to think about it for a while, scene by scene. The more I recall, the more I'm starting to like it. So I advise same to you as well that don't come to any conclusion just after you have watched. Because it could not be what you have heard about it. My only issue was the runtime. The 150 minutes were a too long. But manageable if you watch regularly, such slow films. Well written, directed and acted. Even the location was ideal. But they could have avoided the those sex scenes which I earlier labelled them as odd scenes. There were too many, even camera pans out from somewhere far away in the bush. Kind of unrelated. I am not against such an idea, as human daily life filled with those. But when the theme was seriously pivoting on a serious issue, these came as distraction. Why I'm pointing out that strongly is that a fine film like this should be for all ages, even for teenagers. It missed that opportunity. Otherwise and still a nice drama film to recommend the adults. _7/10_
Brazilian-Japanese gangster Mario rescues his Chinese girlfriend Kei as she's about to be deported from Japan. Desperate to escape, he hides in Tokyo's booming Japanese-Portuguese community and seeks passage from the country from a Russian mobster. To meet his price, they hold up a bigtime drug deal between the Chinese Mafia and the local Yakuza.
A boy is left alone in a Jewish neighborhood in the year of 1970, where both world cup and dictatorship happen in Brazil.
The true story of João Guilherme Estrella ("Johnny"), a young middle-class bon vivant who became a big-time cocaine dealer in Rio de Janeiro in the early 1990s.
Based on the journals of Che Guevara, leader of the Cuban Revolution. In his memoirs, Guevara recounts adventures he and best friend Alberto Granado had while crossing South America by motorcycle in the early 1950s.
Best buddies Acerola and Laranjinha, about to turn 18, discover things about their missing fathers' pasts which will shatter their solid friendship, in the middle of a war between rival drug gangs from Rio's favelas.
In 1997, before the visit of the pope to Rio de Janeiro, Captain Nascimento from BOPE (Special Police Operations Battalion) is assigned to eliminate the risks of the drug dealers in a dangerous slum nearby where the pope intends to be lodged.
During World War II, looking up the Mountain, in Italy, a Brazilian Expeditionary Force - FEB - mines weeping platoon is hit by a panic-attack that sets them running aimlessly right in the middle of 'no man's land'. Desperate cold and hungry, the ill-prepared soldiers have to choose between facing military court or delve deeper into enemy lines. After a tense discussion, they decide to save their faces with the Brazilian Army by tackling a daring military objective: to disarm the most feared minefield in Italy. On their way there, they end meeting two others deserters; a remorseful Italian soldier trying to join the Partigianos and German officer who is just simply tired of war. with unexpected help of their ex-enemy, the soldiers are set to accomplish a mission that so far had been deemed impossible.
In a place taken by poverty, Aparecida lives full of dreams and hope. While her husband leads a bitter life caused by a tragedy from the past, she decides to take an attitude that can change everything: to leave for the big city.
The film tells the story of an intuitive, adventurous man who loved his country and being Brazilian. This man fought to be loyal to himself. His music is a transparent portrait of his genius, intuition, freedom, adventure and passion for Brazil.
Sandro was a boy who loved to sing rap, to kiss, to stare the statue of Christ the Redeemer and dreamed to go visit Copacabana. Growing up on streets, the story culminates at the infamous episode of 12th June 2000, when Sandro hijacked bus 174.
Fernando, a journalist, and his friend César join terrorist group MR8 in order to fight Brazilian dictatorial regime during the late sixties. César, however, is wounded and captured during a bank hold up. Fernando then decides to kidnap the American ambassador in Brazil and ask for the release of fifteen political prisoners in exchange for his life.