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Takashi Shimura is "Watanabe", an elderly civil service lifer who is told that he has terminal stomach cancer. After years of a disciplined, rather pedestrian existence he now feels a need to emancipate himself and start to live a little. The story is told through two threads: one looks at the end of the old gent's life from his own perspective; the second takes a retrospective view from the wake as his family and colleagues gather to remember him. Kurusawa is clearly making a point with this delicate, poignant film - perhaps life needs to be appreciated and enjoyed - not necessarily in a jovial, happy fashion, but by achievement. In this case "Watanabe" sets about using his position to help locals get a park, but he also starts an empowering relationship (platonic) with a younger girl, who is quite keen on her food, it has to be said. As his colleagues at the wake suffer from excesses of saké their traditionally stiff, reserved, view of their late friend becomes more of a tool to evaluate their own roles and purpose as they determine to be more like him.... The writing has plenty of humour and again, Kurosawa uses weather as a wonderfully potent instrument to create a great atmospheric feel to this gentle story of profound change, and - maybe - contentment.
I watched the English follow-up version (Living) before watching this original, and wished I had reversed my order. I liked Living much more than this original, but since both were written by the same Japanese scriptwriter, my preference might be cultural rather than due to quality issues, not to mention the scriptwriter had come up with improvements through the intervening years. The club and bar scenes near the beginning seem to go on much longer than in the remake, or at least it felt like it! And the same for the later scenes with the young woman. Then again, that wouldn’t be surprising since this older version is 40 minutes longer. Still, the differences in the details based on the separate cultures are interesting to note, and I recommend both versions, though I would start with the older one as I mentioned above.
Typical Kurasawa creative framing in the beginning of the movie. The scene of dancers shot through bead curtains swinging in time to the music was brilliant. His choice of Miki Odagiri for muse is brilliant. Her laugh is infectious. The last act stuck me as rather static. It's perhaps from cultural mores about the dead I don't understand (like the taboo of not ever sticking your chopsticks into the rice bowl!). Kurasawa waxes philosophical on life and government here, and indeed, nothing has changed in 70 years.
Jean-Claude Delsart, a 50 years-old bailiff, with his worn-out smile and heart, abandoned a long time ago the idea that life could give him pleasures. Until the day, he dares to push the doors of a tango lesson...
Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
In April of 1945, Germany stands at the brink of defeat with the Russian Army closing in from the east and the Allied Expeditionary Force attacking from the west. In Berlin, capital of the Third Reich, Adolf Hitler proclaims that Germany will still achieve victory and orders his generals and advisers to fight to the last man. When the end finally does come, and Hitler lies dead by his own hand, what is left of his military must find a way to end the killing that is the Battle of Berlin, and lay down their arms in surrender.
Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.
A touching story of an Italian book seller of Jewish ancestry who lives in his own little fairy tale. His creative and happy life would come to an abrupt halt when his entire family is deported to a concentration camp during World War II. While locked up he tries to convince his son that the whole thing is just a game.
Many years ago, in a nearly deserted town at the foot of a mountain, lives Agostino with his wife Nina and his son Giovanni. The mountain rises up like a wall blocking out the sun that never reaches their fields below, now reduced to just stones and underbrush. Agostino, even though everything suggests him to leave, decides that the destiny of his family is there, among the peaks. He is not only driven by stubbornness, but by the certainty that our roots cannot betray us and that with the help of our spirit we can bring the sun on every destiny.
The legendary one-eyed one-armed swordsman Tange Sazen is back to aid a Magistrate in his efforts to steal bribe money on its way to Edo for the benefit to poor farmers.
Shiino one day finds out that her best friend Mariko has committed suicide. After snatching Mariko's urn from her abusive father, Shiino heads to Marigaoka Cape, a place Mariko always wanted to go.
Liz is homeless, living life adrift. In a moment of despair and loneliness, she returns home after many years to her God-fearing mother and discovers time has changed more than she ever could have imagined.
Fantastical road movie about a pained guy and girl who head from the boonies to Tokyo. Hiro Kenichiro has directed numerous music videos and makes his feature film debut. Set in a world where people get a "blue mail" missive from their future selves. Kagari randomly meets a runaway girl named Yuki. They set off on a trip for Tokyo and gradually discover each other's past secrets.
