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**Whose fault is it anyway!!!!** Here I'm back to review a Korean film. I have seen hundreds of Korean films, but seems I have never seen a story about youngsters like this one. Or probably not in a long time. An interesting storyline, written and directed by a debutant filmmaker. My first impression was the Korean version of 'Interrogation'. Well, almost looked like one. Only it was less violent. It is one of those films, some people could feel uncomfortable watching, because of the overwhelming annoyance of negativity or tortures. If you have seen 'Brokedown Palace', you will get it. But there are many other similar flicks that you could be familiar with a few. It was not a straight narration. Often revealed recent past events to make the story straight. It all begins when four friends chased by the cops on the foot in a late night street. That looked fun, but it was not. Because the story takes a twist on the earliest. One of them got into an accident. So their getaway ends there. Now being caught, the film set to reveal why they were running away from the cops. It was a slow interrogation. Meanwhile, the four boys' individual lives briefed. Where they were coming from, their family, the social status and why they have ended in another town. The film did not dig deep enough on everybody, except surrounding the mystery on what the film is dealing with. It shows the strength of their friendship. When one of them got seriously injured, how solidly they stood for him and each other. Well, that's what they wanted to do, but they have entangled with the complication in the police station. Their effort to make the cops to understand what really had happened, especially their parents intervene to free them, seems nothing's working. It went on like that, but at some stage, it's set to test their friendship bond. The bond of a very long relationship. From there, where it all heads were a little emotional conclusion. > -xX] Stop avoiding the facts! We'll tell them what really happened. [Xx- No matter who's the filmmaker, even if he's a newcomer or a big shot, high or small budget film, or there any familiar faces around, the Korean films all are almost has the same vibe. I mean any story, any situation turned to be so hard hitting that would remain in our minds for a very long time even after finished watching. Take an example of this film, it had a simple story. The developments were nothing other than going back to just a few hours earlier to reveal important parts. There was no twist like that going to flip the entire event before the end. But still it had one twist, in the form of the other way around, which steered it towards the emotional side. When it comes the emotions, not a typical tearjerker I have been expecting. Because truthfully, I wanted it to be that way, ready to compromise with cliches. So they knew the viewers would expect it, hence the story ended differently. As for me, it is not just under-rated film, but also under-noticed decent film. If I meant decent, that's it was a much, much better film. Definitely slow moving, but that's the way it is and worked out well. All the lead actors were good, even those are in small roles. Surprisingly, for such an intentional drama, the film had been just a 90 minutes long. Why surprised? Because I have seen an usual Korean film's average length is very close to two hours or just above. I have read some negative remarks, but one should focus well enough to understand completely. It's not about tough platform, but watching it undisturbed could ensure there's nothing wrong with the film. Only they have failed to acknowledge it. There's nothing much movement in the narration like stunt sequences. Everything was conversation and/or interrogation. The drama. But major uncertain is every key event that could possibly solve the puzzle were kept locked away. Something they wanted to tell like from the real world perspective. Especially in the aspect of arrogant cops and self rescuing parents. It's totally hard truth that's depicted nicely in this cinematic version. If you are asking my opinion, I absolutely say go for it. _8/10_
While out to avoid spending time with her narcissistic and promiscuous mother, sixteen-year-old Jo has a brief affair that leaves her pregnant and abandoned. When her mother remarries, Jo's only support becomes her friend Geoffrey, a homosexual.
Mads' father’s company is too small for a proper Christmas tree party, so Mads decides to arrange his own for himself and his best friend. But arranging such a party is easier said than done. It involves theft, intrigue and deception. Can Mads overcome the difficulties, or will there be no Christmas tree party?
During a long, hot summer in seventies London, young neighbors Holly and Marina make a childhood pact to be friends forever. For Marina, troubled, fiercely independent, determined to try everything, Holly stays the only constant in a life of divorcing parents, experimental drugs and fashionable self-destruction. But for Holly, a friendship that has never been equal gradually starts to feel like a trap.
A three-chapter (Hell, Purgatory and Paradise) meditation on the city of Sarajevo in the wake of the Bosnian war, on Palestine and Israel, and on war itself.
In a dystopian future, an Australian-Iraqi woman held captive in a chaotic and brutal British immigration detention centre takes up severe measures to survive and reconnect with her estranged family.
Charming desperado Ossy, carrying a deadly secret, tracks down his childhood pal Jimmy in Iceland. But Jimmy, now with a family and a regular job, will do anything to hide his past.
That night, Jesper and Rein wanted to go to Tessa's party. They have just played sports and are exhausted, Rein has been hit especially hard (he thinks), and therefore has an incredible appetite for Peking Duck from his favourite Chinese restaurant. Jesper doubts as he is a bit short on cash (as he has been for decades). This exposes a skewed dynamic in their friendship.
In a Home for unwed mothers in 1962, a pregnant girl tries to save her friend’s memories in order to save their friendship.
Mickael's family is struggling (they don't have enough money to pay for hot water) however his life is full with Judo and his girlfriend Venessa. Then Mickael makes a decision to open up his relationship to include Clement his rich-kid Judo partner, starting a chain of events.
After chasing the mysterious Kamen Rider Dark Ghost, who had suddenly appeared, Takeru Tenkuji arrives at a strange village full of historical figures. Attempting to gather 100 Eyecons, Alain’s dead brother Argos - Kamen Rider Dark Ghost - wishes to create the Ultimate Eyecon and turn everyone on Earth into ghosts. Meanwhile, Makoto’s father Daigo Fukami is seen in the village. Transforming into Kamen Rider Zero Specter, is Daigo an ally or an enemy?
In the present, artist Tom Warshaw recalls his traumatic coming of age. As a 13-year-old growing up in New York City in 1973, Tom hangs out with Pappass, a mentally disabled man. With Tom's mother battling depression after the death of her husband, the young boy is left to his own devices. When Tom develops a crush on schoolmate Melissa, Pappass feels abandoned and begins behaving erratically.