With Love From... Suffolk

Three generations of women who seek to murder their husbands share a solidarity for one another which brings about three copy-cat drownings.

England, 1645. The cruel civil war between Royalists and Parliamentarians that is ravaging the country causes an era of chaos and legal arbitrariness that allows unscrupulous men to profit by exploiting the absurd superstitions of the peasants; like Matthew Hopkins, a monster disguised as a man who wanders from town to town offering his services as a witch hunter.

Set in a small English town in 1959, a woman decides, against polite but ruthless local opposition, to open a bookshop, a decision which becomes a political minefield.

As a young man, Tom, prepares to leave the Suffolk village of his birth, voices and experiences from his family's past crowd in on his mind, weaving a poetic tapestry of the love of home and the longing to get away from it.

As WWII looms, a wealthy widow hires an amateur archaeologist to excavate the burial mounds on her estate. When they make a historic discovery, the echoes of Britain's past resonate in the face of its uncertain future‎.

With their gramophone perched on the back of their launch, the family set off for a day of rest and relaxation on the Broads and Suffolk coast.

Imagine a world where the witch trials persisted under everyone's noses. Josafine, a young lady, is on the run from a sadistic soldier who thinks she is a witch. She must protect her baby and herself out in the wild.

The Haywain by John Constable is such a comfortingly familiar image of rural Britain that it is difficult to believe it was ever regarded as a revolutionary painting, but in this film, made in conjunction with a landmark exhibition at the V&A, Alastair Sooke discovers that Constable was painting in a way that was completely new and groundbreaking at the time. Through experimentation and innovation, he managed to make a sublime art from humble things and, though he struggled in his own country during his lifetime, his genius was surprisingly widely admired in France.

An in-depth look at the life and career of veteran illustrator and bluegrass musician John Holder.

A conceited businessman, who thinks that he has struck oil, starts a petroleum company and catches the attention of money-grubbing swindlers. Can his secretary help him see that this reckless enterprise is nothing but an elaborate hoax?

Ricardo Bar (22) is a young man who lives with his family in a little farm, in the border of Brazil and Argentina. There is mainly the jungle and the settlers, descendants of German immigrants. Ricardo doesn't want to inherit his father's land; he wants to become a pastor. Problems begin when Ricardo and the community tell the directors to stop shooting and leave. From that moment on Ricardo Bar tells two stories: one about a deal, the directors' offer to Ricardo in order to be able to shoot the film, and the other about Ricardo's life at this moment, his reaction to the director's offer, reenacted for the camera.