A Quiet Place Day One 2024 - Movies (Oct 2nd)
Getting LOST 2024 - Movies (Dec 14th)
Killer Influence 2024 - Movies (Dec 14th)
Good Neighbours 2024 - Movies (Dec 13th)
The Way We Speak 2024 - Movies (Dec 13th)
Don Q 2024 - Movies (Dec 13th)
Paul and Trisha The Art of Fluidity 2024 - Movies (Dec 13th)
All I Need for Christmas 2024 - Movies (Dec 13th)
Elton John Never Too Late 2024 - Movies (Dec 13th)
Canadian Sniper 2024 - Movies (Dec 13th)
Disaster Holiday 2024 - Movies (Dec 13th)
Carry-On 2024 - Movies (Dec 13th)
Mudbrick 2023 - Movies (Dec 13th)
From Embers 2024 - Movies (Dec 13th)
The Area 51 Incident 2024 - Movies (Dec 13th)
Utopia 2024 - Movies (Dec 13th)
Deaner 89 2024 - Movies (Dec 13th)
The Christmas Letter 2024 - Movies (Dec 13th)
Dirty Angels 2024 - Movies (Dec 12th)
Quadrant 2024 - Movies (Dec 13th)
Driven The Tony Pearson Story 2023 - Movies (Dec 13th)
All Elite Wrestling- Rampage - (Dec 14th)
Crime Beat - (Dec 14th)
WWE NXT- Level Up - (Dec 14th)
On Patrol- Live - (Dec 14th)
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WWE SmackDown - (Dec 14th)
Drag Race Thailand - (Dec 14th)
Alex Wagner Tonight - (Dec 14th)
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Diners, Drive-Ins and Dives - (Dec 14th)
My Lottery Dream Home - (Dec 14th)
The Last Woodsmen - (Dec 14th)
Fire Country - (Dec 14th)
Gardeners World - (Dec 14th)
Breaking the News - (Dec 14th)
All In with Chris Hayes - (Dec 14th)
Lopez vs Lopez - (Dec 14th)
Kirsties Handmade Christmas - (Dec 14th)
S.W.A.T. - (Dec 14th)
Stephen Wadsworth’s production of Mussorgsky’s epic masterpiece brilliantly captures the suffering and ambition of the Russian people at a critical time in their nation’s history. René Pape is riveting as the Tsar of the title, giving a commanding and charismatic performance of one of the greatest bass roles in the repertoire—his Boris is dominating, tortured, flawed and utterly unforgettable. The extraordinary cast and the Met Orchestra and Chorus are led by Russian maestro Valery Gergiev, the foremost Mussorgsky interpreter of our time.
Live from the Metropolitan Opera, 14 February 1980. This version takes place in Boston rather than Sweden.
David Alden’s elegant 2012 production moves Verdi’s thrilling drama to a timeless setting inspired by film noir. Marcelo Álvarez is Gustavo III, the Swedish king in love with Amelia (Sondra Radvanovsky), the wife of his best friend and counselor, Count Anckarström (Dmitri Hvorostovsky). When Anckarström joins a conspiracy to murder the king, tragedy ensues. Stephanie Blythe is the fortuneteller Madame Ulrica Arvidsson and Kathleen Kim sings the page Oscar. Met Principal Conductor Fabio Luisi is on the podium.
Audiences went wild for Bartlett Sher’s dynamic production, which found fresh and surprising ways to bring Rossini’s effervescent comedy closer to them than ever before. The stellar cast leapt to the challenge with irresistible energy and bravura vocalism. Juan Diego Flórez is Count Almaviva, who fires off showstopping coloratura as he woos Joyce DiDonato’s spirited Rosina—with assistance from Peter Mattei as the one and only Figaro, Seville’s beloved barber and man-about-town.
It is a rare opera indeed that calls for one soprano diva and no fewer than six tenors. Mary Zimmerman’s fanciful production of Rossini’s drama, designed by Richard Hudson and with choreography by Graciela Daniele, provides the perfect setting for superstar Renée Fleming’s captivating performance of the title role. A beautiful but evil sorceress in the times of the Crusades, Armida sets out to regain the love of the Frankish knight Rinaldo (Lawrence Brownlee) by putting her magical spells on him. She at first succeeds to draw him into her web of sorcery, but ultimately divine intervention—and his fellow soldiers—free Rinaldo from his enchantment—much to the vengeful fury of Armida and her demons.
The Glyndebourne Opera's 1981 production of the Benjamin Britten opera, based on Shakespeare's play.
“Let us assume that Switzerland is truly a paradise. The music hereto was written long ago. We have merely forgotten it.” (Daniel Schmid) This is the material from which the most Swiss of all operas is made: the legendary Wilhelm Tell – a Swiss hero: straightforward, a primus inter pares of the indomitable freedom fighters, a good shot, surefire. A myth that becomes a poetic playground: nature in turmoil, the struggle for freedom and forbidden love. A legendary overture at a gallop with an iconic post horn motif – all this and much more in the thirty-seventh and last opera by Rossini.