The Riverbed

In the 1950s, a Japanese-American fisherman is suspected of killing his neighbour at sea. For Ishmael, a local reporter, the trial strikes a deep emotional chord when he finds his ex-lover is linked to the case. As he investigates the killing, he uncovers some startling clues that lead him to a shocking discovery.

After his daughter died of cancer, former French foreign legionnaire "Straight Shooter" alias Volker Bretz threatens those who financed, built, favoured and now work the nuclear power plant Atar II to kill one of them each day until the plant is shut down. His former drill sergeant, Frank Hector, who now owns several night clubs and brothels, is the only one who might be able to stop the maniac killing specialist. Frank is flown in instantly, but soon has to find out that his former comrade's actions might be a result from an event long ago.

A bitter battle is fought between Australian and Japanese soldiers along the Kokoda trail in New Guinea during World War II.

Set during the early part of his reign, Ivan faces betrayal from the aristocracy and even his closest friends as he seeks to unite the Russian people. Sergei Eisenstein's final film, this is the first part of a three-part biopic of Tsar Ivan IV of Russia, which was never completed due to the producer's dissatisfaction with Eisenstein's attempts to use forbidden experimental filming techniques and excessive cost overruns. The second part was completed but not released for a decade after Eisenstein's death and a change of heart in the USSR government toward his work; the third part was only in its earliest stage of filming when shooting was stopped altogether.

Commissioned for the Irish representation at the 55th Venice Biennale in 2013, The Enclave is an immersive, six-screen video art installation by Irish contemporary artist Richard Mosse. Partly inspired by Joseph Conrad’s modernist literary masterpiece Heart of Darkness, the visceral and moving work was filmed in the Democratic Republic of Congo using 16mm colour infra-red film, which captures otherwise invisible parts of the spectrum. The resulting imagery in Mosse’s work is hallucinatory and dream-like with the usual greens of jungle and forest replaced by shimmering violet. The Enclave depicts a complicated, strife-ridden place in a way that reflects its complexity, using a strategy of beauty and transfixion to combat the wider invisibility of a conflict that has claimed so many.

Oscar Krug is looked upon with suspicion by his neighbors because of his German name. When the US is drawn into the war with Germany, he enlists and travels the seas with his wife, Alice Morse. During a submarine attack Alice is snatched from Krug's side by a German officer. Krug now lives to have his revenge, and when the opportunity presents itself, he will have it.

Charles Abbott is implicated in the death of his friend Escobar, brother to the woman he loves.

Jurácek's feature debut is shot in two parts. In the first, a corporal accompanies a new recruit with a sore Achilles tendon for his physical, and all the girls or young women they see are played by the same actress (Ruzickova). In the longer second segment, shot with the help of the Czechoslovakia army, the soldiers pass the time during basic training and maneuvers by talking about girls.

Young soldiers of the Soviet Internal Troops are brutally bullied during their time of Dedovshchina(hazing). The plot unfolds mostly on board of a prisoner transport rail car guarded by a unit of paramilitary conscripts.

A young woman who lives with her uncle begins to dream about a monster that lurks in the shadows of the night.

A US Army officer, who made a "friendly fire" mistake that was covered up, has been reassigned to a desk job. He is tasked to investigate a female chopper commander's worthiness to be awarded the Medal of Honor. At first all seems in order. But then he begins to notice inconsistencies between the testimonies of the witnesses...