Youkoso Uchuujin

When army of Gigans tries to invade and destroy the Earth, the only one who can stop them is Godzilla.

Stop motion animation featuring a line of dancing liquorice women.

In 2015, we created this cell animation short to commemorate the Armenian Genocide Centenary. To the date, the Turkish government still denies the genocide took place, dodging their responsibility. 100 years will have passed this April 24th, and Armenians will keep on fighting for justice. This is a small tribute to the 1.500.000 victims.

In this Oscar-winning short film, grieving parents journey through an emotional void as they mourn the loss of a child after a tragic school shooting.

An experimental visual poem combining film, animation, photography, and archival footage inviting people to occupy the Black Body and examine the lived Black experience for a brief moment.

Marcel the shell gives an outline of his life.

Autodale's detective presence 'Friendly Shadow' makes an effort to keep the monsters lurking outside from entering the city, one such attack however gets very gruesome very fast.

The series, based on the first 16mm film that was shot in a studio with Nakajima’s family and birds, moves through media and processing transformations over many iterations over the years. Once transferred to video, digital effects were added using the “Animaker,” an electronic image synthesizer that he invented (also nicknamed “Ko-puter”). Total of 6 parts exist.

‘Segregated By Design’ examines the forgotten history of how our federal, state and local governments unconstitutionally segregated every major metropolitan area in America through law and policy.

When Fawn mentions to Tinker Bell, Rosetta, Iridessa, Silvermist and Vidia that a group of crocodiles is called a float, Tinker Bell asks Fawn to share more knowledge of animal groups. So, Fawn promptly pulls out her Animal Group Songbook. This short from the extras of the Blu-ray of "Tinker Bell and the Legend of the NeverBeat" features the song "Fawn's Animal Group Song."

This film was made by punching circular holes into fully opaque film stock and laying discs of colour film into some of the punched holes. Only the original copy of this film exists – it cannot be printed and is therefore projected only on rare occasions. As with other Le Grice films from the late 1960s, Spot the Microdot is marked by a radical rejection of ‘illusionism’, choosing to focus instead on the material properties of the film medium itself.