Disclaimer - This is a news site. All the information listed here is to be found on the web elsewhere. We do not host, upload or link to any video, films, media file, live streams etc.
Kodiapps is not responsible for the accuracy, compliance, copyright, legality, decency, or any other aspect of the content streamed to/from your device.
We are not connected to or in any other way affiliated with Kodi, Team Kodi, or the XBMC Foundation.
We provide no support for third party add-ons installed on your devices, as they do not belong to us.
It is your responsibility to ensure that you comply with all your regional legalities and personal access rights regarding any streams to be found on the web. If in doubt, do not use.
Kodiapps app v7.0 - Available for Android.
You can now add latest scene releases to your collection with Add to Trakt. More features and updates coming to this app real soon.
Tip : Add https://kodiapps.com/rss to your RSS Ticker in System/Appearance/Skin settings to get the very latest Movie & TV Show release info delivered direct to your Kodi Home Screen.
Builders are free to use it for their builds too.
Having watched Dave Chappelle's performance of Clayton Bigsby, "The Black, White Supremist" years ago, the basic synopsis sounded pretty familiar, but it being in Germany, in particular, eastern Germany, this felt a lot closer to home for me. Rather than just covering the common stereotypes faced by people who don't _look_ German, this goes deeper in asking the question what exactly _is_ German. Is it the culture? Is it the blood? Is it limited to the specific region, declaring everything that isn't Saxon to be foreign, including the demand to deport Bavarians and Rhinelanders? Is it the German virtues, as for example industriousness, resulting in the deportation of an unemployed Saxon to the Czech Republic? This movie is meant to be uncomfortable and it does a good job at it. In my view one of the better independent movies coming out of Germany recently.
After a wonderful time in Hungary Sissi falls extremely ill and must retreat to a Mediterranean climate to rest. The young empress’ mother takes her from Austria to recover in Madeira.
In this loose adaptation of Shakespeare's "Henry IV," Mike Waters is a hustler afflicted with narcolepsy. Scott Favor is the rebellious son of a mayor. Together, the two travel from Portland, Oregon to Idaho and finally to the coast of Italy in a quest to find Mike's estranged mother. Along the way they turn tricks for money and drugs, eventually attracting the attention of a wealthy benefactor and sexual deviant.
In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
In nineteenth-century Łódź, Poland, three friends want to make a lot of money by building and investing in a textile factory. An exceptional portrait of rapid industrial expansion is shown through the eyes of one Polish town.
A dramatisation of the workers' protests in June 1976 in Radom, seen from the perspective of the local Secretary of the Polish United Workers' Party. [Produced in 1981, but not commercially released until 1996.]
Witek runs after a train. Three variations follow on how such a seemingly banal incident could influence the rest of Witek's life.
When a group of idealistic young men join the German Army during the Great War, they are assigned to the Western Front, where their patriotism is destroyed by the harsh realities of combat.
It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.
Au revoir les enfants tells a heartbreaking story of friendship and devastating loss concerning two boys living in Nazi-occupied France. At a provincial Catholic boarding school, the precocious youths enjoy true camaraderie—until a secret is revealed. Based on events from writer-director Malle’s own childhood, the film is a subtle, precisely observed tale of courage, cowardice, and tragic awakening.
The work-shy, lazy Germanicus is taken to Rome by slave traders and sold straight to the nouveau riche Roman Tusnelda. He manages to escape, but only to end up in the next misery as a taster at the imperial court. When the emperor dies, he is arrested as an emperor's assassin and is to be thrown to the tigers in the arena.With the help of the black slave Saba, he manages to win the deadly fight and is proclaimed - against his will - the new emperor of the Roman Empire.His pragmatic ideas as a statesman explain why the Roman Empire ended so abruptly. At the side of Saba, who is elevated to empress, he returns to his home village of Sumpfing, where he now promises himself completely new perspectives ...
The personal stories lived by the Uncle, the Father and the Son, respectively, form a tragic experience that is drawn along a line in time. This line is comparable to a crease in the pages of the family album, but also to a crack in the walls of the paternal house. It resembles the open wound created when drilling into a mountain, but also a scar in the collective imaginary of a society, where the idea of salvation finds its tragic destiny in the political struggle. What is at the end of that line? Will old war songs be enough to circumvent that destiny?
