2ⁿ: A Story of the Power of Numbers

The Sound of Music engages with the deep-rooted sexual and class-based politics of a seemingly arbitrary and violent culture.

An adult going through a period of reevaluation analyzes his past life. The film is a sentimental journey into the world of emotions.

Original animated film made for the International Chopin Year. The soundtrack consists of Fryderyk Chopin's music performed by Justyna Steczkowska, Tomasz Stańko and Michał Urbaniak. The author rejects the pompous, exalted, pathos-laden, obligatory admiration that paralyses the possibility of hearing Chopin's music in a fresh way.

This short probes the taboos around a very particular second-hand trauma, leading us to a more universal understanding of human experience.

A jetliner spans the miles, sheering through clouds to open sky and scenic vistas of the provinces below. Glimpses of town and country, of people of many ethnic origins, of a resourceful and industrious nation - impressions it would take days and weeks to gather at first hand - are brought to you in this vivid 1800-kilometer panorama.

This film is an in-camera portrait of the place Ville Marie Royal Bank Building in Montréal.

When a hungry Astronomer falls asleep while working on a problem, he discovers a solution not in outer space but in the surreal food-chain of his subconscious mind.

Hard Problems is about the extraordinary gifted students who represented the United States in 2006 at the world's toughest math competition: The International Mathematical Olympiad (IMO). It is the story of six American high school students who competed with 500 others from 90 countries in Ljublijana, Slovenia. The film shows the dedication and perseverance of these remarkably talented students, the rigorous preparation they undertake, and the joy they get out of solving challenging math problems. It captures the spirit that infuses the mathematical quest at the highest level.

This short piece by Athina Rachel Tsangari, commissioned for the seventieth edition of the Venice Film Festival in 2013, draws on Jean-Luc Godard's "Contempt" and functions as a meditation on the state of cinema, depicting two film projectors contemplating the uncertainty of their future.