Ostia is a fascinating short film directed by Julian Cole and produced for the Royal College of Art, which reconstructs the events leading up to the murder of Pier Paolo Pasolini. Ostia relocates the proceedings to London and stars Derek Jarman as Pasolini. The film features an evocative dream sequence which is accompanied by poignant excerpts from Pasolini’s own poetry, as read by Jarman.
A short documentary exploring the ongoing relevance and power of 'Salò o le 120 giornate di Sodoma'.
A documentary about Pier Paolo Pasolini and his film 'Salò o le 120 giornate di Sodoma'.
Philo Bregstein tells us this film looks at Pasolini's life and art to explain why he died. The film traces Pasolini's life chronologically - family roots, hiding during World War II, teaching, moving to Rome, being arrested and acquitted many times, publishing poems, getting into film, being provocative, and being murdered. Interviews with Alberto Moravia, Laura Betti, Maria Antonietta Macciocch, and Bernard Bertolucci are inter-cut with readings of Pasolini's poems and with clips from four films - primarily the Gospel According to St. Matthew - to illustrate his changing ideas and points of view. Bregstein makes a case for Pasolini's being lynched.
Portrait of Pier Paolo Pasolini and his literary and cinematographic activity in the proletarian Rome.
Behind the scenes footage of Pasolini and crew filming 'Salò o le 120 giornate di Sodoma'.
Wakefield Poole's Bible! is an 1973 American softcore pornographic anthology film written and directed by Wakefield Poole. The film presents the biblical stories of Adam and Eve, David and Bathsheba, and Samson and Delilah in the form of pornographic vignettes.
An actress becomes taken with Hitty, a young orphan prone to dreaming. Julie soon finds out that she is ill and has only a short time to live. She decides to adopt the child so that her husband Bill will not be alone when she dies. Unfortunately, Bill is not charmed by Hitty.
Previously lost exploitation film which chronicles the sexual journey of a teenager who introduces her own family to the liberated ways of the free love rebellion.
A feature shot as a documentary, with minimal interference in the surrounding action. The resulting film is a truthful and innocent portrayal of the era with no imitations or conscious borrowings but with its own avant-garde experiments.