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Secret Organizational Service (S.O.S.) is an international crime syndicate, quite successful with their feminine agents operating under the guise of a fashion model agency led by Lady Bristol and her associate Luigi. The International Service is the governmental secret service decided to put a term to SOS's action. An agent has infiltrated SOS - but she is in danger, after sending a coded message to her supervising Inspector. So, agents Alex Dinamo is to join forces with Adriana, and give the undercover agent a hand.
A beautiful muse inspires an artist and his older friend to convert a dilapidated auditorium into a lavish rollerskating club.
After a team of surgeons botches his beloved wife's operation, the distraught Dr. Phibes unleashes a score of Old-Testament atrocities on his enemies.
Upon receiving reports of missing persons at Fort Spencer, a remote Army outpost on the Western frontier, Capt. John Boyd investigates. After arriving at his new post, Boyd and his regiment aid a wounded frontiersman who recounts a horrifying tale of a wagon train murdered by its supposed guide - a vicious U.S. Army colonel gone rogue. Fearing the worst, the regiment heads out into the wilderness to verify the gruesome claims.
Blessed with a keen sense of smell and cursed with a philandering pornographer husband, a parasitic mother, and a pair of delinquent children, the long-suffering Francine Fishpaw turns to the bottle as her life falls apart - until deliverance appears in the form of a hunk named Todd Tomorrow.
"It's a little raw and crude right now, but I want this to be 'My Rotten Life' as a dessert, not as a liver pill." Cult film actress Susan Tyrrell (Fat City, Forbidden Zone, Cry-Baby) performing her one woman semi autobiographical musical show at La Cage, Los Angeles, 1992.
A low-budget film crew working in New York City find themselves being preyed upon by a sexually conflicted serial killer.
Correlated with Susan Sontag's theorization of kitsch as well as employing the queer lingo of "camp," this film's relentless equal opportunity pop-art montage shattered the foundations of conventional cinema, making it a true document of the Shinjuku underground scene. Director Okabe himself appears recreating his favorite roles from Bonnie and Clyde to Spaghetti Westerns, as well as incorporating quotations by inserting stills of Godard, Kennedy’s assassination and the Vietnam War.
A young filmmaker accidentally claps her idol’s mystical clapperboard, throwing the two on a frantic journey through film genres and beyond.
Everyone has 'moved on', except for Sherman and Jim Levenstein's still understanding father. Little Matt Stiffler wants to join his older brother Steve's business and, after everything Matt has heard from Jim's band-geek wife, he plans to go back to band camp and make a video of his own.