Quemar las naves

On the same day, Andrei's wife Nina asks for a divorce, his colleague Natasha tells him she's attracted to him, he's assigned a new project under the direction of Philip (a well-dressed, authoritative, and even arrogant stranger who keeps touching him), and he fights a gang of homophobes to protect a young gay man, Oleg. The next day, Philip takes Andrei away from the office on an odyssey into a space that is charged with spirituality and homoeroticism. Philip is no businessman, and the disclosure of who he really is forces Andrei into a series of choices that involve Natasha, Nina, belief, and love.

What happens when two profoundly lonely men who are strangers, one older and gay, and the second younger and questioning, take one last chance at making a sincere human connection? Based on true events in the life of the writer/director.

Two men-a gay, HIV-positive artist and an adopted garbage collector-struggle in the face of stigma and loss to find meaning in work, love, and family.

The Male Gaze is a new series of releases from New Queer Visions that showcases short LGBTQ films from across the world. The first instalment, First Kiss, brings together five shorts that are based around men experiencing romantic and/or sexual interaction with other men for the first time. It takes in films from Sweden, Indonesia, USA, Australia and France giving a rounded look at how similar experiences are depicted across the world. The films are: Naked [Naken] (2013); Pria (2017); Walk With Me (2018), One Night Only (2018); Michel's Mouse [Tapette] (2016).

Eyal, an Israeli Mossad agent, is given the mission to track down and kill the very old Alfred Himmelman, an ex-Nazi officer, who might still be alive. Pretending to be a tourist guide, he befriends his grandson Axel, in Israel to visit his sister Pia. The two men set out on a tour of the country, during which Axel challenges Eyal's values.

Two children, Ignacio and Enrique, know love, the movies and fear in a religious school at the beginning of the 1960s. Father Manolo, director of the school and its professor of literature, is witness to and part of these discoveries. The three are followed through the next few decades, their reunion marking life and death.

In 1960s Wyoming, two men develop a strong emotional and sexual relationship that endures as a lifelong connection complicating their lives as they get married and start families of their own.

The Falls: Testament of Love is a continuation of the story of RJ Smith and Chris Merrill, two Mormon missionaries that fell in love during their mission in a small town in Oregon. The boys haven't spoken in five years, but when an unexpected tragedy compells them back to the Oregon town where they served, they find themselves, once again, thrust into one another's lives. As old feelings begin to surface they find themselves again facing difficult choices. If they pursue their desire to be together, RJ and Chris risk hurting the ones they care about as they embark on a spiritual journey to discover love, freedom, and happiness.

An alcoholic ex-football player drinks his days away, having failed to come to terms with his sexuality and his real feelings for his football buddy who died after an ambiguous accident. His wife is crucified by her desperation to make him desire her: but he resists the affections of his wife. His reunion with his father—who is dying of cancer—jogs a host of memories and revelations for both father and son.

Tobi and Achim, the pride of the local crew club, have been the best of friends for years and are convinced that nothing will ever stand in the way of their friendship. They look forward to the upcoming summer camp and the crew competition. Then the gay team from Berlin arrives and Tobi is totally confused. The evening before the races begin, the storm that breaks out is more than meteor-logical.

Walt is a lonely convenience store clerk who has fallen in love with a Mexican migrant worker named Johnny. Though Walt has little in common with the object of his affections — including a shared language — his desire to possess Johnny prompts a sexual awakening that results in taboo trysts and a tangled love triangle.