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**The story of how a hitman became hitgirl!** Actually, it was a much better film than what I've heard of it. What could you expect from a B movie? This was a much better film for its small budget with a decent cast. The storyline seems okay, but Michelle Rodriguez is the one who made it possible. Yeah, it was like created for her to play the main role and she excelled. The filmmaking was quite compromised when the initial part of her character was played by herself. Because of particularly her height, but decently convinces us with all the rest of the makeovers. The film was about an assassin, who after encountering some wrong men, discovers later that he'd went through gender reassignment surgery. Now raged with anger, he begins his hunt whoever behind it, especially finding the reason for. With a small romance and action sequences, the film comes to an end. Before giving it a try, you must understand that it is not the film you should expect to be a masterpiece. It tried its best to narrate a decent story, as well as you get your entertainment along. So it is not a must see, but still worth a watch. _6/10_
A risky movie to make, people on both ends of the political spectrum are going to have things to say about _The_ _Assignment_ without ever having seen it, of that I have no doubt. But personally, and trying to put all that aside, _The_ _Assignment_ is actually halfway decent. It uses a couple of tropes I don't enjoy, for instance it has not one but two separate point of view framing devices, and I got the distinct impression that Sigourney Weaver was only there for maybe one full day of shooting, but I still was able to engage in the story, which was certainly one I hadn't seen on screen before. Between this and _Inconceivable_ I'm having a great month for film titles that are super inappropriate puns. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Boring--which is the worst thing that a B-movie can be. Points only for Michelle Rodriguez's prosthetic penis, her natural titties, and Sigourney Weaver's cinematic debasement via thriller cliches. This fauxploitation film doesn't even have the guts to do exploitation right.
Big thumbs down. I truly wanted to enjoy 'The Assignment' due to Michelle Rodriguez's involvement, but man it is unfortunately a pretty cruddy flick. Rodriguez herself is the film's only noteworthy positive, but only just to be honest - she isn't given much to work with. The premise has potential, though its execution here leaves a lot to be desired. Everything onscreen involving the characters of Sigourney Weaver and Tony Shalhoub bored me tremendously, every time it's just the filmmakers trying to come out looking smart - the dialogue, which is poor overall, is particularly bad for those two. The editing is also awful, the phoney comic book bits are weak and the transitions a very amateur-ish. This 2016 release also has an annoying habit of telling us every single location that a scene takes place, why I do not know - and if you are going to, choose a different font. I know that's an odd thing to mention, but they chose a TV police procedual-esque font, which doesn't fit with the aforementioned attempt at the comic book schtick. This should've been fun. Sadly, it is anything but.
A posh couple experience car trouble on their way to a villa party and stop into a local mechanic's shop for assistance, unaware of his shady background. After he and his mentally challenged assistant fix the car, the couple invite them to the party to return the favor, leading to an evening of mayhem.
A crime boss goes searching for his ex-wife and son after a ten-year prison stint. His old gang has other plans though, and use the child to try and make him disclose the location of the loot he hid before going to the slammer.
Rose Manning swears revenge for the unjust slaying of her father by Inspector McArthur. Five years later, as a nightclub hostess, she is sought by Chuck Gaines, secretly a bootlegger, but she centers her attentions on young Jimmy Carter, who, she learns, is the son of McArthur.
Surya, a courageous man who was raised in the slums, fights for the rights of the poor and befriends Deva, who hires him as his commander and changes his life completely.
A film producer murders his star actress during an erotic "game" and makes it look like suicide. The dead girl's lesbian lover discovers what happened, and plots her revenge.
A group of academics have spent years shut up in a house working on the definitive encyclopedia. When one of them discovers that his entry on slang is hopelessly outdated, he ventures into the wide world to learn about the evolving language. Here he meets Sugarpuss O’Shea, a nightclub singer, who’s on top of all the slang—and, it just so happens, needs a place to stay.
An unsuspecting university professor is an unwitting accomplice in a foiled Chinese cocaine deal. Wrongly imprisoned, he escapes to take his revenge and prove his innocence.
A young man returns to Kashmir after his father's disappearance to confront his uncle - the man he suspects to have a role in his father's fate.
When Cassie's father finds himself vulnerable and bedridden, she believes she has the perfect revenge for her mother's death.
A once-successful veteran is envious of the success that his one-time assistant as a music director and plots to bring him down by ruining both his career and life.
After his young son dies from the negligence at a hospital, Harry Fertig takes matters into his own hands and kills the doctor, nurse and clerk responsible. Slick lawyer Roy Bleakie, looking only to win a case and not caring of the matters involved, is asked by Fertig's boss to defend him. Shocked to hear that his client wants to plead guilty, the case causes Bleakie to question his own morals by defending an honorable man.