Alyas Stella Magtanggol

Ellie and Jake fall in love, but struggle with their relationship when they discover an unexpected connection between their pasts.

An urban legend in Western Visayas about a captain with a hair-raising secret.

A frustrated, ambitious, self-centered and narcissistic filmmaker named Hapi has finally finished writing the screenplay of his first ever indie film which he believes is a masterpiece. Overeager, he enlists the help of his best friends, the comical Caloy and the voice of reason, Onyok, to make his dream movie. The only problem is, they have no budget to produce it.Residing in a poverty stricken community that is highly dependent on the Indian 5-6 cash loan system, which includes his own sister Rowena, Hapi, out of desperation, finally resorts to borrowing money from the community’s main Indian lender, Alfajor. However, things become worse for Hapi when his nemesis, the neighborhood midget thug named Oblax, steals his borrowed money. Deep in debt, burdened by his father, his dream movie project put on hold, and a seemingly bleak future with his current love interest, Cherry.

The Philippines is being geared up to be interconnected through a system called One Wired Nation (OWN). This would allow faster and easier access to information across the country, from the smallest barangay to Malacañang. With OWN, progress is inevitable, says Bert Javelo from Prime Connections, the company who won the contract to build and manage OWN. Bert promises instant service and progress to the country. But Pia Gorospe is not convinced and smells something wrong.

Evangeline spends most of her time working late, editing TV commercials. Her work doesn’t leave her much time to spend with her boyfriend Joey or their son. In spite of having a family, she mostly keeps to herself, enjoying her independence. But when her priest brother Johnny is diagnosed with cancer, she’s suddenly called on to be a possible bone marrow donor. As her dysfunctional family starts to gather around the ailing Johnny, Evangeline is forced to come face to face with her failings.

Abel arriving at the outskirts of Barrio Paraiso, a little provincial town run with an iron fist by the sinister crime lord El Diablo. Abel is in town to find his troubled older brother, hoping to bring him home and fulfill a promise made at his father's deathbed. He gets some help from the widow Melissa and her young son, who offer him a place to hide out while wages a violent war in hostile territory against the crime lord and his many well armed goons.

A sea gypsies from Zamboanga who are now living in Mabalacat, Pampanga, Nadia of the group called Sama d’Laut. She hopes to marry the man she loves but was forced to leave when things got really difficult for her home province.She ends up in Mabalacat where she is forced to live a new life.

Tour guide Berta is having a tough time making ends meet. She’s forced to let her son Omel travel to the big city to take a job at an electronics store. Luis is studying to be a seaman, but can’t seem to pass his exams. His girlfriend Dolores is working as an intern at a resort, and dreams of going abroad as well. Sandra, following a painful event back in Manila, returns to her native Bohol, taking her spoiled son Eric with her.

The film splits itself between two timelines. In 2006, Ada is basing her thesis on a massacre that occurred twenty years prior in a village called Acacia. Her mother Cecilia was part of a fact-finding mission into a massacre, and Ada’s inquiries bring up her history as a member of the NPA. The other timeline traces the relationship of Ka Felix and Ka Jimmy, two rebels who fall in love, despite the movement’s laws against such a pairing.

Teresa (Rustica Carpio) has worked for the Bautista family since she was seventeen. She was the nanny of siblings Stella, Vince and Andre (Jackie Lou Blanco, Bobby Andrews and Ryan Agoncillo), and their mother. The three have all moved abroad in their adulthood, but all reunite back at home with the passing of their mother. With no one left to stay in the country, it is decided that all of their properties will be sold, including the house they grew up in. But they are faced with the problem of what to do with the elderly Teresa, who has no money saved, and little contact with her relatives.

War exploitation low budget flick about JAP atrocities on captured women.