Lennon or McCartney

An extraordinary journey deep into space offering fresh insight into the origins and evolution of the universe.

This fascinating documentary chronicles the intense rivalry between high schools in Southern Indiana to win a prestigious festival performance with lavish student musical productions that often cost in the tens of thousands of dollars to produce.

Subtitled "Bloopers, Babes and Blood!," this video features scenes from numerous CInema Home Video releases as well as behind the scenes footage and bloopers from Nightmare Sisters (1988) and Dr. Alien (1989).

Documentary on the making of Gus Van Sant's "Psycho."

A timely film exploring the confrontation between a feisty 92-year-old Scottish widow and her family and a billionaire trying to become the most powerful man in the world.

A portriat of the daily lives of Beatriz and Gilberto, a couple that has been together for over 40 years. A reflection about love and marriage. An intimate glimpse into the lives of two people who struggle to live in harmony.

He was the most prolific within the New Portuguese Cinema generation. He would try western spaghetti, esoteric allegory, supernatural, and science-fiction. Without state subsidies, he would quit filmmaking in the 1990s. Who remembers António de Macedo?

In the early 70s, Barbara discovered herself backstage on her French tour. The artist plays with intimacy and camera glances. Between concerts, she talks to herself and the men in her life.

This short documentary tells the story of one of the world’s most difficult and bizarre sporting events: The Barkley Marathons. This 100-mile footrace and its 60-hour time limit force athletes to run, crawl and climb an elevation gain equivalent to two treks up Mt. Everest. In nearly thirty years, only fourteen runners, out of over one thousand participants, have finished The Barkley.

An archival biography film about the early career of Deborah Harry told entirely through press interviews where she endures superficial, tedious, and demeaning questions from journalists.

Composed entirely of still photographs shot by Marker himself over the course of his restless travel through twenty-six countries, If I Had Four Dromedaries stages a probing, at times agitated, search for the meanings of the photographic image, in the form of an extended voiceover conversation and debate between the "amateur photographer" credited with the images and two of his colleagues. Anticipating later writings by Roland Barthes and Susan Sontag (who professed her admiration for the film) If I Had Four Dromedaries reveals Marker's instinctual understanding of the secret rapport between still and moving image.