Остановите Потапова!

A man is sent back and forth and in and out of time in an experiment that attempts to unravel the fate and the solution to the problems of a post-apocalyptic world during the aftermath of WW3. The experiment results in him getting caught up in a perpetual reminiscence of past events that are recreated on an airport’s viewing pier.

A young girl struggles with depression and finds comfort in her ghost friend Aubergine.

A young man meets a young woman under a bridge by a railroad. They shelter from the rain and exchange a kiss. The man grows sullen and leaves. The film starts with him and ends with her. It’s a straightforward anecdote told in traditional ways, the likes of which he’d forsake forever; that is, it uses actors, a soundtrack with music and post-dubbed sound effects, a photographer who frames everything professionally and a coherent edited narrative.

The short film for Kelsea Ballerini's Grammy nominated album Rolling Up the Welcome Mat.

Alex returns to his village with Jordi, after a while, in order to celebrate San Juan night. However, due to a summer storm, they have to shelter in an old abandoned house where both played when they were children. In there, some conflicts of the past will turn up.

Joshua, a 20-something years old unemployed artist who's getting evicted, meets up with Gabriele, a boy who's new to the city and is apartment hunting. The two form a bond as Gabriele decides to move in after Joshua moves out, but expectations and unreadiness get in the way of a sparking romance.

Official music video for "Love Me Like You Hate Me" by Rainsford.

When an asteroid threatens to hit New York, Sadie, a neurotic and anxious 20-something, embarks on a quest from Brooklyn to Manhattan to reunite with her therapist, who she is in love with. She believes they can finally be together in a post-apocalyptic world since the rules keeping them apart will cease to exist.

This is a story about love.

On a laid-back summer day, a young woman spends some time with her casual partner. Irmak Akgur directs "Limerence," a slice-of-life portrait that flows in uninhibited vignettes. Minimally plotted but tonally sharp, Akgur's film captures a couple of free spirits in their element - spending the day preening, dancing in the sun, making love. Built with convincing intimacy and naturalism, it culminates in a moment of carnal revelation.

In the aftermath of a car crash, a man discovers his dreams are tied to a stranger's sleepwalking.