A Quiet Place Day One 2024 - Movies (Oct 2nd)
Cabrini 2024 - Movies (Oct 2nd)
The Bear Lake Murders 2025 - Movies (Jan 18th)
The Return 2024 - Movies (Jan 18th)
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The Magicians Raincoat 2024 - Movies (Jan 18th)
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Every Little Thing 2024 - Movies (Jan 18th)
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Wolf Man 2025 - Movies (Jan 17th)
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Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
WWE Main Event - (Jan 19th)
On Patrol- Live - (Jan 19th)
All Elite Wrestling- Collision - (Jan 19th)
Mayfair Witches - (Jan 19th)
The Sunday Show with Jonathan Capehart - (Jan 19th)
The Weakest Link - (Jan 19th)
Michael McIntyres Big Show - (Jan 19th)
GRAND SUMO Highlights - (Jan 19th)
The Masked Singer- AfterMask - (Jan 19th)
Love Island- All Stars - (Jan 18th)
Match of the Day - (Jan 18th)
The Masked Singer - (Jan 18th)
Gladiators - (Jan 18th)
Sarah Beenys New Life in the Country - (Jan 18th)
Saturday Kitchen Live - (Jan 18th)
The Katie Phang Show - (Jan 18th)
Gets right into the "Internet" part of _Ralph Breaks the Internet_ real early in the piece, and scarcely plods along ever-after. I was surprised that I enjoyed the first _Wreck-It Ralph_ movie, but I was expecting a step down in quality for this one, which I absolutely got. There's still some things to like, and even the core message is an important one we don't see much of, plus i'm sure this will work as a movie for kids, which to be fair is its target demographic, I'm just saying I don't think I'll ever come back to see Ralph break the Internet a second time around. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
Marginally exceeds the original, at least in my eyes. The internet setting works way better than the video game world. Don't get me wrong, I very much enjoyed 'Wreck-It Ralph'. I just think this one feels much more relatable, the vast majority of viewers understand the internet as opposed to the smaller market for old arcade games. For that, it means you can do some much more with the premise. All the references are amusing, while the inclusion of the Disney world itself is pretty cool. I do have a few critiques, of course. The run time is about 20 minutes too long, while the final act isn't as great as it could've been. Everything else, though, they get mostly spot on. It's very entertaining, the end credit scenes are terrific too. John C. Reilly (Ralph) and Sarah Silverman (Vanellope) are again very good, Jane Lynch (Calhoun) and Jack McBrayer (Felix) are marginalised but I'd argue that's fine - there's not much more you could do with those two characters. Alan Tudyk returns too, albeit in a new role as KnowsMore. I'm not usually a fan of same actor/different character, but that newbie is fun. Taraji P. Henson (Yesss) and Gal Gadot (Shank) are two newcomers, Gadot's character is more memorable but both are up-to-scratch. I really like this 'Ralph Breaks the Internet', it's a rare Disney animated sequel that has strong quality.
Great watch, will watch again, and do recommend. Even if you haven't seen the first one, you can watch this just fine. As much as I like this movie, the best part is by far the cg animated Disney Princesses: what a good tease for new CG movies, which they should have been doing instead of the live action garbage. Again, as much as I like this, it is a bit of a deviation from the first movie with a bit of a mixed antithetical message to it. While the first movie focused on Ralph and his quest dragging collateral damage in its wake to eventually bring the characters together in a spirit of inclusion, this movie scales up in a weird way, showing the internet as a place of connected inclusion and then "wrecking it". Even the main story line is about Ralph's mission to fix things so they can maintain a status quo and Vanellope's search for change and "the new". It's literally about how they shouldn't be together, or maybe that they're still together even if they aren't. It just gets weird real fast, and while J.C. Reilly and Sarah Silverman do a great job with their roles, you've got to operate with some suspension of disbelief that they can do any of what they're doing or that it makes any sense. They also deviated with how Ralph "wrecks" things. Once you get past some of the nit-picky stuff, they're on a well structured adventure filled with charm and wonderment with lots of interesting characters. I honestly would be surprised if anyone actively disliked this.
Six years after "Ralph" and "Vanellope" put paid to the aspirations of the evil "Candy King", she's getting a bit tired and restless with their daily life in the arcade. He decides that he can use the internet to make her "Sugar Rush" game more exciting, but all they end up with is a broken steering wheel and a real struggle to get it repaired before the whole game is permanently unplugged! Off into the very fabric of the web they must travel where they encounter the "netizens" and "Yesss" - the ultimate in trend-setting. What i just didn't like here was the style of animation. It's very two-dimensional with some really basic background CGI effects to prop up an extremely dialogue heavy series of escapades that just reminded me of "Tron" with too many words. There are a couple of redeeming scenes that do shine a light on just how complex and intricate the functioning web actually is, but they are tangential to a weak story with two characters that look like happy meal toys. I didn't love the first one, bit it was way better than this derivative stuff.
After the Club Med and skiing, what happened to the Bronzés 27 years later? Early response: the same, and worse.
Based on the bestselling book series, this outrageous comedy tells the story of George and Harold, two overly imaginative pranksters who hypnotize their principal into thinking he’s an enthusiastic, yet dimwitted, superhero named Captain Underpants.
Dragon is now transferred to be the police head of Sai Wan district, and has to contend with a gangster kingpin, anti-Manchu revolutionaries, some runaway pirates, Manchu Loyalists and a corrupt police superintendent.
A headstrong young girl in Afghanistan, ruled by the Taliban, disguises herself as a boy in order to provide for her family.
Along with the dangerous adventures, the film also reflects the love of two young heroes. As in Romeo and Juliet, they are the children of two opposing sides.
It ain't easy bein' green - especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot - a wisecracking donkey.
Shrek, Fiona, and Donkey set off to Far, Far Away to meet Fiona's mother and father, the Queen and King. But not everyone is happily ever after. Shrek and the King find it difficult to get along, and there's tension in the marriage. The Fairy Godmother discovers that Fiona has married Shrek instead of her son Prince Charming and plots to destroy their marriage.
The King of Far Far Away has died and Shrek and Fiona are to become King & Queen. However, Shrek wants to return to his cozy swamp and live in peace and quiet, so when he finds out there is another heir to the throne, they set off to bring him back to rule the kingdom.
In the boorish city of Agrabah, kind-hearted street urchin Aladdin and Princess Jasmine fall in love, although she can only marry a prince. He and power-hungry Grand Vizier Jafar vie for a magic lamp that can fulfill their wishes.
An ex-fighter pilot forced to take over the controls of an airliner when the flight crew succumbs to food poisoning.
As a swinging fashion photographer by day and a groovy British superagent by night, Austin Powers is the '60s' most shagadelic spy. But can he stop megalomaniac Dr. Evil after the bald villain freezes himself and unthaws in the '90s? With the help of sexy sidekick Vanessa Kensington, he just might.