Atmo HorroX

Thirteen years after her seemingly normal father goes on a killing spree, a college senior and friends return to her hometown to uncover the secret of a macabre satanic cult and what her role is in their grand scheme.

A top secret experiment intended to produce a superhuman has gone terribly wrong. Now the creators, trapped in a remote desert outpost, are being pursued ruthlessly by their creation.

A young woman’s quest for revenge against the people who kidnapped and tortured her as a child leads her and her best friend, also a victim of child abuse, on a terrifying journey into a living hell of depravity.

A fun-loving, unsuspecting woman checks into a hotel and encounters a cannibalistic mass murderer who is possessed by evil spirits.

A parking lot is haunted by the spirit of a dead killer who waits for the perfect moment to unleash spooks and thrills. Who will be next?

Sunspring is a short film about three people living in a weird future, possibly on a space station, probably in a love triangle. You know it's the future because H (played with neurotic gravity by Silicon Valley's Thomas Middleditch) is wearing a shiny gold jacket, H2 (Elisabeth Gray) is playing with computers, and C (Humphrey Ker) announces that he has to "go to the skull" before sticking his face into a bunch of green lights. It sounds like your typical sci-fi B-movie, complete with an incoherent plot. Except Sunspring isn't the product of Hollywood hacks—it was written entirely by an AI. To be specific, it was authored by a recurrent neural network called long short-term memory, or LSTM for short. At least, that's what we'd call it. The AI named itself Benjamin.

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.

"After chasing sunsets, one of life's simple joys is playing with the boys." - Kenneth Clark Loggins

A woman inherits a house in her ancestral village, but she's unaware that members of the community have been trying to locate and kill her to remove the curse that has plagued them for years.

A woman must face a strange cult and their nefarious Messiah if she is going to avoid being their human sacrifice.