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Harley Russell, 73, lives only on the tips he receives at his wacky store at Erick (Oklahoma) with his Mediocre Music Maker show. Ángel Delgadillo, 91, the last barber of Seligman (Arizona), continues shaving drivers who go out of the interstate highway to visit his town. Lowell Davis, more than 80, is the first inhabitant of Red Oak II (Missouri), a ghost town which he rebuilt through the restoration of its old houses. Three stories of perseverance and overcoming in what was once the road that connected the United States from East to West. Three survivors that managed to save the most well-known route in America.
Due to a pandemic, the Electric Castle music festival shifts into an intimate concert staged for cameras instead, with three bands and no live audience.
A 65-year-old cleaning woman for a professional dancers' exercise studio performs her job while telling us in voiceover about her life, hopes, goals, and feelings. A challenge to mainstream media's ongoing stereotypes of women of color who earn their living as domestic workers, this seemingly simple documentary achieves a quiet revolution: the expressive portrait of a fully realized individual.
The Happy Child is a story of "New Wave" rock genre predominant in the ex-Yugoslavia during the socialist 70's and 80's.
Dr Iain Stewart tells the story of how Earth works and how, over the course of 4.6 billion years, it came to be the remarkable place it is today.
The space of the junkyard allows various ‘crash’ narratives to unfold, with the stories of actual crashes and the remnants and afterlife of these machines becoming metaphors for economic decline. This is an investigation of planes as they are parked during the economic downturn, stored and recycled, revealing unexpected connections between economy, violence and spectacle, finding perfect example in the form of the Boeing 4X-JYI, an aircraft first acquired by film director Howard Hughes for TWA, which was subsequently flown by the Israeli Airforce before finding its way to the Californian desert to be blown up for the Hollywood blockbuster Speed. Through intertwined narratives of people, planes and places Steyerl reveals cycles of capitalism incorporating and adapting to the changing status of the commodity, but also points at a horizon beyond this endless repetition.
The Execution of Wanda Jean chronicles the life-and-death battle of Wanda Jean Allen, the first black woman to be put to death in the United States in the modern era.
A stunningly-photographed, thought-provoking road trip into the heart of the poor white American South. Singer Jim White takes his 1970 Chevy Impala through a gritty terrain of churches, prisons, truckstops, biker bars and coalmines. Along the way are roadside encounters with present-day musical mavericks the Handsome Family, David Johansen, David Eugene Edwards of 16 Horsepower and old-time banjo player Lee Sexton, and grisly stories from the cult Southern novelist Harry Crews.
In 2002, a 60-year old McCartney refocused the attention on his musicianship, staging a massive live concert in Cleveland, Ohio. The superstar, who went on to form the popular rock group Wings and had several hit records as a solo artist, performs a track list that covers all three phases of his long and prolific career, including the hits "Eleanor Rigby," "Live And Let Die," "Blackbird," "The Long And Winding Road," and "Mother Nature's Son." In addition to the 30 tunes that McCartney enthusiastically performs, seemingly immune to the ravages of time and aging, BACK IN THE U.S.A LIVE also includes candid behind-the-scenes footage of the rocker backstage and on the road.
Jimi Hendrix's debut American set at 1967's Monterey Pop Festival is generally considered one of the most radical and legendary live shows ever. Virtually unknown to American audiences at the time, even though he was already an established entity in the UK, Hendrix and his two-piece Experience explode on stage, ripping through blues classics "Rock Me Baby" and Howlin' Wolf's "Killing Floor," interpreting and electrifying Bob Dylan's "Like a Rolling Stone," debuting songs from his yet-to-be-released first album and closing with the now historic sacrificing/burning of his guitar during an unhinged version of "Wild Thing" that even its writer Chip Taylor would never have imagined. Hendrix uses feedback and distortion to enhance the songs in whisper-to-scream intensity, blazing territory that had not been previously explored with as much soul-frazzled power.
