Elmondták-e...?

It was arguably the deadliest conference in human history. The topic: plans to murder 11 million Jews in Europe. The participants were not psychopaths, but educated men from the SS, police, administration and ministries. The invitation to the meeting at Wannsee came from Reinhard Heydrich, head of the Reich Security Main Office. The Wehrmacht's campaigns of conquest in Eastern Europe marked the beginning of the systematic murder of Jews in Poland and the Soviet Union. In mid-September 1941, Hitler made the decision to deport all Jews from Germany to the East. Although there had been transports before, Hitler's order represented a further escalation in the murderous decision-making process. Persecution and discrimination had been part of everyday life since 1933. But as a result, the living conditions for the Jews in the Third Reich became even more difficult, among them the Berlin Jew Margot Friedländer, born in 1921, and the Chotzen family.

Survivors tell the story of the Babyn Yar massacre from WWII, where some 100,000 people were massacred by German forces.

Six million Jews died during World War II, both in the extermination camps and murdered by the mobile commandos of the Einsatzgruppen and police battalions, whose members shot men, women and children, day after day, obediently, as if it were a normal job, a fact that is hardly known today. Who were these men and how could they commit such crimes?

A story about the life and turbulent times of Lisa Meitner and Otto Hahn, two exceptional scientists whose remarkable collaboration culminated in the discovery of nuclear fission, the division of the atom that changed the future. The show traces the development of nuclear science in the first half of the twentieth century, Meitner's early struggle for education and her quest to gain a foothold in the world of male-dominated physics, Hahn's initial research and independent discoveries, the collaborative discovery of the two scientists, as co-discoverers and the award of the Nobel Prize only to Hahn.

The new film from Sergei Loznitsa (Maidan, The Event) is a stark yet rich and complex portrait of tourists visiting the grounds of former Nazi extermination camps, and a sometimes sardonic study of the relationship (or the clash) between contemporary culture and the sanctity of the site.

Six chapters describe the lives and perils of Thessaloniki’s Jewish community which was almost entirely exterminated by the Nazis in 1943. Past and present become an echo chamber in which the viewer experiences, aghast, the madness of humanity.

Faced with the relentless and unstoppable advance of the Soviet Red Army, from the spring of 1944 until the capitulation of the Third Reich in May 1945, the Nazis evacuated the labor, concentration and extermination camps, factories of pain and death which, during years of nightmare, they had established in the occupied eastern territories. Forced to travel enormous distances, thousands of people died along the way from hunger, thirst and exhaustion.

At the beginning of 1979, after more than 30 years of collective repression, a dramatized and emotional US television miniseries ensured that the German population was suddenly reminded of the terrible Nazi crimes against the Jews. What is now expressed with the hitherto unknown word Holocaust, hits many millions of people in the heart. The unexpected echo and the audience reactions were fierce. Even before the TV broadcast neo-Nazis blasted in vain transmitting towers in Germany to prevent this. From the creation and the shooting over the broadcast to the tremendous reactions, documentary filmmaker Alice Agneskirchner tells the story of this emotional television event, which led to a paradigm shift in the perception of German Nazi crimes.

We follow a project spearheaded by the Prince of Wales, who has commissioned seven leading artists to paint seven survivors of the Holocaust. Throughout the programme, we hear the testimonies of the remarkable men and women who were children when they witnessed one of the greatest atrocities in human history, as well as meeting the artists as they grapple with their paintings.

What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)