Omega

Six months after the events depicted in The Matrix, Neo has proved to be a good omen for the free humans, as more and more humans are being freed from the matrix and brought to Zion, the one and only stronghold of the Resistance. Neo himself has discovered his superpowers including super speed, ability to see the codes of the things inside the matrix and a certain degree of pre-cognition. But a nasty piece of news hits the human resistance: 250,000 machine sentinels are digging to Zion and would reach them in 72 hours. As Zion prepares for the ultimate war, Neo, Morpheus and Trinity are advised by the Oracle to find the Keymaker who would help them reach the Source. Meanwhile Neo's recurrent dreams depicting Trinity's death have got him worried and as if it was not enough, Agent Smith has somehow escaped deletion, has become more powerful than before and has fixed Neo as his next target.

The human city of Zion defends itself against the massive invasion of the machines as Neo fights to end the war at another front while also opposing the rogue Agent Smith.

This Gaston Velle movie from 1904 was a fairly venturesome piece of film-making for the era. First, its credits include Jules Verne: his second after the Méliès TRIP TO THE MOON a couple of years earlier. Second, it uses a dozen cuts, irised lenses - the balloonists' views through their telescope - panning shots, combined images and tints. The tints were standard for the era, but everything else had to be achieved with great difficulty. In an era when most movies still lasted a minute with a stationary camera and a single set-up, this was pretty much state of the art.

Having run out of weed, Norville visits his close friend and drug dealer Gary, only to find himself ravelled in an absurd conspiracy that only he can get to the bottom of.

Souther and Nordland forces have been locked in war for decades on Nu-Earth. The war has turned the planet toxic. Genetic Infantrymen designed to survive the poisonous atmosphere are deployed in a surprise offensive. The plan is leaked and the Genetic Infantrymen (GI's) don't stand a chance. They are ambushed in the Quartz Zone and are massacred.

A strange guest changes a middle-aged Siberian man’s life. Absurdity and realism are combined together into a small wooden cabin where there’s no room for hope.

Max and Dave Fliescher are eating hot dogs in their animation studio and begin drawing. The hot dog becomes a "real" dog, and it and Ko-Ko the Clown alarmingly end up inside a Gas Chamber.

In Kei Oyama's grim Consultation Room, a medical diagnosis triggers a wave of traumatic fantasies, portrayed in greyish pencil drawings that waver as if left out for too long in the rain.

A young boy becomes interested in the bodies of living things and starts to develop phobias after seeing a dog's corpse. Before long all manner of things begin to appear grotesque to him.