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Kind of a _The Happening_ meets _A Quiet Place_, but better than the latter and **way** better than the former. Maybe I didn't get eeeeeeverything I wanted out of _Bird Box_ but I'm still on board. I know that I opened this up by saying the movie is very much like two other movies, but what I liked most about is honestly that it's unlike 99.99% of the horror genre, and that little variation was just what I needed today. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
***Well, at least it doesn’t have zombies*** A mass epidemic strikes Earth which makes people go crazy and commit suicide, but only IF they are not blindfolded and SEE the mysterious phenomena. A group of Californians find succor in an abode with covered windows. One woman (Sandra Bullock) and two children try to make it down a remote river to find sanctuary, blindfolded. Trevante Rhodes and John Malkovich costar. “Bird Box” (2018) is a post-apocalyptic survival adventure/horror with an original concept and elements of flicks like “The Book of Eli” (2010), “The Mist” (2007), “Carriers” (2009) and “Stake Land” (2010). The reason for the apocalypse is what makes “Bird Box” standout and, thankfully, there are no zombies, yet it’s the least of these for a couple of reasons. For one, I didn’t find the dramatic dynamics of the group all that captivating, but it was okay. If you’re a fan of Bullock you’ll probably like this movie more than me. I appreciated Rosa Salazar as Lucy, but her role isn’t that significant. Meanwhile Rhodes and Malkovich are effective. The concept behind the mass crisis is where the movie fails. It’s sort of explained and yet it isn’t. There are too many inconsistencies and what appears to be plot holes. It’s basically a bunch of malarkey and reflects lazy writing. People on message boards debate back-and-forth ad nauseam, but the movie’s too nonsensical and meh to make it worth the effort. The film runs 2 hours and 4 minutes and was shot in Southern Cal (Monrovia, La Puente, Santa Clarita, Smith River, Scripps College and Los Angeles). GRACE: C
Decent watch, might watch again, and can recommend, at least as a one-off. I have technical frustrations with this movie, but it's premise alone is interesting enough that anyone interested in survival style movies should watch it, though I'm not sure how many people are re-watching this. The movie is cast very well: Sandra Bullock and Jon Malkovich, both wonderfully portray jerk characters in completely different lights, along side several supporting actors who all deliver adequately or better. As most of the movie takes place inside a single house, they manage to keep things interesting there and vary up a few select locations, to include a city that is amazingly detailed in all the chaos unfurling and a river that is somehow both expanse enough you could feel lost and also claustrophobic in its restriction: it's a movie that presents very well. My big qualm is the structure of the writing: not the writing itself. All the dialogue and story arcs are great, but the RIDICULOUS insistence on re-ordering a story and not benefiting from it is just annoying. The second half of the story is interspersed with the first half of the story so you alternate back and forth. Really, who tells a story and jumps ahead 3/5 of the way, then back, then when you get to the 3/5 mark, not reiterate what is happening there. I might watch this again, but I know I won't truly enjoy it until I finally take the time to edit into the correct order.
An old-time crook plans a heist. When one of his two partners is found out to be a black man tensions flare.
On one gloomy rainy night, a writer encounters an unexpected visit paid by a woman of his past. Seeking solitude from her ex-lover, she finds solace in this gentleman and from that day on, they cherish every inch of each other's body and indulge in ecstasy until her forbidden past is gradually revealed.
A guitar playing car thief meets an autistic savant piano player, and together they transform a group of reluctant halfway house convicts into The Killer Diller Blues Band.
Dumped on her grandparents for the summer by her indifferent mother, acerbic and self-destructive teenager Greta disrupts the elderly couple's staid life on the Jersey Shore. Eventually, a romance helps Greta face down her demons.
After being double-crossed and left for dead, a mysterious man named Walker single-mindedly tries to retrieve the rather inconsequential sum of money that was stolen from him.
Ray is an aging ex-socialist who has become a bankrobber after seeing the demise of socialism in 1980s Britain. Teaming up with a gang of other has-beenish crims, he commits one bank job too many. The gang dissolves in a murderous flurry of recriminations.
Pig and Runt born on the same day, in the same hospital, moments apart. Twins, all but by bloodline. Inseparable from birth, they are almost telepathic. They are one, needing no one else, inhabiting a delicate, insular and dangerous world where they make their own rules and have their own language. But days before their 17th birthday the balance of their world begins to shift. Pig's sexual awakening and jealousy begins to threaten their private universe.
For no apparent reason, a mute young woman assaults a youth who delivers water on his bicycle, injuring him and ruining his bike. Surprisingly, she asks him to feed her fish while she is in custody. Her tiny apartment, he discovers, is a shrine to his favorite escape, the movies.
Jack McKee is a doctor with it all: he's successful, he's rich, and he has no problems.... until he is diagnosed with throat cancer. Now that he has seen medicine, hospitals, and doctors from a patient's perspective, he realises that there is more to being a doctor than surgery and prescriptions.
A young woman in her late teens, a reader of novels and with high hopes of romance and passion, marries a widowed country doctor. Although he dotes on her, she is soon bored and discontent. First, she gives her imagination to a law student in town, and next she takes a lover. When he refuses to run away with her, she takes up again with the law clerk. Her spending on dresses and furnishings mounts; these debts and her ill-advised professional counsel to her husband bring his ruin.
A young female breakdancer, Angel, moves to Los Angeles after an attack by an ex-boyfriend nearly ends her dance career forever. B-Girl follows Angel through recovery and acceptance of a new life as she busts a move into the male-centric world of underground hip hop.