I America

Gene works for the local underworld syndicate but always treats his abductees with kindness. He begins a dangerous affair with ex-bar girl Dolor, who's routinely beaten by her rich husband. When the cops move in on Gene's gang and Dolor's husband winds up dead, the couple flees with the law and their enemies in hot pursuit.

A journalist investigates a woman with the name of China Doll. Soon, he discovers his knowledge of her turns out to be dangerous.

In her bouts to help her daughter, Teresa accidently lands on a call center job where Regina is employed, giving her a chance (or is it really?) to rekindle her relationship with her daughter. In the call center, she meets people coming from different walks of life; fun-loving Richie, young-living Lolay, prim and proper Martin, and their monster Team Leader Vince.

It shows the colorful life of the departed mayor of Tanauan City told in the point of view of Soriano who had an in-depth interview with the slain politician.

When asked for her real name, the feisty woman in a rural whorehouse would quip, "Ligaya. It means joy. And that's what I sell." Yet the small-town prostitute is not resigned that she would be in the flesh trade forever. She still harbors the dream of getting out of the job someday. She saves money and fancies that someone would come and marry her as if she were clean and never been a whore. That becomes almost a reality when a hardworking farmer enters her life. Under some problematic circumstances, her chances get blown away-but not exactly of her sole doing.

Faced with a series of terrible incidents, the Dela Cruz family now has to make a decision that will alter the history of their family.

It shows the lives and relationship issues among the modern generation of Chinoys and how it isn't as perfect as it seems.

Amidst the vast sugar plantations of Negros in Southern Philippines, a matriarch lies in the throes of death. Her children rush home to confront the crisis as news of the impending death of their well-loved mother spreads among the community. There, in their ancestral house, the siblings are forced to deal with the issues of inheritance, tradition and the family legacy. It is a familiar tale. After all, every family has its story. And to each one, its own deserved secrets.

Two brothers become rivals in the affections of the same woman. Their rivalry tears them apart, and causes one of them to be heartbroken. But the two are forced to reunite in order to protect their family from a greedy businessman.

Bekikang is left and abandoned with a baby boy by friend, Fortunato. He loves and raises the child as his own flesh and blood. When things are going so well between Bekikang and the child, Fortunato and the mother of the child after years of absence reappear to take the child back.

Based on an actual case, Fatima Buen Story mixes tabloid sensationalism with paranormal symbolism and features O’ Hara’s trademark qualities: sudden violence and heroic love against a background of cinematic magic.