Disco Boy 2023 - Movies (Aug 7th)
Lolo and the Kid 2024 - Movies (Aug 7th)
Babes 2024 - Movies (Aug 6th)
Furiosa A Mad Max Saga 2024 - Movies (Aug 6th)
Widow Clicquot 2023 - Movies (Aug 6th)
Gabriels Redemption Part III 2023 - Movies (Aug 6th)
Top Gunner America vs. Russia 2023 - Movies (Aug 6th)
The Cursed 2024 - Movies (Aug 6th)
Break 2024 - Movies (Aug 6th)
The Red Shoes Next Step 2023 - Movies (Aug 6th)
A Killer in the House 2024 - Movies (Aug 6th)
Day of the Clones 2024 - Movies (Aug 6th)
IF 2024 - Movies (Aug 6th)
Some Other Woman 2023 - Movies (Aug 6th)
The Mouse Trap 2024 - Movies (Aug 6th)
ZEF - The Story of Die Antwoord 2024 - Movies (Aug 6th)
Robin and the Hoods 2024 - Movies (Aug 5th)
The Bikeriders 2023 - Movies (Aug 5th)
Outlaw Posse 2024 - Movies (Aug 5th)
Despicable Me 4 2024 - Movies (Aug 5th)
Dark Feathers Dance of the Geisha 2024 - Movies (Aug 5th)
No Way Out- The Roulette - (Aug 7th)
Snowpiercer - (Aug 7th)
The Five - (Aug 7th)
The Ingraham Angle - (Aug 7th)
Jesse Watters Primetime - (Aug 7th)
Hannity - (Aug 7th)
Mammals - (Aug 7th)
Love Is Blind- UK - (Aug 7th)
Watch What Happens Live with Andy Cohen - (Aug 7th)
The 11th Hour with Stephanie Ruhle - (Aug 7th)
The Chase - (Aug 7th)
Abbott Elementary - (Aug 7th)
WWE NXT - (Aug 7th)
Deal or No Deal - (Aug 7th)
The Chase Australia - (Aug 7th)
The Cheap Seats - (Aug 7th)
Judge Steve Harvey - (Aug 7th)
The Cook Up with Adam Liaw - (Aug 7th)
Taskmaster NZ - (Aug 7th)
Neighborhood Wars - (Aug 7th)
A classic of abstract animation that follows a tiny red arrow's journey through a multitude of spirals of white and waterfalls of color. Directed by Caroline and Frank Mouris, preserved in 2020 thanks to a collaborative effort between the Academy Film Archive and the Yale Film Archive.
A very personal interpretation, to say the least, of the passion of the Christ According to St. John.
TRAUMA is a collaborative film project by Jesse Kanda and Arca first partially exhibited at MoMA PS1 at the end of 2013. The film follows a nonlinear narrative about the death of a salaryman, a drunk driving infant and takes place within a subconscious world. TRAUMA's score will span through Arca's existing and future works.
At least forty films have been made about the Living Theatre; it remained to the American underground filmmaker Sheldon Rochlin (previously responsible for the marvellous Vali) to make the 'definitive' film about one of the most famous of their works, Paradise Now, shot in Brussels and at the Berlin Sportpalast. Made on videotape, with expressionist colouring 'injected' by electronic means, this emerges as a hypnotic transmutation of a theatrical event into poetic cinema, capturing the ambiance and frenzy of the original. No documentary record could have done it justice.
“Approximately thirty images comprise Oblivion. Most obsessively repeat themselves. Although the images appear to be solarized, the film was actually contact-printed, combining high contrast black and white negative with a colour positive of the same image. The high contrast accounts for the tendency of shots to flood. Images in the film swell and contrast, often disappearing into pure colour… Oblivion employs extremely rapid cutting. Some of the images last as briefly as two frames. The fact that we see so few frames, that a shot is representationally ambiguous, or shown upside down and sideways, often causes the viewer to project his/her own fantasies… When Jean Genet was asked to what end he was directing his life he responded, “To oblivion.” (J.J. Murphy, “Reaching for Oblivion”) (mikehoolboom.com)
Polish avant-garde animation with changing colors and shapes that suggest birth followed by heavy distortion and building to a face in the swamp.
Elle is an experimental dance film shot in a semi industrial landscape in Brooklyn reflecting on every day movements of falling and getting up.
"In factories, everyone has their place. Western industrial production is a site of magical thinking: an old history that will never return, an idealized construction that never really was. It's impossible to know what the true costs would be if it were to return - societal, environmental, and psychological – and yet, entire political campaigns are built around this. This piece speculates on re-industrialization, and is a sequel to my 2013 video, Safety First (Bad, Don’t Touch, Mercy!). Like its prequel, it posits a non-specific future populated by female factory workers. The geometric aesthetics of power and the romance of industrial-era alienation, are paired with theoretical and fictional texts about alternate social economies. Video footage was shot in Ohio, animation and soundtrack by the artist. Voiceover text sources include Industrial supply catalogs, OSHA safety manuals, Monique Wittig’s Les Guerilleres, and Adorno’s Minima Moralia." -Taken from Jen Liu's Vimeo page.
A BFI production from 1964, directed by David Gladwell, who is best known as an editor of films like Lindsay Anderson's If.... (1968) and O Lucky Man! (1973). This short was shot at 200 fps, depicting a series of pastoral scenes from a British farm, edited to produce a suggestion of violence in contrast to its visual beauty.
Between four walls of her apartment, a girl enjoys in intimate idleness and being her true self.