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War is a bit strong a word, more like scuffle of the wildcats. John Wayne & Albert Dekker compete for oil rights on Indian territory, and for the attention of Martha Scott in this Republic Pictures film shot out of Utah, USA. An interesting Western of sorts due to its characters and its more modern setting, with Wayne & Dekker playing the old and new factions of the West. It's based on a story by Thomson Burtis who co-writes the script along with Eleanore Griffin and Ethel Hill. Albert Rogell directs in the workmanlike way that befits his career. A pretty mundane story is in truth saved by its final third, where thankfully the action picks up and we are treated to something resembling a pulse. The light hearted approach to the romantic strand doesn't sit quite right, and a glorious fist fight between the two protagonists is ruined by Rogell being unable to disguise the stunt men doing the work. But hey, stunt men deserve their moment of glory always. Solid support comes from George 'Gabby' Hayes and Wayne as usual has much screen charisma, particularly when rattling off his pistol. But in spite of its better than usual Republic budget, it remains a film of interest only to 1940s Wayne enthusiasts. 4/10
An entertaining western from 1943. 'War of the Wildcats' held my interest from start-to-finish, I really enjoyed seeing the oil-themed premise unfold. There are good performances from John Wayne (Daniel), Martha Scott (Catherine) and Albert Dekker (Jim). The action sequences are nicely done, also. Some elements of the story are, obviously, outdated, especially to do with Scott's Catherine who isn't written incredibly; except for at the beginning, I guess. Although, in those terms, it does feature a mostly pleasant story regarding Native Americans, which is something you don't always see from these old films. By the end, I had an enjoyable 102 minutes watching this. Well paced and well acted.
This is certainly one of the more distinctive efforts from John Wayne, as he portrays "Dan Somers", a cowboy at the turn of the 20th century who decides that he can make some money prospecting for oil. His plan is to work with the local Indians in Oklahoma to develop their lands, but he faces stiff competition from local oilman "Jim Gardner" (Albert Dekker) who has designs on the lands himself - only on much less preferential terms to the owners... Thanks to a little bit of luck, and a friend in high places, "Dan" gets the chance - but can he discover the oil and get it to market in time? It's an engaging performance from the Duke, this - he has a bit more character than in many of his earlier roles - the dialogue a little more personable and his undoubted charisma is given more of a chance to shine through. I always think Wayne and Errol Flynn had one thing in common - both thrived when supported by a stalwart cast whom they worked with regularly. Here, the always enthusiastic contribution of "Gabby" Hayes helps keep the film rollicking along nicely, and though Martha Scott's "Cathy" offers little by way of substance, she still manages to add a little extra to this oily version of David and Goliath - especially as both men are keen on her. I'd certainly put this in his top ten...
Nevada Smith is the young son of an Indian mother and white father. When his father is killed by three men over gold, Nevada sets out to find them and kill them. The boy is taken in by a gun merchant. The gun merchant shows him how to shoot and to shoot on time and correct.
Fred Engel's father is murdered by Colonel Brinkley in order to acquire a treasure map, however the Colonel only acquires half of it, the other half as held by Mrs. Butler. Discovering the scene of the crime, Old Shatterhand and Winnetou help Fred bring his father's murderer to justice and locate the treasure of Silver Lake.
An old geezer recalls some of the antics of the citizens of his Western town, more wild and woolly than Tombstone or Dodge City. In this town, they shoot like Stormtroopers, the women seek new meat, and practical jokers abound.
The neighbors of a frontier family turn on them when it is suspected that their beloved adopted daughter was stolen from the Kiowa tribe.
Two friends hired to police a small town that is suffering under the rule of a rancher find their job complicated by the arrival of a young widow.
Two hapless explorers lead an ill-fated 1804 expedition through the Pacific Northwest in a hopeless, doomed effort to reach the Pacific Ocean before Lewis and Clark.
Charles Starrett, aka "The Durango Kid", is back in Raiders of Tomahawk Creek. Starrett plays Steve Blake, a novice Indian agent, sent out to investigate a series of mysterious murders.
A young couple escapes Ireland, dreaming of a new life during the land giveaway in Oklahoma. As they struggle to survive against betrayal and harsh winter conditions, they must fend off her parents who are determined to bring her back home.
Mitch Robbins' 40th birthday begins quite well until he returns home and finds his brother Glen, the black sheep of the family, in his sofa. Nevertheless he is about to have a wonderful birthday-night with his wife when he discovers a treasure map of Curly by chance. Together with Phil and unfortunately Glen he tries to find the hidden gold of Curly's father in the desert of Arizona.
Beginning just after the bloody Sioux victory over General Custer at Little Big Horn, the story is told through two unique perspectives: Charles Eastman, a young, white-educated Sioux doctor held up as living proof of the alleged success of assimilation, and Sitting Bull the proud Lakota chief whose tribe won the American Indians’ last major victory at Little Big Horn.
A group of young gunmen, led by Billy the Kid, become deputies to avenge the murder of the rancher who became their benefactor. But when Billy takes their authority too far, they become the hunted.