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**_Decent enough, but not a patch on Haigh's previous work_** > _I feel everything I do is related to that sense of loneliness and that longing to not be alone. I think all of us spend most of our time feeling alone and we find ways to disguise our loneliness - whether it's relationships, a job or whatever it is - because we know that our central state of being is probably to feel alone. For this story that's especially true: Charley spends a lot of time running away, he leaves the frame and disappears. I think we're constantly battling with loneliness, finding things that make us feel bet__ter, striving for things that we think are going to make us happy and then when they fail to do so, striving for the next thing to try and repeating the process over and over. It's just our basic biological need that keeps us going._ - Andrew Haigh; "_Lean On Pete_: In Conversation With Filmmaker Andrew Haigh"; _Candid_ (May 5, 2018) 15-year-old Charley Thompson (Charlie Plummer) lives with his father, Ray (Travis Fimmel), who is drinking himself into an early grave. Finding work caring for an ageing racehorse named Lean on Pete, Charley is devastated when he learns that Pete's owner, Del Montgomery (Steve Buscemi), is planning to slaughter the animal. Determined to save his friend, Charley steals Pete, and the two set out on an odyssey across the modern American frontier. Fans of writer/director Andrew Haigh will know his unassailable talent for what one might label unsentimental emotionalism; his films deal with intensely emotional situations without lapsing into Speilbergian fawnishness. And, although compared to the excellent _Weekend_ (2011), and the masterful _45 Years_ (2015), _Lean on Pete_ is a touch melodramatic, Haigh's talent for allowing character and theme to rise organically to the surface through quiet moments of introspection is still very much to the fore. So why not a higher score? Adapted from Willy Vlautin's 2010 novel of the same name, the biggest problem with the film is that things are laid on too thick; Charley is very much a Job figure, and suffers such a litany of misfortunes that one fully expects him to be diagnosed with terminal cancer. Similarly, the pseudo-allegorical nature of the characters he encounters is too on-the-nose for the realistic _milieu_ Haigh has crafted. Part state-of-the-nation address, part _bildungsroman_, it's worth a look, but is ultimately lacking a satisfying thematic through-line.
The romance of a rancher's niece and a rival rancher's son parallels that of a stallion and a mare.
Ken McLaughlin is a precocious 10-year-old who lives with his family on a remote Wyoming ranch. When Ken returns home from school with failing grades, his father, Rob, blames the boy's lack of personal responsibility. At the suggestion of his wife, Nell, Rob allows Ken to choose a single colt from the herd to raise as his own. Much to his father's dismay, Ken chooses a fiery mustang filly - but the two soon become fast friends.
On the rocky path to sobriety after a life-changing accident, John Callahan discovers the healing power of art, willing his injured hands into drawing hilarious, often controversial cartoons, which bring him a new lease on life.
It's 8 AM in a summer morning from the 70's. Jon, an ETA member, is being chased by the police in the Old Town of San Sebastian. While he runs, he revises his whole life.
A French teacher in a small Algerian village during the Algerian War forms an unexpected bond with a dissident who is ordered to be turned in to the authorities.
Hercules is summoned to oppose the evil Queen Samara, who has allied herself with aliens and is sacrificing her own people in a bid to awaken a moon goddess.
Description : In the forest the mare Mirabelle has more than one reason to be proud : she's the mother of Pom and the best horse in the team to help the forestry workers. She loves towing the cut trunks with the other horses and the dockers. But then, she's held wrongly responsible for an accident in which the boss's son has got injured. She's sold and separated from her foal.
A young man, Pat, visits the clan of gypsy-like grifters (Irish Travellers) in rural North Carolina from whom he is descended. He is at first rejected, but cousin Bokky takes him on as an apprentice. Pat learns the game while Bokky falls in love and desires a different life. Written by Jeff Hole
Scat Sweeney and Hot Lips Barton, two out of work musicians, stow away onboard a ship bound for Rio, after accidentally setting fire to the big top of a circus. They then get mixed up with a potential suicide Lucia, who first thanks them, then unexpectedly turns them over to the ship's captain. When they find out that she has been hypnotized, to go through a marriage of convenience, when the ship reaches Rio, the boys turn up at the ceremony, in order to stop the wedding, and to help catch the crooks.
After Drew Dixon, an upright young man, is sent west by his religious family to avoid being drafted into the Civil War, he drifts across the land with a loose confederation of young vagrants.
