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**_Decent enough, but not a patch on Haigh's previous work_** > _I feel everything I do is related to that sense of loneliness and that longing to not be alone. I think all of us spend most of our time feeling alone and we find ways to disguise our loneliness - whether it's relationships, a job or whatever it is - because we know that our central state of being is probably to feel alone. For this story that's especially true: Charley spends a lot of time running away, he leaves the frame and disappears. I think we're constantly battling with loneliness, finding things that make us feel bet__ter, striving for things that we think are going to make us happy and then when they fail to do so, striving for the next thing to try and repeating the process over and over. It's just our basic biological need that keeps us going._ - Andrew Haigh; "_Lean On Pete_: In Conversation With Filmmaker Andrew Haigh"; _Candid_ (May 5, 2018) 15-year-old Charley Thompson (Charlie Plummer) lives with his father, Ray (Travis Fimmel), who is drinking himself into an early grave. Finding work caring for an ageing racehorse named Lean on Pete, Charley is devastated when he learns that Pete's owner, Del Montgomery (Steve Buscemi), is planning to slaughter the animal. Determined to save his friend, Charley steals Pete, and the two set out on an odyssey across the modern American frontier. Fans of writer/director Andrew Haigh will know his unassailable talent for what one might label unsentimental emotionalism; his films deal with intensely emotional situations without lapsing into Speilbergian fawnishness. And, although compared to the excellent _Weekend_ (2011), and the masterful _45 Years_ (2015), _Lean on Pete_ is a touch melodramatic, Haigh's talent for allowing character and theme to rise organically to the surface through quiet moments of introspection is still very much to the fore. So why not a higher score? Adapted from Willy Vlautin's 2010 novel of the same name, the biggest problem with the film is that things are laid on too thick; Charley is very much a Job figure, and suffers such a litany of misfortunes that one fully expects him to be diagnosed with terminal cancer. Similarly, the pseudo-allegorical nature of the characters he encounters is too on-the-nose for the realistic _milieu_ Haigh has crafted. Part state-of-the-nation address, part _bildungsroman_, it's worth a look, but is ultimately lacking a satisfying thematic through-line.
In 1971, five college buddies from the University of Texas embark on a final road trip odyssey across the Mexican border before facing up to uncertain futures, in Vietnam and otherwise.
Dara and Karan, the sons of two of the victims of dacoit Jogi Thakur, wait many years to exact their revenge. When the Thakur's colleague Raja Singh cheats him and runs away with his loot, Jogi is arrested and sentenced for life imprisonment. Years later Jogi escapes from the prison to get hold of Raja and take back his booty, but finds his face on all the posters in the village to find him dead or alive with a reward of fifty thousand rupees. When Karan gets to know Jogi has escaped he goes looking for him. Dara also join hands with Karan to even the score with the dreaded dacoit.
Following the death of her mother, Sarah, a Californian teenager, is sent to live with her father in the Scottish Highlands. After a riding accident she is befriended by a fascinating old hermit named Fergus, who has spent his life living in the mountains and whose home is a haven for wounded animals. Through her friendship with Fergus, Sarah discovers the beautiful legendary Princess Stallion and embarks upon the adventure of a lifetime.
Manuel Jordan is a man who is free after serving 23 years for killing a teenager during an attempted robbery. After nearly two decades of staring at his victim's face on a newspaper clipping in his cell, the newly paroled man seeks redemption. Instead, redemption—in the form of a mysterious minister and two needy women— finds him.
Four sets of passengers and their romantic antics make the night shift of a rideshare driver one to remember.
A boy and his brother run away from home and hitch cross-country, with help from a girl they meet, to compete in the ultimate video-game championship.
Advertising man Roger Thornhill is mistaken for a spy, triggering a deadly cross-country chase.
Oliver Twist the modern filmed version of Charles Dickens bestseller, a Roman Polanski adaptation. The classic Dickens tale, where an orphan meets a pickpocket on the streets of London. From there, he joins a household of boys who are trained to steal for their master.
An emotional journey of a former school teacher, who writes letters for illiterate people, and a young boy, whose mother has just died, as they search for the father he never knew.
A newly-developed microchip designed by Zorin Industries for the British Government that can survive the electromagnetic radiation caused by a nuclear explosion has landed in the hands of the KGB. James Bond must find out how and why. His suspicions soon lead him to big industry leader Max Zorin who forms a plan to destroy his only competition in Silicon Valley by triggering a massive earthquake in the San Francisco Bay.
Ronia lives happily in her father's castle until she comes across a new playmate, Birk, in the nearby dark forest. The two explore the wilderness, braving dangerous Witchbirds and Rump-Gnomes. But when their families find out Birk and Ronia have been playing together, they forbid them to see each other again. Indeed, their fathers are competing robber chieftains and bitter enemies. Now the two spunky children must try to tear down the barriers that have kept their families apart for so long.