Karl Marx City

Tells the story of punk in the GDR.

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

Seven directors remember their childhood and youth; to the 50s and 60s in the GDR. They appear to be curious, vulnerable children and teenagers who also want to be cool (even though the word doesn't exist for them yet). They live in well-adjusted or resistant families. Some only in half because their father left for the West. Depending on their family background, they want or should help build the new, better Germany.

In the century when we invented aviation, when we invented cinema, in an age when we can move more and see more than any other point in history why have we become so watchful and so performative? I Am A Spy is a film that observes this watchfulness.

The documentary accompanies a group of soccer fans twice on a train ride to a soccer match - first in 1991 and then again in 2006. Have the fans learned something or are they still hooligans?

Sonia Kennebeck takes on the controversial tactic of drone warfare, and demands accountability through the personal accounts—recollections, traumas, and responses—of three American military veterans whose lives have been shaken by the roles they played in this controversial method of attack.

A documentary spy thriller that takes place during the Cold War but which gets its resolution today in the small village of Burträsk outside Umeå, northern Sweden. A deeply-believing priest, well-liked and respected by everyone or a ruthless spy who has no hesitation in referring his friends and colleagues to the dreaded security service STASI in the former GDR. Who is Aleksander Radler, the man with two different personalities?

It was a foundational myth of the GDR that it was anti-fascist and free of Nazis. But was that really the case? The film takes a critical look on the actual way the brown heritage was dealt with in the GDR.