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**Despite Swinton's powerful performance, Luca Guadagnino proved it a mistake to put narrative at the service of technique.** What is the origin and focal point of cinematographic art? It's a question that seems rhetorical, but which, for me, is fundamental to understanding the problems of this film. Why? Because for me, the essential point of cinema, what is most important, is to tell a story. This means that aesthetics, style and art must serve the narrative, not the other way around. And what this film does is, precisely, use a narrative for an exercise in aesthetics and style. The script had everything to work, with a dramatic story that, despite not bringing anything new (there are lots of movies about adulteries, mature women dissatisfied with their lives, rich families that work badly, etc.), at least had everything that it needed to entertain us. Basically, it's the story of a Russian woman who married an Italian textile tycoon and had three children. She is not necessarily unhappy, but lives a monotonous existence, at the whim of social and family conveniences, so she ends up finding excitement and pleasure in a torrid affair with a friend of one of her sons. And of course, when all this comes to light, the family's life is shaken. The film has its value for the narrative and the script, even considering that there is a lot of cliché and predictable melodrama. But director Luca Guadagnino doesn't seem to give relevance to the story he wants to tell. He is not interested in entertaining us with a film that blends art and entertainment harmoniously. Guadagnino just wants to show off and show everything he has learned about cinema, all the technique, the mastery of cinematography, the use of the soundtrack, sound and image. This film is simply a vain exercise in technique and style. Tilda Swinton cleverly took the opportunity to, in open collaboration with the director, build for herself a character tailored to what she needs and knows how to do. It was a work that took several years, but it leveraged the project to its happy conclusion. And we have to admit that Swinton is wonderful and gives us a deep and powerful interpretation of the main character. Unfortunately, she is the only actress who stands out in this film on a positive note. The rest of the cast, mostly Italian, is quite average, with empty and disinterested interpretations, and there are really annoying and tiresome characters. As I said above, it is in the technical aspects that Guadagnino really bets, and tries his best to stand out, and we have to admit that he knows how to use cinematography and film work very well. The film makes good use of the filming locations used in Milan and elsewhere in Italy, and manages to convey the pleasure of eating a good meal. In fact, it even conveys the pleasure of gluttony more easily than the pleasure of sex, because all sex scenes, however intense, are manifestly artificial and exaggerated. The feeling that everything is over the top becomes even more latent due to a very slow pace, which makes us numb, and due to the intrusion of an irritating histrionic soundtrack.
A documentary that exposes the shocking truths behind industrial food production and food wastage, focusing on fishing, livestock and crop farming. A must-see for anyone interested in the true cost of the food on their plate.
In New York, Felix, a neurotic news writer who just broke up with his wife, is urged by his chaotic friend Oscar, a sports journalist, to move in with him, but their lifestyles are as different as night and day are, so Felix's ideas about housekeeping soon begin to irritate Oscar.
After a bizarre and near fatal encounter with a serial killer, a newswoman is sent to a rehabilitation center whose inhabitants may not be what they seem.
In this humorous paean to the joys of food, a pair of truck drivers happen onto a decrepit roadside shop selling ramen noodles. The widowed owner, Tampopo, begs them to help her turn her establishment into a paragon of the "art of noodle-soup making". Interspersed are satirical vignettes about the importance of food to different aspects of human life.
In a working-class quarter of Dublin, 'Bimbo' Reeves gets laid off from his job and, with his redundancy payout, buys a van and sells fish and chips with his buddy, Larry. Due to Ireland's surprising success at the 1990 FIFA World Cup, their business starts off well, but the relationship between the two friends soon becomes strained as Bimbo behaves more like a typical boss.
Someone does a nasty hatchet job on a San Francisco big shot and the Assistant D.A. takes charge of the investigation. Through a web of blackmail and prostitution involving the Governor, an old lover of the law man emerges as a prime suspect and he has to deal with his personal feelings as well as the case.
It's almost graduation day for high school seniors Troy, Gabriella, Sharpay, Chad, Ryan and Taylor — and the thought of heading off in separate directions after leaving East High has these Wildcats thinking they need to do something they'll remember forever. Together with the rest of the Wildcats, they stage a spring musical reflecting their hopes and fears about the future and their unforgettable experiences growing up together. Will their final show break them apart or bring them together for the greatest moment in Wildcat history?
Four unwitting heroes cross paths on their journey to the sleepy town of Silverado. Little do they know the town where their family and friends reside has been taken over by a corrupt sheriff and a murderous posse. It's up to the sharp-shooting foursome to save the day, but first they have to break each other out of jail, and learn who their real friends are.
A surreal adaptation of Sir Thomas Malory's "Le Morte d'Arthur", chronicling Arthur Pendragon's conception, his rise to the throne, the search by his Knights of the Round Table for the Holy Grail, and ultimately his death.
An ophthalmologist's mistress threatens to reveal their affair to his wife, while a married documentary filmmaker is infatuated by another woman.
Three generations of a wealthy Bordeaux family are caught in the crossfire when Anne decides to run for mayor, thanks to a political pamphlet that revives an old murder scandal.
