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A young man heeds the call of adventure in Yoshinari Nishikori's Tatara Samurai, leaving his idyllic village to become a soldier. He soon has second thoughts — but violence is coming his way, like it or not, in a movie that sometimes echoes its hero's ambivalence by toying with viewers' expectations of swordslinger cinema. Genre fans should respect the picture if not embrace it wholeheartedly, but history buffs will find something to appreciate as well in this 16th-century tale. Gosuke (Sho Aoyagi) comes from a family of men who make steel. Their village, Tatara, is renowned for the quality of that steel, whose strength is prized for swordmaking; its resistance to rust will make the commodity even more valuable as guns become a central part of warfare. With that transition beginning and clans battling each other nearby, Gosuke realizes that peasants are less bound than usual to their roles in feudal society. "Now is a time when anyone can move up," as one man puts it. And joining the ranks of Lord Oda's army is one path to a samurai's wealth and status. He says goodbye to his fiancee, breaks his father's heart and leaves. Dazed by his first serious encounter with carnage, Gosuke is told that he should return home and "embrace your destiny" as a metalworker. The readiness with which he agrees is a little puzzling given how eager he was to become a samurai, but this is a film that often leaves characters' motivations obscure, at least to a Western viewer's eyes. That can be frustrating on occasion, but it works well in the case of Yohei (Masahiko Tsugawa), an aging merchant who wants to convince Tatara's mayor to sell him steel for gunmaking. Soon after Gosuke's return, Yohei arrives with the news that Lord Oda intends to attack the town and take what he needs. He offers the town guns, mercenaries and training to defend themselves; though villagers argue about taking this sort of help, the die is cast as soon as one of them has his first experience firing a musket. If the film's first half didn't hew to the hero's-journey template we expected, neither does this section turn out to be a Seven Samurai-like tale of outsiders helping peasants defend themselves. Sinister things are afoot, and one happy consequence is that the dramatic burden ceases to fall exclusively on Aoyagi, who performs creditably but has a hard time expressing the character's interior conflicts. One of Gosuke's friends, Shinpei (Naoki Kobayashi), has a spark he lacks, but the film doesn't make the best use of the actor when Shinpei gets involved in third-act intrigue. Akira Sako's photography makes good use of very beautiful landscapes, lending weight to the script's talk of tradition and pride in craftsmanship. Though hardly a heart-thumping action pic, a few scenes of swordplay make the most of that precious Tatara steel.
In feudal Japan, during a bloody war between clans, two cowardly and greedy peasants, soldiers of a defeated army, stumble upon a mysterious man who guides them to a fortress hidden in the mountains.
A historical drama that depicts the touching beauty of world obsession and human love in the style of light comedy, in the center of which is a young man who has a master license menkyo kaiden in the art of swordsmanship, but weak against lies and women. A remake of Bungaku no Issue, shot by Sadao Yamanaka in 1933.
A chance encounter on the road leads to the unusual need for a female bodyguard to protect the granddaughter of an old friend of Akiyama Kohei, a wealthy merchant who plans to bypass his son-in-law as head of the company. When Daijiro’s wife Mifuyu takes on the job strange things start to happen, including the brutal slaughter of company employees. With the backing of Lord Tanuma, a chief elder on the ruling council, Kohei, Daijiro, and Mifuyu form a plan to foil the kidnappers plot and save the girl from certain death.
In an era where aliens have invaded and taken over feudal Tokyo, a young samurai finds work however he can.
Ryotatsu, the wayward Priest blinded by Shinkai, the Wicked Priest, has his own story in this ultra-violent tale from the era of the Meiji Reconstruction. When a woman leaves her blind son at the Monastery, Ryotatsu is forced to teach the boy how to cope as a blind person in old Japan. When he takes the child with him on the road to find the boy's mother, they run afoul of not only yakuza gangsters, but some corrupt army officers have been trying to sway public opinion against the Satsuma rebels by posing as members of Saigo Takamori's group. It's a bloody mistake for them to underestimate the strength of the Blind Priest, and he'll make them pay with their lives!
A group of ruthless gangsters, an unknown woman and an escaped convict have met, in The Forest of Resurrection, the 444th portal to the other side. Their troubles start when those once killed and buried in the forest come back from the dead.
Japan, 1701. A group of samurai become rônin after their lord is forced to commit seppuku for assaulting a court official, who will become the target of a merciless revenge.
In the 14th year of the Genroku period, Asano, the head carpenter of Edo Castle, attacked Kira, the master of ceremonies, with a sword, leading to Asano's forced suicide and Kira's punishment being overlooked. Over a year later in Edo city, Shimohashi Hyogo, a carefree ronin and the nephew of Yagyu Yoshitaka, is ordered by his uncle to investigate the activities of the Ako Ronin, a group sympathetic to Asano's cause. However, Hyogo, who sympathizes with the Ronin's plight, helps out in times of need, rescuing Oishi Kuranosuke and Horibe Yahei from danger. He also teams up with Yaenosuke, a newspaper publisher, and Otaki, a geisha, to plan an attack on Kira's estate.
GOZEN is a jidageki (period piece) dramas. The word “gozen” refers to a feudal game held in the presence of a Daimyo, described as a match “one must not lose”.
Akira Kurosawa's lauded feudal epic presents the tale of a petty thief who is recruited to impersonate Shingen, an aging warlord, in order to avoid attacks by competing clans. When Shingen dies, his generals reluctantly agree to have the impostor take over as the powerful ruler. He soon begins to appreciate life as Shingen, but his commitment to the role is tested when he must lead his troops into battle against the forces of a rival warlord.