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A young man heeds the call of adventure in Yoshinari Nishikori's Tatara Samurai, leaving his idyllic village to become a soldier. He soon has second thoughts — but violence is coming his way, like it or not, in a movie that sometimes echoes its hero's ambivalence by toying with viewers' expectations of swordslinger cinema. Genre fans should respect the picture if not embrace it wholeheartedly, but history buffs will find something to appreciate as well in this 16th-century tale. Gosuke (Sho Aoyagi) comes from a family of men who make steel. Their village, Tatara, is renowned for the quality of that steel, whose strength is prized for swordmaking; its resistance to rust will make the commodity even more valuable as guns become a central part of warfare. With that transition beginning and clans battling each other nearby, Gosuke realizes that peasants are less bound than usual to their roles in feudal society. "Now is a time when anyone can move up," as one man puts it. And joining the ranks of Lord Oda's army is one path to a samurai's wealth and status. He says goodbye to his fiancee, breaks his father's heart and leaves. Dazed by his first serious encounter with carnage, Gosuke is told that he should return home and "embrace your destiny" as a metalworker. The readiness with which he agrees is a little puzzling given how eager he was to become a samurai, but this is a film that often leaves characters' motivations obscure, at least to a Western viewer's eyes. That can be frustrating on occasion, but it works well in the case of Yohei (Masahiko Tsugawa), an aging merchant who wants to convince Tatara's mayor to sell him steel for gunmaking. Soon after Gosuke's return, Yohei arrives with the news that Lord Oda intends to attack the town and take what he needs. He offers the town guns, mercenaries and training to defend themselves; though villagers argue about taking this sort of help, the die is cast as soon as one of them has his first experience firing a musket. If the film's first half didn't hew to the hero's-journey template we expected, neither does this section turn out to be a Seven Samurai-like tale of outsiders helping peasants defend themselves. Sinister things are afoot, and one happy consequence is that the dramatic burden ceases to fall exclusively on Aoyagi, who performs creditably but has a hard time expressing the character's interior conflicts. One of Gosuke's friends, Shinpei (Naoki Kobayashi), has a spark he lacks, but the film doesn't make the best use of the actor when Shinpei gets involved in third-act intrigue. Akira Sako's photography makes good use of very beautiful landscapes, lending weight to the script's talk of tradition and pride in craftsmanship. Though hardly a heart-thumping action pic, a few scenes of swordplay make the most of that precious Tatara steel.
Reprising his role from the popular TV series "Koya no Suronin" (The Lowly Ronin), Mifune Toshiro stars in this full-length, stand-alone made for TV movie. The wandering ronin is reminiscent of his most famous role as the samurai without a name in Kurosawa's "Yojimbo" and "Sanjuro". He travels about Japan, and while he may seek happiness, violence and tragedy always cross his path. This time, he reluctantly agrees when a girl hires him to kill a local offical who has unfairly taxed her villagers. But he soon discoves that not all is at it appears when he finds a direct link to his past.
Reprising his role from the popular TV series "Koya no Suronin" (The Lowly Ronin), Mifune Toshiro stars in this full-length, stand-alone made for TV movie. The wandering ronin is reminiscent of his most famous role as the samurai without a name in Kurosawa's "Yojimbo" and "Sanjuro". He travels about Japan, and while he may seek happiness, violence and tragedy always cross his path. This time it is a woman carrying a young infant who he encounters on the road that leads him into a tale of violence, intrigue and a village in uproar. A great story and cool action scenes, a movie not to be missed!
Even though Gennosuke and Oboro are from rival ninja villages, they are secretly in love. At an annual conference with the Lord, it is dictated that a competition-a fight to the death-will take place between the five best shinobi from each village. Gennosuke and Oboro's love is made even more impossible when they each got picked as the leader of the five to represent their respective villages.
The war between the Heike clan and the Genji clan continues. This time, Nozomi has to fight a powerful supernatural enemy and make a choice: protect her friends and stay by Kurou's side, or choose her first love, Masaomi, which is the leader of the Heike, and her enemy.
The story concerns the efforts of seven master swordsman who join together to protect the new inexperienced Shogun Tokugawa Yoshimune from the evil plans of the Owari Clan's corrupt Lord. It's a colorful bunch, a drunk samurai, a master thief, a sword instructor and a Lord who is disguised as a ronin since it is an executable offense for a lord to wander outside of their domain without permission. As the Chief Magistrate becomes suspicious of the Owari plot to send men to Kodenmacho Prison to start a riot he begins to investigate the rumors. He soon calls upon the Lord of Mikazuki Castle and the Shogun's best friend to help thwart the evil ambitions and battle the rouge swordsman hired by the Owari Clan.
Desperate to leave their humble origins behind, farmhands Tatsunori (Yuma Ishigaki), Ken (Suzunosuke) and Yonesuke (Ohkuchi Kengo) assume the identities of Samurai warriors in order to help protect a village from the daily raids of local bandits. But the three soon find themselves out on a limb when real Samurai Jojima (Ichinose Hidekazu) returns from the war and confronts them.
In turbulent 16th-century Japan, the leaders of a minor fief have their child taken from them as a political hostage. His mother and his clan endure years of tribulations until he can return.
Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
Nathan Algren is an American hired to instruct the Japanese army in the ways of modern warfare, which finds him learning to respect the samurai and the honorable principles that rule them. Pressed to destroy the samurai's way of life in the name of modernization and open trade, Algren decides to become an ultimate warrior himself and to fight for their right to exist.
Kenshin has settled into his new life with Kaoru and his other friends when he is approached with a request from the Meiji government. Makoto Shishio, a former assassin like Kenshin, was betrayed, set on fire and left for dead. He survived, and is now in Kyoto, plotting with his gathered warriors to overthrow the new government. Against Kaoru's wishes, Kenshin reluctantly agrees to go to Kyoto and help keep his country from falling back into civil war.