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_**Coppola’s avant-garde musical with Teri Garr and Nastassja Kinski**_ A couple who’s been living together for five years in Las Vegas has a tiff (Teri Garr & Frederic Forrest). As they grieve their heartbreak, they flirt with alternative lovers on July 4th (Raul Julia & Nastassja Kinski). “One from the Heart” (1981) was Francis Ford Coppola’s follow-up to his incredible “Apocalypse Now” (1979). It’s a romantic musical shot entirely on a large sound stage (with one sequence done in the back lot) of Coppola’s Zoetrope Studios, a studio by artists for artists. It’s in the tradition of the outstanding “Moulin Rouge” (1952) and the precursor to the dynamic “Chicago” (2002), but it lacks the compelling story of the former and the electricity of the latter. Coppola was excited about using experimental video equipment to view/edit the movie and it certainly looks good, but the story is simplistic, which no doubt was the point in order for the viewer to focus on the artistic visuals and pleasant lounge music (by Tom Waits featuring Crystal Gayle). Nevertheless, the story is dull and Forrest lacks the charm to play a leading man, although Raul is charismatic. On the female front, Garr looks great as she nears the end of her physical prime and this is perhaps the best film to view Nastassja’s beauty. While the film has its partisans and is certainly worth checking out for the reasons noted, it flopped upon release and it took Coppola a decade to recover financially. But I respect Francis for his experimental drive. They can’t all be hits. The movie runs 1 hour, 47 minutes. GRADE: C
"Hank" (Fredric Forrest) and girlfriend "Frannie" (Terri Garr) seem to have one of those relationships that is on, then it's off, then it's on again. After five years of this, there's some love there, but there's also loads of restlessness and it's ultimately that which drives them apart. She hooks up with the swarthy "Ray" (Raul Julia) while he takes a shine to "Leila" (Nastassia Kinski). It's this latter relationship that proves the marginally more entertaining in this otherwise unremarkable drama. "Leila" works in a circus and is regularly performing death-defying feats in a big top that is clearly just an huge sound stage. There we hit on what makes this film a little more notable - it has all been filmed on a stage. It's very much presented as if it were a stage play, even down the lighting fades and the use of music to help get us from one scenario to the other. The production design and technical effects work well to create that image but they can't compensate for a really thin story that neither Garr nor Forrest really add very much too. A sort of five-year-itch romance that rarely raises a laugh and looks entirely fake from start to finish. Whilst I don't doubt that was the aim of Francis Ford Coppola it merely seems to serve his own ambitions to prove he can make something quite this faux-continuous and sterile, rather than aspire to actually engaging with the audience on any meaningful level. It's under-written and under-developed from a character perspective and try as I did, I just didn't much care for it - one way or the other.
South of France. In the sultry August heat, Geronimo, a young social educator, tries to ease tensions between the youngsters of the St Pierre neighborhood. The mood changes when Nil Terzi, a teenage girl of Turkish origin, flees an arranged marriage, running to the arms of her gypsy lover, Lucky Molina. Their escape sparks hostilities between the two clans. When the jousting and the musical battles begin, Geronimo struggles to quell the ensuing unrest around her.
Mostly fictional episodes in the life of famous german social-critical painter Heinrich Zille.
“SOUTH PACIFIC” IN CONCERT FROM CARNEGIE HALL premiered on April 26, 2006 on PBS. Based on James Michener’s Pulitzer Prize-winning collection of short stories TALES OF THE SOUTH PACIFIC, Rodgers & Hammerstein’s own Pulitzer Prize-winning blockbuster was a landmark of post-World War II Broadway, a provocative romantic drama that beguiled audiences with a hit parade of instant standards. “South Pacific” reached new heights when, for one enchanted evening, Carnegie Hall presented a magnificent concert production with a dream cast headed by Reba McEntire, Brian Stokes Mitchell, Jason Danieley, Lillias White, and Alec Baldwin. Directed for the concert stage by Walter Bobbie, with musical director Paul Gemignani conducting the Orchestra of St. Luke’s.
Marianne is a dancer at the Lilla Teatern. The theatre has financial troubles and its existence is under threat. Marianne falls in love with Stig Broman, the owner of the theatre. After a few problems, the actors manage to set up a show, with Marianne as leading lady, which will decide the fate of the theatre.
Passion, jealousy and betrayal take center stage at Londons Royal Opera House in a spectacular production of the worlds most popular opera. Bizets Carmen is packed with some of the best-loved and memorable music in all of opera. In this characteristically vivid and vibrant stage production by Francesca Zambello, beautifully filmed in 3D by Julian Napier, Seville is brought to life with ranks of soldiers, crowds of peasants, gypsies and bullfighters as well as a magnificent horse, a donkey and even some chickens! This spectacular RealD and Royal Opera House production features a supremely talented cast, gripping drama and Bizets energetic and passionate score. It is truly a musical event to remember!
1952, Québec - Alys Robi, vocalist at the top of her popularity and recognized worldwide, was interned in spite of herself, by her father. Medical authorities prescribe her the only cure for a possible cure: the lobotomy. Under the bright lights of the operating room, Alys sees her 28-year life flash before her eyes.
Two creatures meet on either side of its bars — Boris, half-man and half-bird, and Alphea, a melodramatic diva. Boris is stranded on the outside after a lifetime searching for the cage, and Alphea is trapped on the inside and longs for freedom, yet fears the outside and can’t remember how she got trapped inside.
A sweet inn-keeper's daughter falls in love with a woodcutter, but witnesses the woodcutter's brother raping her sister. Tragically, the sister commits suicide in shame, and the rapists turn his attentions to the witness, leading to more danger than most romantic dramas can handle.
Velu's only dream is to become a police officer. One night after having dinner at a restaurant near the beach, Velu goes to pay the bill leaving his girlfriend Asha behind. At that moment, a police officer drinks and urinates besides Asha. Irritated, she scolds him. He attempts to rape her but is beaten up by Velu severely and receives a scar on his face. Angered by this, he seeks revenge against Velu.
Somewhere in the Brazilian seaside, teenagers Lucas and Martin fall in love while investigating the disappearance of a local kid. But their blossoming romance is threatened by sinister forces lurking beneath that idyllic summery landscape.
'Cape No. 7' director Wei Te-Sheng returns to his melodic roots with Taiwan's first musical, '52Hz, I Love You.'