No Address

Tales of Two Who Dreamt is set in a housing block in Toronto and pivots on representation and self-representation. Here, a Roma family rehearses the stories of their past for the upcoming hearing on their residency status.

This Academy Award-nominated film takes a moving personal story, illuminates it with insight and humor, and makes it universal. In recounting her attempts to come to terms with her mother's advancing Alzheimer's disease, Deborah Hoffmann explores the relationship between mother and daughter, parent and child, and the tenacity of love.

Three women labor activists in America tell their stories of organizing in the 1930s.

Tells about the Wilderness Act of 1964 and the three men responsible for its passage: forester/philosopher Aldo Leopold, author of the bestselling Sand County almanac and the first to bring the word 'ecology' into standard usage; Bob Marshall, millionaire socialist and founder of the Wilderness Society; and Howard Zahniser, a bureaucrat with a love of the wild places he seldom saw. Singly and together, these three fought from the 1920s through the 1950s to preserve the natural world. Provides an overview of the roots of the environmental movement, offering a deeper understanding of one of the most important issues facing contemporary civilization.

Directed by Hava Kohav Beller, this stirring documentary chronicles the anti-Nazi resistance movement within Hitler's Germany and the countless unsuccessful attempts to remove the führer from power.

An introduction to apartheid and the contextualization of the history of the changing nature of state repression would provide a good foundation from which to view the film. It should also be explained that state repression in 1985 occurred as a response to increasingly successful organized.

First Contact is a 1983 documentary by Bob Connolly and Robin Anderson which recounts the discovery of a flourishing native population in the interior highlands of New Guinea in 1930 in what had been thought to be an uninhabited area. It is based on the book of the same name by the same authors. Inhabitants of the region and surviving members of the Leahy brothers' gold prospecting party recount their astonishment at this unforeseen meeting. The film includes still photographs taken by a member of the expedition and contemporary footage of the island's terrain. It was nominated for an Academy Award for Best Documentary Feature.

With Babies and Banners: Story of the Women's Emergency Brigade is a 1979 documentary film directed by Lorraine Gray about the General Motors sit-down strike in 1936–1937 that focuses uniquely on the role of women using archival footage and interviews. It provides an inside look at women's roles in the strike. The film was one of the first to put together archival footage with contemporary interviews of participants and helped spur a series of films on left and labor history in the US utilizing this technique. The film was also important in helping bring into view the history of American women being active in the public sphere, particularly in union and labor actions. The film was, further, ground breaking because it was produced and directed by women. It was nominated for an Academy Award for Best Documentary Feature.

In 1990, thieves absconded with 13 masterpieces - including works by Rembrandt and Vermeer - from Boston's Isabella Stewart Gardner Museum, pulling off the greatest art heist in U.S. history. Rebecca Dreyfus's investigative documentary delves into this modern mystery, piecing together clues gleaned from archival documents, art critics, historians, collectors and informants (both credible and dubious) to shed light on the as-yet unsolved case. Instant QueuePlay Trailer

The deterioration of a small community in Fogo Island is forcing its inhabitants to leave and resettle. Places once occupied by humans are now becoming part of the tundra landscape. In spite of a condemn future, there are some residents who decide to remain, holding on to their memories and grieving for the past, when life in Fogo was different.

This epic documentary subtly introduces the complex worldview of iconic filmmaker and theoretician Peter Kubelka (born 1934, Vienna). While Kubelka’s radical and pioneering body of films is a highly condensed work of about an hour, focusing on the essence of cinema, his legendary lectures often unfold over many hours. These lectures on “what is cinema” and “cooking as an art form” are frequently illuminated by presentation of archaeological artefacts from Kubelka’s eclectic collection. He considers his ongoing collecting to be an expanded film practice which explores the evolution of humanity.
 Martina Kudláček has carefully woven an open-ended portrait which goes beyond the biographical to reveal fresh insights into the phenomenon of film.