Jam Docu 강정

This documentary tells the story of people who were at the scene of the 2014 Sewol Ferry disaster: journalists, bereaved families of the victims, and the survivors. Ten years after the disaster, what did it leave them? These are three omnibus documentaries with different perspectives.

In Jeju Province, located off the southern coast of Korea, are the women of the sea, those who hold breath for life. These women still exist and they still dive the old way, without tanks. They go into the waters of 10- to 20-meter depth to harvest seaweed and shellfish to make a living. They make a living in the same sea, but each haenyeo’s sea of life is different. The community is divided into three tiers- Group A, B and C, based on skills and capabilities. One’s rank is determined by sum or breath. Sum, is pre-determined at birth. Therefore, sum is desired. However, the ocean is harsh. May you desire! But seek what is not yours, the ocean will devour you. Life, for these women of the sea, is about holding one’s breath, and containing and controlling one’s desire. The film is a six year record of the lives of the haenyeos in Udo, an islet in the province of Jeju, known to be the birthplace of haenyeo. It is a close look into the lives that stand on the boundary of life and death.

A collection of 6 films made during the lockdown period in Romania.

In October 2015, the evicted residents who had imprisoned on a false charge of killing a policeman assembled in a place for the first time after the Yongsan Disaster six years ago. They had occupied a watchtower against unreasonable redevelopment policies and in protest against violent suppression used by riot police in 25 hours of their sit-in demonstration. Their colleagues had died from an unknown fire, and they became criminals. The delight of meeting again lasts only briefly. The ‘comrades’ rip out cruel words while blaming each other.

As an omnibus of short films, Art Through Our Eyes is inspired by the art collection found at the National Gallery Singapore. Each of the five directors – Apichatpong Weerasethakul, Brillante Mendoza, Eric Khoo, Ho Yuhang and Joko Anwar – handpicked a masterpiece from the 19th and 20th century as inspiration for their short films.

Stories about Tartu and Southern Estonia, capturing the tricks and mysteries about the arts of survival. Renowned filmmakers from Estonia and abroad bring us uniquely wild tales of people, communities, and the culture they live in. In these stories, we meet peculiar vehicles known as “karakat” from Peipsi, charming non-places of Tartu, the wild German woman living an off-grid life without water and electricity, mischievous goats and crazy village parties, the diverse Annelinn residents and nostalgic Petseri, slime mould and space exploration, and of course, the artists of survival from today and past.

The Grand Canal project was one of the key pledges of the former President Lee. He first said that he was carrying out a project to save the four rivers but it was a lie. He eventually proceeded the project which was a hotbed of all kinds of irregularities. After ten years, now the river is dying. Some people collaborated to the past regime, and some resisted it. On whom will we stand?

Turn back time on a journey through the BBC archives to celebrate singing superstar Cher and her 75th birthday. This selection of songs and chat show moments features many of the hits that have made Cher the only artist to have US number ones in each of the past six decades. Including favourites like Believe, Love and Understanding, Walking in Memphis and her first UK chart topper I Got You Babe, recorded with ex-husband and singing partner Sonny Bono.

A series of 43 documentary shorts, directed (without credit) by several famous French filmmakers and each running between two and four minutes. Each "tract" espouses a leftist political viewpoint through the filmed depiction of real-life events, including workers' strikes and the events of Paris in May '68.

On the surface, this collection of shorts by up-and-coming African American filmmakers arrived at a perfect time. The cutting-edge products of the New Black Cinema of the early '90s had disappeared, giving way to embarrassingly stereotypical, scatological fare such as Booty Call and Next Friday. This feature-packed compilation (which includes production notes, interviews with all of the filmmakers, and audio commentary by four) attempts to prove that African American cinema is intent on moving past the lowbrow humor, as six of the seven shorts steer clear of any comedy.