The Ceremony Is About to Begin 2024 - Movies (Feb 17th)
SNL50 The Anniversary Special 2025 - Movies (Feb 17th)
Mufasa The Lion King 2024 - Movies (Feb 17th)
Hobby Hustle 2025 - Movies (Feb 17th)
Cabrini 2024 - Movies (Oct 2nd)
Big Rage 2024 - Movies (Feb 17th)
Return to Office 2025 - Movies (Feb 16th)
SNL50 The Homecoming Concert 2025 - Movies (Feb 16th)
Captain America Brave New World 2025 - Movies (Feb 14th)
The Lord of the Rings The War of the Rohirrim 2024 - Movies (Feb 14th)
The Peanut Man 2024 - Movies (Feb 14th)
The Most Beautiful Girl in The World 2025 - Movies (Feb 14th)
The Dead Thing 2024 - Movies (Feb 14th)
Paddington in Peru 2024 - Movies (Feb 13th)
My Fault London 2025 - Movies (Feb 13th)
Trust in Love 2024 - Movies (Feb 13th)
La Dolce Villa 2025 - Movies (Feb 13th)
Christmas Cowboy 2024 - Movies (Feb 13th)
Emmanuelle 2024 - Movies (Feb 12th)
The Simpsons The Past and the Furious 2025 - Movies (Feb 12th)
Goodbye Hello 2024 - Movies (Feb 12th)
The Ceremony Is About to Begin 2024 - ()
SNL50 The Anniversary Special 2025 - ()
Mufasa The Lion King 2024 - ()
Hobby Hustle 2025 - ()
Cabrini 2024 - ()
Big Rage 2024 - ()
Return to Office 2025 - ()
SNL50 The Homecoming Concert 2025 - ()
Captain America Brave New World 2025 - ()
The Lord of the Rings The War of the Rohirrim 2024 - ()
The Peanut Man 2024 - ()
The Most Beautiful Girl in The World 2025 - ()
The Dead Thing 2024 - ()
Paddington in Peru 2024 - ()
My Fault London 2025 - ()
Trust in Love 2024 - ()
La Dolce Villa 2025 - ()
Christmas Cowboy 2024 - ()
Emmanuelle 2024 - ()
The Simpsons The Past and the Furious 2025 - ()
If you enjoy reading my Spoiler-Free reviews, please follow my blog :) This might be the very first film of 2019, which I knew absolutely nothing about going into the theater. Usually, I avoid trailers for most movies, but it’s almost impossible to not catch an image or a clip here and there. However, for Scary Stories, since it wasn’t heavily marketed in my country (at least), the only things I knew was that Guillermo del Toro was involved and that it was a horror flick. Knowing del Toro, I also remembered myself that this wouldn’t just be a straightforward horror story, filled with predictable jump scares, and a bland narrative. That’s my first advice to my fellow readers: if you expect a film similar to those of The Conjuring Universe, then you’ll be disappointed. It’s also not the other extreme. It doesn’t follow the ambiguity and weirdness of Jordan Peele’s installments, so if you’re one of those people that don’t appreciate that type of horror, you’re safe as well. Having in mind the latest movies released from the genre, it’s hard to find one that balances these two separate takes instead of choosing one of them. Scary Stories spends its first half slow-building their characters, but mainly its story. There’s a massive build-up to something that’s pretty much the premise of the film, so it struggles to reach the actual “action” without it becoming a tad boring or too long. It’s a “breath of fresh air” (in the genre, I mean) to have a good set up, with decent character development, and an exponential interest in the main story, instead of jumping into silly horror sequences fifteen minutes after it started. André Øvredal does an excellent job in directing. He really knows how to generate suspense and create a genuinely creepy build-up. There’s tremendous camera work involved in some fantastic sequences that don’t rely on jump scares to provide the “fear” factor. It’s the never-ending suspense, that feeling of claustrophobia even if the character isn’t in a confined space. Except for one scene, we can always see what’s happening. The “monsters” don’t appear out of nowhere, they don’t screech at you precisely at the third time a character looks another way, and the actual jump scares are rather efficient. However, they’re not scary, as well as the movie itself… It’s not simply a scary film. It doesn’t have that heavy and dark tone that we feel in other horror movies. At first, I thought it might be a bad thing, but Scary Stories establishes this distinct tone from the very beginning. Even without knowing a single thing about the film, I understood from the first few minutes that it was going to be “different”. I would advise caution to not judge this movie by its trailers if they indicate that this is one of those films to make you scream every five minutes. There’s definitely a message to be transmitted, and I think it was well-delivered in the ending. It might be too cheesy for some or lack impact for a movie that asks the audience for a bit of patience, but for me, it worked well enough. The acting is mostly good. Zoe Colletti (Stella) and Michael Garza (Ramon) are undoubtedly the standouts, and they do a good job of carrying the narrative forward. They both have compelling backstories, but for the time that the film spends developing its characters, I wish they went more in-depth with Stella. She has a particularly intriguing past, and I don’t think we get enough out of it. Gabriel Rush (Auggie) and Austin Zajur (Chuck) have great chemistry, but their comic-relief roles are a disservice to an otherwise pretty solid movie. Technically, there are some beautiful shots from the DP, Roman Osin. Usually, sequences at night in low-budget films suffer a lot with lack of clear visibility, but Osin does a remarkable job, playing with lighting in a truly unique way. I’m curious to know what audiences will think of this movie. If I had to bet, I think people will leave disappointed due to the lack of more generic jump scares, and a straightforward narrative. Truth be told, the slow pacing doesn’t help, especially when the character development only works for two. Finally, the “scary stories” that Sarah tells are entertaining and imaginative, and the whole concept of this film is incredibly captivating. All in all, Scary Stories to Tell in the Dark is a distinct horror flick, with well-developed leads, and a creative approach to an unique premise. It doesn’t follow the rules of generic horror, by not relying itself too much on jump scares, and making the actual story and characters the main interest. Beautifully-produced by Guillermo del Toro and co. as well as brilliantly directed by André Øvredal. The “scary stories” are indeed dark and creepy, providing a whole second-half of excellent horror scenes. However, the first-half takes its time to set everything up, and the lack of more “action” might leave some viewers disappointed. Only two characters are genuinely engaging, which proves that the slow build-up didn’t entirely pay off as it should have. It’s meant to be a divisive movie, but I definitely recommend seeing it! Rating: B-
There’s just enough scares to appeal to the under-15s with disposable income, but very little for anyone else looking to get into the real Halloween spirit. ‘Scary Stories to Tell in the Dark’ has the potential to be really unique, but is let down by its blandness and lack of originality. Yes, there’s a hint at a sequel at the end of the film, but I hope for our sake that the book is closed on any more of these scary stories. - Charlie David Page Read Charlie's full article... https://www.maketheswitch.com.au/article/review-scary-stories-to-tell-in-the-dark-a-harmless-tale-that-wont-haunt-you
I was a little bit disappointed by _Scary Stories to Tell in the Dark_, but I say that with the caveat of it being one movie that I went into with **high** expectations - something I generally try to avoid having if I can. There is a lot I liked, creature effects, probably top of that list, but the story feels disconnected and for me had an unsatisfying resolution. _Final rating:★★½ - Had a lot that appealed to me, didn’t quite work as a whole._
I have no idea why I was expecting an anthology before I started watching this film. Anyway, it doesn’t matter. While I dislike the increasingly high number of horror films which take place in 1960s/70s/80s nowadays, I still enjoyed watching this one. Surprisingly, each scary scene in the film is better than the one before, which makes the film better as you keep watching it. Would I watch it again? Yes. Would I make my friends watch it? Why not?
Most "Haunted House" attraction movies are horrible. "Haunt" is the rare exception. The directors also wrote "The Quiet Place" and Eli Roth was involved. Regardless, this is a slick Halloween thriller.
For a horror fan, this series is outstanding. And if yoi are not a horror fan, it is suggested strongly that you stop reading or watch and turn to something else. Each episode, Eli Roth focuses on the most classic movies in a specific sub-genre while getting commentary from that movies director/writer/actor or a deep bench of horror/film aficionados such as Stephen King and Quentin Tarantino. Be warned, If you are new to horror, or haven't seen all the movies featured, it will spoil everything. It showcases the most famous and/or best scenes of each referenced movie. For the rest of us horror peeps, its a great hour long recap / analysis of what should be our favorite films.
For a horror fan, this series is outstanding. And if yoi are not a horror fan, it is suggested strongly that you stop reading or watch and turn to something else. Each episode, Eli Roth focuses on the most classic movies in a specific sub-genre while getting commentary from that movies director/writer/actor or a deep bench of horror/film aficionados such as Stephen King and Quentin Tarantino. Be warned, If you are new to horror, or haven't seen all the movies featured, it will spoil everything. It showcases the most famous and/or best scenes of each referenced movie. For the rest of us horror peeps, its a great hour long recap / analysis of what should be our favorite films.
I had high expectations for this movie. The books means so much to me. I found them when I was a lonely kid in School who was picked on and what day went to the library and found a book called scary stories to tell in the dark. I fell in love with the stories due to my Macabre nature. I've always held all three books in the series close to my heart. However this movie didn't really bring what the books bring which is a sentence of sheer terror. I felt like there weren't enough scary moments. There wasn't enough short stories. It felt like we were focused on the one girl's story and her tacked on love interest. I did love the few scary moments it did have and the one gross one with the big toe. I just felt like it needed more and could have done more. It's not a horrible movie it just feels like it's not finished and like it wasn't enough.
It must be old age but 2019 has produced half a dozen so-called "horror" films that are about as terrifying as running out of milk. This has one of the better, though still pretty derivative, storylines; and at times can be quite dark, but the use of teenagers as the conduits for the fear just isn't convincing. The plot, such as it is, is remarkably forgettable and the effects rely heavily on (admittedly some very effective) sound editing. Won't have your quivering unless you're sitting in a draft....
A rural roadside diner becomes the host of a maniacal killing spree – leaving a young waitress to clean up the mess. After hard-headed Nancy fires the staff at her dad’s diner, she decides to cover the last shift of the night by herself. Little does she know, she is far from alone. The day is coming back to haunt her and when things begin to spiral out of control, she must fight for her life over the course of one long night.
Halloween. Four friends, beautiful girls and an alien invasion that will force them to face monsters of any kind...including the ones from their past.
An annual Halloween fear competition between a fraternity and sorority goes awry when drugs, alcohol and the old battle of the sexes are mixed together. What is on the line? The losers must do anything the winners ask for one night. The bros won last year. They not only violated the loser but uploaded the footage on the internet. Jamie, the head of the sorority, wants vengeance. She has concocted a devilish plan to humiliate the frat brothers and come out on top. However, she is not aware that Matt, the head of the fraternity, has machinations of his own. Who will win this year? At what cost?
Citizens of a small town are infected by a biological weapon that causes its victims to become violently insane. As uninfected citizens struggle to survive, the military readies its own response.
In a remote region of Wales, five travelers beset by a relentless storm find shelter in an old mansion.
Rachel, a rookie cop, is about to begin her first night shift in a neglected police station in a Scottish, backwater town. The kind of place where the tide has gone out and stranded a motley bunch of the aimless, the forgotten, the bitter-and-twisted who all think that, really, they deserve to be somewhere else. They all think they're there by accident and that, with a little luck, life is going to get better. Wrong, on both counts. Six is about to arrive - and All Hell Will Break Loose!
In Shangai, the "Green Dragon" threatens to kill Herbert Aboody, a rich exporter, unless he pays him 50,000 dollars. One of Aboody's secretaries calls inspector Wens for help. An amazing fact occurs, Wens kills Aboody and then disappears. What is the key to this mystery?
Investigating the mysterious deaths of a number of farm animals, vet Rack Hansen discovers that his town lies in the path of hordes of migrating tarantulas. Before he can take action, the streets are overrun by killer spiders, trapping a small group of townsfolk in a remote hotel.
A murder mystery about a young man accused of killing his wife. He's imprisoned but a mystery shrouds the circumstances of her death. Set against the backdrop of postwar Liberia, the film is based on the acclaimed Bai T. Moore novel.
A mother lives quietly with her son. One day, a girl is brutally killed, and the boy is charged with the murder. Now, it's his mother's mission to prove him innocent.