Beyond the Sacramento

The U.S. government recognizes land grants made when the West was under Spanish rule. This inspires James Reavis to forge a chain of historical evidence that makes a foundling girl the Baroness of Arizona. Reavis marries the girl and presses his claim to the entire Arizona territory.

Hoppy, Lucky and California search for a mine owned by Trudy Pendleton after it was taken from her by thw swindling gambler Ace Gibson. They find the mine and Hoppy fights Gibson over it.

In this Western, Ken Curtis, Columbia Pictures' low-budget answer to Gene Autry, romanced one of the studio's most beautiful starlets, Rita Hayworth-lookalike Dusty Anderson. She played Helen Wyatt, whose father (the rotund Guy Kibbee) loses his ranch to the hayseed singing group the Hoosier Hot Shots. Unbeknownst to Wyatt, the Hot Shots have been swindled by a couple of Eastern crooks (Ian Keith and Matt Willis) and consider themselves the lawful owners. Chased by the irascible Wyatt, the band members seek protection from aspiring singer Curt Stanton (Curtis), who they mistake for a gunslinger.

Patricia Medina plays the title character in The Buckskin Lady. Medina is cast as female gambler Angela Medley, who is forced by circumstances to align herself with outlaw Slinger. But Angela has never gotten over her love for honest frontier doctor Bruce Merritt, and at the first opportunity she redeems herself by catching a bullet intended for the doc. Henry Hull delivers the film's most memorable performance as Angela's drunken wretch of a father. Per the title, Buckskin Lady affords the viewer ample opportunity to see Patricia Medina in form-fitting western garb.

A crooked gambler poses as a descendant of a noble Spanish family has successfully secured court validation of a counterfeit land grant, and proceeds to drive out ranchers already settled on the land with high taxes, road tolls and violent tactics. A pair of horse sellers pitch in to help a customer, his daughter, and the other "tenant" ranchers after being roughed up by toll collectors when they refuse to pay the assessed toll.

An honest cowpoke (Tim Holt) comes to the rescue when the ranchers of Red River, AZ have their property seized by a greedy businessman (Eddie Dew). This 1942 B-western, directed by Lesley Selander, also stars Barbara Moffett, Cliff Edwards, Otto Hoffman and Russell Wade.

Trying to get his act together, a con artist gets a job in a credit card company. He falls in love with a fellow employee, he steals a couple of cards, everything is going great. But soon, the chief of security drags him into the big leagues of criminals...

Con artist Lawrence Jamieson is a longtime resident of a luxurious coastal resort, where he enjoys the lavish fruits of his deceptions - that is, until a competitor, Freddy Benson, shows up. When the new guy's lowbrow tactics impinge on his own sophisticated work and believing him to be the infamous conman 'The Jackal', Lawrence resolves to get rid of him. Confident of his own duplicitous talents, he challenges Freddy to a winner-takes-all competition: whoever swindles their latest mark, American heiress Janet Colgate, out of $50,000 first can stay, while the other must leave town.

An unemployed man finds his life sinking more and more into trouble as he hides his situation from his family and friends.

Cecco Angiolieri has joined, as storytellers and acrobats, the traveling company of Camillo. The stupidity of this man is so great that Cecco, inventing contagious childhood diseases, replacing it with his wife Dinda until the woman becomes pregnant. Meanwhile, the company has come in a city ruled by poetastro ser Gianni: Cecco, using his poetic vocation, getting license show for his teammates and conquers the woman, Tessa. Another victim of his jokes is fierce mother Lucrezia, new superior of the local monastery: Cecco, after forcing her to strip naked in the brothel of Filippa, precedes the convent pretending to it. Later, he clarified the misunderstanding, it becomes the lover and requires it to give shelter to Dinda, until Camillo is not ready to accept happily the unborn child as his.

The Gestapo forces con man Victorio Bardone to impersonate a dead partisan general in order to extract information from his fellow inmates.