In a Violent Nature 2024 - Movies (Dec 29th)
The Outrun 2024 - Movies (Dec 29th)
Lost on a Mountain in Maine 2024 - Movies (Dec 29th)
Sonic the Hedgehog 3 2024 - Movies (Dec 29th)
Moana 2 2024 - Movies (Dec 29th)
Mr. Jimmy 2023 - Movies (Dec 29th)
Murderfest 2024 - Movies (Dec 28th)
Behind the Crime Deadly Military Love Triangle 2024 - Movies (Dec 28th)
Dont Break the Rules 2024 - Movies (Dec 28th)
Adult Swim Yule Log 2 Branchin Out 2024 - Movies (Dec 28th)
D-Day 80th Anniversary 2024 - Movies (Dec 28th)
Chaos Glacier Country 2024 - Movies (Dec 28th)
The Books He Didnt Burn 2023 - Movies (Dec 28th)
Bigfoot Isnt Real 2024 - Movies (Dec 28th)
Before Macintosh The Apple Lisa 2024 - Movies (Dec 28th)
Christmas at the Four Seasons Park Lane 2024 - Movies (Dec 28th)
Beyoncé Bowl 2024 - Movies (Dec 28th)
The Fire Inside 2024 - Movies (Dec 27th)
Adopted 2024 - Movies (Dec 27th)
National Theatre Live Nye 2024 - Movies (Dec 27th)
Forbidden Knowledge Prophecies Portals and Time Machines 2023 - Movies (Dec 27th)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
What If... - (Dec 29th)
Earth Abides - (Dec 29th)
Landman - (Dec 29th)
The Beat with Ari Melber - (Dec 29th)
The Sunday Show with Jonathan Capehart - (Dec 29th)
Lives Well Lived - (Dec 29th)
The Worlds Strongest Man - (Dec 29th)
Mysteries of the Deep - (Dec 29th)
Masterpieces Performed by NHK Symphony Orchestra - (Dec 29th)
***Good but lacks the detail to make it great*** David is my favorite biblical character aside from JC himself. I never tire of reading the events of his life: the trials & perseverance, the agonies & ecstasies, the successes and failures. "King David" (1985) stars Richard Gere in the titular role and covers the bulk of the events. You’ll see all the following happenings in the picture: Samuel's choosing of David as successor to King Saul; Israel's battles with the Philistines; the fight with the hulking Goliath and David's victory with a sling shot; David playing his harp to soothe Saul's torment; Saul's increasing jealousy and hatred of “the man after God’s own heart”; David & Jonathan's brotherly love; David's wandering in the wilderness with his men, fleeing Saul; his stealing of Saul's spear while he sleeps in a cave, sparing him; Saul's suicide; David dancing in his skivvies when the Ark of the Covenant is brought into Jerusalem; Michal's love and, later, hatred of David (as he dances before the LORD); David secretly ogling the nude Bathsheba bathing from his palace roof and the ensuing adultery; David's indirect murder of Uriah (Bathsheba's husband) and Nathan's rebuke; Amnon's rape of his half-sister Tamar; Absalom's justified slaying of his half-brother Amnon; Absalom's stealing of the Israelite's hearts; Absalom's death and David's grieving The film is worthwhile if you desire to see these numerous events depicted before your eyes. The cast, sets, costumes, locations and filmmaking are for the most part of the highest order for 1985. Edward Woodward is excellent as the jealous and bitter King Saul, even though he lacks Saul's height (as he was a head taller than any other Israelite). Most aspects of the David/Goliath challenge are great, like the troops shown on two separate hills. Cherie Lunghi possesses an intelligent and unique beauty as David’s first wife, Michal, while Alice Krige is beautiful as Bathsheba. Despite the numerous events covered in David's life, the film only runs 1 hour and 50 minutes before the closing credits. The problem with this is that there's at least 3 hours of material and shortening it down to less than 2 hours prevents the viewer from being captivated by the myriad characters and happenings. This will leave some struggling to connect with the people and their stories. Regardless of the numerous events flying by, the film has a bit of a lazy vibe. There's very little spectacle like "The Ten Commandments,” but it’s more realistic. David was a ruddy and handsome man, according to the Bible, and Gere is quite good in the role. Yet David was a very passionate, a "man after God's own heart, which is effectively shown in some parts, like what he does with the model of the Temple at the end, but not in others, like when the boy fights Goliath there's zero passion and righteous ferocity as seen in the Biblical account (e.g. "Who is this uncircumcised Philistine who would defy the armies of the living God?!!"). Plus the film doesn't show the serious trash-talking that went back and forth between the two. The fight's just too low-key. Although the gist of the story is accurate there are inaccuracies that some nitpick, e.g. Goliath challenged David and the Israelites himself, he didn't speak through another man; David picked up stones before going out to fight the giant, not while fighting him; Absalom waited a long time before slaying Amnon, he didn't do it immediately; etc. Changes like these aren't that big of a deal and were made for dramatic or condensing reasons. Someone criticized the film for showing Bathsheba at fault for seducing David. Actually, they both shared fault equally. Everyone in Jerusalem knew the king stayed home while the troops were out fighting, so Bathsheba was likely fully aware that the king could catch a tantalizing glimpse of her while she was bathing on the nearby roof. Besides, even though David was the king, she could have said 'no' when the proposition of adultery later presented itself. In other words, she was both into it and into David. I've seen "King David" four times now and enjoy it every time. It's a well-done cinematic account of David's life for 1985 with a kinda weak ending. But the picture cuts off more than it can chew in a mere 1 hour and 54 minutes, leaving the viewer detached from the characters and events beyond David, in particular those who know little about the biblical account. But don't listen to those who give this film an absurdly low rating. They're way off. It's good; it just lacks the detail to make it great. Nevertheless, I’d watch “King David” any day over the overrated “Braveheart.” The movie was shot in Italy with studio stuff done Pinewood Studios, London. GRADE: B
I never quite understood why Richard Gere became the Hollywood superstar he did, and films like this don't really help. It's a standard production depicting the rise to the throne of Israel of David. We start just as God is getting a bit irked with the behaviour of King Saul (Edward Woodward) and the prophet Samuel (Denis Quilley) decides that the young David is to succeed. The King isn't so impressed with this and so sets about to ruin his would-be successor in the eyes of the army and the people. What now ensues takes us on some biblical adventures including that deadly slingshot moment and as it pitches father against son, an ascension to the throne and some tussles of his own with God - especially surrounding his relationship with Bathsheba (Alice Krige). As sword and sandal epics go, it's all rather ponderous with little by way of any notable acting going on and the soporifically dry adaptation from the Holy Bible isn't exactly setting the bush on fire either. If it serves to get folks to read the original stories from the Old Testament which are usually full of human skullduggery, naughtiness and corrupted souls then maybe it might serve a purpose, but otherwise it's an overlong television movie that looks like money has been spent on the costumes and locations, but that has little else to redeem it.
The brief life of Jean Michel Basquiat, a world renowned New York street artist struggling with fame, drugs and his identity.
A true story about Frank Abagnale Jr. who, before his 19th birthday, successfully conned millions of dollars worth of checks as a Pan Am pilot, doctor, and legal prosecutor. An FBI agent makes it his mission to put him behind bars. But Frank not only eludes capture, he revels in the pursuit.
A chronicle of country music legend Johnny Cash's life, from his early days on an Arkansas cotton farm to his rise to fame with Sun Records in Memphis, where he recorded alongside Elvis Presley, Jerry Lee Lewis and Carl Perkins.
Tells the story of the life and multifaceted heritage of Mirza Fatali Akhundzadeh , the founder of Azerbaijani drama, a great public figure, who left an indelible mark on the history of Azerbaijani and Middle Eastern literature . The film depicts three periods of the playwright's life - childhood, youth and old age.
A winemaker overcomes the ignorance and illiteracy of his era to become a Torah commentator who defends the right to spiritual choice and freedom in the 11th century.
Based on the journal entries of Rachel Joy Scott, the first student killed in the Columbine High School shooting in 1999. She was the first person Harris and Klebold saw in their desire to kill as many people as possible, not because she was religious, as this movie will have you believe.
A Victorian surgeon rescues a heavily disfigured man being mistreated by his "owner" as a side-show freak. Behind his monstrous façade, there is revealed a person of great intelligence and sensitivity. Based on the true story of Joseph Merrick (called John Merrick in the film), a severely deformed man in 19th century London.
Set in 1890, this is the story of a Pony Express courier who travels to Arabia to compete with his horse, Hidalgo, in a dangerous race for a massive contest prize, in an adventure that sends the pair around the world...
A personal portrait of the victor of Waterloo, drawing on his own vast correspondence and the letters and memoirs of those who knew him best.
In 1943, as Hitler continues to wage war across Europe, a group of college students mount an underground resistance movement in Munich. Dedicated expressly to the downfall of the monolithic Third Reich war machine, they call themselves the White Rose. One of its few female members, Sophie Scholl is captured during a dangerous mission to distribute pamphlets on campus with her brother Hans. Unwavering in her convictions and loyalty to the White Rose, her cross-examination by the Gestapo quickly escalates into a searing test of wills as Scholl delivers a passionate call to freedom and personal responsibility.