Cuatro Vidas

Ninni is sixteen and she lives in a beautiful mansion in the swedish countryside with her family.

A family is leaving their apartment for a vacation in Poland. While waiting for the taxi cab, they ridicule each other using verbal abuse. Plot by Mattias Thuresson.

Conventions of civility among family members are severely strained by the very real breakup of the bonds between them. During a few days at a vacation home, Katha, a woman in late middle age, tries to cope with an influx of discontented, disconnected relatives. Her divorced daughter brings all sorts of people to the house, including a woman-friend accompanied by her psychotic son; the grandfather of the house is convinced he is dying and is satisfied by nothing; and some friends drop off their angry teenage son to stay with her, while they go on a long trip abroad. Her friend Emma doesn't help much with keeping a lid on things, as she is a social worker who is fascinated by the awfulness of these situations.

The day of the cremation of her grand mother, Emilie, a young mixed-race Asian girl, buries herself into her grandmother memories. She discovers the Indochina of Hoa, her romantic encounter with Jacques (a French colon), the birth of Linh (Emilie's mother) and her tragic departure to France in 1956. She relives with Linh the arrival into the camp of Sainte-Livrade, the exploitation of the Indochinese women by the market gardeners of Lot-et-Garonne. Between memories, dance, anger and traditional rituals, Emilie learns to accept this heritage.

A girl seeks help and guidance from a robot monster to cope with the bullies at school and her father's new girlfriend.

Britt-Marie, a woman in her sixties, decides to leave her husband and start anew. Having been a housewife for most of her life and living in the small backwater town of Borg with few jobs available, she soon finds herself fending a youth football team.

Two young women hide in an abandoned school to escape the consequences of one of their mistakes, only to be found by terror.

Shih-Yen is upset about Ko-Ching prioritizing her career over their marriage and even getting an abortion without his knowledge. To express discontent, Shih-Yen moves in with his mistress. Despite feeling overwhelmed by her messy personal life, Ko-Ching manages to lead her company and delivers a successful fashion show. The film reflects on career women’s struggles between family and work, it also describes the gender role stereotypes in a marriage. Although the film demonstrates clearly women’s difficult role in society, it still chooses to show the possibility of women being independent, capable and charming to refute the status quo of patriarchy.

A Hard Rain is the story of a revenge killing in a small Pacific NW island community.

Adaptation of a literary work on the slow deterioration of an orthodox family, where the women are unable to achieve emancipation and the men succumb to insanity.

An Autobiographical film about two young sisters first memory of death and the fear of dying.