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We're doing everything in our power to make you well again. My Name Is Julia Ross is directed by Joseph H. Lewis and adapted to screenplay by Muriel Roy Bolton from The Woman in Red written by Anthony Gilbert. It stars Nina Foch, Dame Mary Witty, George Macready, Roland Varno, Anita Sharp-Bolster and Doris Lloyd. Music is by Mischa Bakaleinikoff and cinematography by Burnett Guffey. Julia Ross (Foch) out of work and in debt arrears to her landlady, hastily accepts a in-house secretarial position to Mrs. Hughes (Whitty). Starting work in the Hughes house in London the first night, she wakes up two days later in a cliff-top mansion in Cornwall. She is told she has been away with mental health problems, her name is Marion Hughes and she is married to Ralph Hughes (Macready)... A very important film in the career of the great Joseph H. Lewis, My Name is Julia Ross would effectively put the director on the map, with noir fans subsequently rewarded with the likes of Gun Crazy and The Big Combo. Compact in running time (65 minutes) and budget, it's a film that showcases just what real good work could be achieved by a director and photographer noir team working under tight restrictions; classical noir production if you like. Story as it is is pretty straightforward and familiar, but atmosphere and visual smartness ensure this is no walk down retread lane. It falls into the Gothic noir spectrum of films, following in the traditions of Rebecca, Gaslight and Suspicion. In fact, it's also very much "old dark house" on staple terms, with eerie staircase, wood panelled rooms, secret passageways and even a black cat. While the setting, house on a seaside cliff where the mist rolls in at night, is splendidly moody. The characterisations (very well performed by the cast) are vivid and odd, with us clearly meant to note that Julia Ross is clearly the only normal being in the Hughes household! Best of the bunch is Macready's Ralph Hughes, the catalyst for all the things that are happening, he fondles his knives like a fetishist, a truly memorable noir antagonist. Ultimately it's what Lewis and Guffey bring to the fore that makes the film better than it is on the page. Expressionistic touches are here of course, but it's the skew-whiff camera placements and up close POV shots that bring the viewer into Julia's confused new world. Memorable scenes are frequent, be it a rain sodden street or Julia peering through the bars of her bedroom, there's visual treats aplenty here. The ending is all to quick and as is often the case in this type of narrative, implausibilities need to be ignored. But that is easy to do, because with atmosphere unbound and not a shot wasted, this is a safe recommendation to the Gothic noir faithful. 8/10
A young medical student travels to Berlin to investigate the apparent death of his brother and discovers a secret life of espionage, betrayal and murder at the highest levels.
When teenage students kidnap Jan Hale they do not mean her any real harm - they just want enough ransom money from her husband Mark to afford a life of luxury. However, when they leave Jan handcuffed to the steering wheel of their car in the freezing cold, they are not aware that she suffers from a potentially fatal heart condition. Mark is racing against time as he and the police play a game of cat and mouse with the kidnappers, aware that he may never see his wife alive again.
Carlos, a reckless card player burdened by debt, becomes involved in a shady affair when an old flame asks him to return a necklace he has pawned.
A woman with a mysterious illness is forced into action when a group of terrorists attempt to hijack a transatlantic overnight flight. In order to protect her son she will have to reveal a dark secret, and unleash the inner monster she has fought to hide.
It is a disturbing thriller about a home invasion of a wealthy family that lives in a small-high end apartment. The family is taken hostage as the invader psychologically tortures David, the head of the household, by causing harm to his family members as he watches.
Beautiful models are disappearing after auditioning for parts in an adult video. It's Tracey Tailor (Michelle Bauer) and Andy Baltimore (Ric Meyers) to the rescue.
Under the direction of a wealthy pervert, young women are being kidnapped, shipped off to a remote ranch and forced to submit and behave like horses by a whip-wielding dominatrix. This shot-on-video thriller with just R-rated nudity is noteworthy as one of the only non-porn films Traci Lords appeared in prior to the discovery of true age. She co-stars along with future Scream Queen Michelle Bauer.
Young women are being kidnapped by a rich sleazebag and his goons and are taken to a farm. At night they are forced to sleep on a barn floor. During the day, they are at the mercy of a sadistic dominatrix who dresses in leather outfits and forces them to behave like horses. This video uses footage from Pony Girl (1985) and Pony Girl Number Two (1985), with Traci Lords edited out of the proceedings despite the fact there's no X-rated material in the original tapes.
After interning her insane husband in a remote psychiatric hospital, book editor Helga Pato returns home by train, where she meets a mysterious man who identifies himself as a psychiatrist.
One year after their father's death, Charlie and Betty continue to ignore their grief, each other, and the mysterious creature following them. Their estranged Uncle Pete, believed to be dead, claims to know how to end the suffering.
The true story of 14-year-old freshman Abby Hernandez who vanished while walking home from school in North Conway, New Hampshire. Kicking off the state’s largest search, Abby’s disappearance left her family, especially her mother Zenya , investigators and the community mystified of her whereabouts. Taken by Nathaniel Kibby, Abby was kept is a soundproof container and forced to wear a shock collar while enduring psychological, sexual and emotional abuse. Despite suffering daily torture, Abby kept hope alive that she would one day be able to see her family again.
